{"version":"1.0","provider_name":"Art &amp; Politics in Africa","provider_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019","author_name":"dbess","author_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/author\/dbess\/","title":"Stadia II - Art &amp; Politics in Africa","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"esCfNMyWcF\"><a href=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/environment\/stadia-ii\/\">Stadia II<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/environment\/stadia-ii\/embed\/#?secret=esCfNMyWcF\" width=\"600\" height=\"338\" title=\"&#8220;Stadia II&#8221; &#8212; Art &amp; Politics in Africa\" data-secret=\"esCfNMyWcF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Julie Mehretu Ethiopian, b. 1970 Stadia II, 2004. Ink and acrylic on canvas, 108 x 144 inches Carnegie Museum of Art, Pittsburgh &nbsp; &nbsp; Stadia II, a painting from a series of three, fills its canvas with abstraction of color, line, and movement. Mehretu uses ink and acrylic to create a variety of lines, allowing [&hellip;]","thumbnail_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/Stadia-II-300x230.png"}