{"version":"1.0","provider_name":"Art &amp; Politics in Africa","provider_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019","author_name":"nboyce","author_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/author\/nboyce\/","title":"Portals - Art &amp; Politics in Africa","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MTqCrakLzm\"><a href=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/portals\/\">Portals<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/portals\/embed\/#?secret=MTqCrakLzm\" width=\"600\" height=\"338\" title=\"&#8220;Portals&#8221; &#8212; Art &amp; Politics in Africa\" data-secret=\"MTqCrakLzm\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Njideka Akunyili Crosby Nigeria, New York, b.1983 Portals 2016 Acrylic, transfers on paper, colored pencil, collage, and commemorative fabric on paper. Courtesy of the artist and Victoria Miro, London. Portals presents Njideka Crosby\u2019s desire to connect her various cultural experiences. She employs mixed media, taking images from Nigerian pop culture and politics, which feature significant [&hellip;]","thumbnail_url":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/crosby02-300x120.jpg"}