{"id":444,"date":"2019-05-05T20:54:22","date_gmt":"2019-05-05T20:54:22","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/?p=444"},"modified":"2019-05-11T20:47:58","modified_gmt":"2019-05-11T20:47:58","slug":"portals","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/portals\/","title":{"rendered":"Portals"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-445\" src=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/crosby02-300x120.jpg\" alt=\"\" width=\"300\" height=\"120\" srcset=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/crosby02-300x120.jpg 300w, https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/crosby02-768x308.jpg 768w, https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/crosby02.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"font-weight: 400\">Njideka Akunyili Crosby<br \/>\n<\/span><span style=\"font-weight: 400\">Nigeria, New York, b.1983<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400\">Portals<br \/>\n<\/span><span style=\"font-weight: 400\">2016<br \/>\n<\/span><span style=\"font-weight: 400\">Acrylic, transfers on paper, colored pencil, collage, and commemorative fabric on paper.<br \/>\n<\/span><span style=\"font-weight: 400\">Courtesy of the artist and Victoria Miro, London.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">Portals<\/span><\/i><span style=\"font-weight: 400\"> presents Njideka Crosby\u2019s desire to connect her various cultural experiences<\/span><span style=\"font-weight: 400\">. She employs mixed media, taking images from <\/span><span style=\"font-weight: 400\">Nigerian pop culture and politics, which feature significant figures such as pop stars, models and celebrities, as well as lawyers in white wigs and military dictators<\/span><span style=\"font-weight: 400\">\u00a0(Victoria Miro 2016: Njideka Akunyili Crosby). These pieces are representative of her origin and formative years in Nigeria; such things as the choice of portraiture and the patterned interiors speak to her experience in the US and training in European\/American art history. For Aken, this contrast creates &#8220;a new visual language that represents [her] experience&#8221; as a Nigerian woman living in the US. Likewise, displaying this artwork in the exhibition in New York (Human Interest: Portraits from the Whitney Collection) and London (Njideka Akunyili Crosby: Portals) created a transnational exhibition reflecting the artist\u2019s own effort to manifest the sentiment of existence and movement across national borders and seas. (Zelt 2018:122). \u00a0Crosby\u2019s intersectional representation of how her Nigerian and American experiences interact thus find its themes carried out both within and beyond the canvas of her artwork.<\/span><\/p>\n<p><a href=\"http:\/\/www.njidekaakunyilicrosby.com\/work\/portals#details\"><span style=\"font-weight: 400\">http:\/\/www.njidekaakunyilicrosby.com\/work\/portals#details<br \/>\n<\/span><\/a><a href=\"https:\/\/www.victoria-miro.com\/artists\/185-njideka-akunyili-crosby\/\"><span style=\"font-weight: 400\">https:\/\/www.victoria-miro.com\/artists\/185-njideka-akunyili-crosby\/<br \/>\n<\/span><\/a><span style=\"font-weight: 400\">Zelt, Natalie. 2018. Picturing an Impossible American: Njideka Akunyili Crosby and Photographic Transfers in Portals (2016). <\/span><i><span style=\"font-weight: 400\">Open Cultural Studies<\/span><\/i><span style=\"font-weight: 400\">. 2(1): 212-224. Retrieved 25 Apr. 2019, from <\/span><a href=\"https:\/\/doi.org\/10.1515\/culture-2018-0020\"><span style=\"font-weight: 400\">https:\/\/doi.org\/10.1515\/culture-2018-0020<\/span><\/a><span style=\"font-weight: 400\"> \u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Njideka Akunyili Crosby Nigeria, New York, b.1983 Portals 2016 Acrylic, transfers on paper, colored pencil, collage, and commemorative fabric on paper. Courtesy of the artist and Victoria Miro, London. Portals presents Njideka Crosby\u2019s desire to connect her various cultural experiences. She employs mixed media, taking images from Nigerian pop culture and politics, which feature significant [&hellip;]<\/p>\n","protected":false},"author":797,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[48,49,16],"tags":[],"class_list":{"0":"post-444","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-nigeria","7":"category-njidekaakunyilicrosby","8":"category-women-and-gender-artists","9":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Portals - Art &amp; Politics in Africa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/portals\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Portals - Art &amp; Politics in Africa\" \/>\n<meta property=\"og:description\" content=\"Njideka Akunyili Crosby Nigeria, New York, b.1983 Portals 2016 Acrylic, transfers on paper, colored pencil, collage, and commemorative fabric on paper. 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