{"id":651,"date":"2019-05-11T19:51:13","date_gmt":"2019-05-11T19:51:13","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/?p=651"},"modified":"2019-05-11T19:51:13","modified_gmt":"2019-05-11T19:51:13","slug":"the-childs-mother-holds-the-sharp-side-of-the-knife","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/south-africa\/the-childs-mother-holds-the-sharp-side-of-the-knife\/","title":{"rendered":"The child&#8217;s mother holds the sharp side of the knife"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/Sharp-Side-of-the-Knife.png\" rel=\"lightbox[651]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-652 alignleft\" src=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/Sharp-Side-of-the-Knife-300x195.png\" alt=\"The child's mother holds the sharp side of the knife\" width=\"300\" height=\"195\" srcset=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/Sharp-Side-of-the-Knife-300x195.png 300w, https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/wp-content\/uploads\/sites\/256\/2019\/05\/Sharp-Side-of-the-Knife.png 622w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Helen Mmakgabo Sebidi (b. 1943, South African)<br \/>\n<em>The child&#8217;s mother holds the sharp side of the knife<br \/>\n<\/em>1988-89<br \/>\nPastel on paper<br \/>\n73 1\/2 x 110 1\/4 inches<br \/>\nIziko SANG collection<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">Starting Helen Mmakgabo Sebidi\u2019s artistic career with depictions of rural life, she did not make artistic social commentary until the mid-1980s. Even once she shifted to illustrating experiences in an urban environment, Sebidi never self-identified as a feminist. However, Sebidi said her art aimed to demonstrate \u201cthe conflict between women and men, the past and the present.\u201d Sebidi\u2019s work expressed the conflicts and challenges presented to South African women during her lifetime. She put forward feminist ideals by presenting women as people with power and agency. This work depicts a woman pulling a chain amidst chaos, which demonstrates these ideals of female strength. This chain represents South African tradition, while the work as a whole symbolizes a woman\u2019s responsibility to carry on tradition despite changing times. Therefore, Sebidi contributes to the feminist movement with a new perspective that views women as powerful beings having important cultural responsibilities. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Helen Mmakgabo Sebidi (b. 1943, South African) The child&#8217;s mother holds the sharp side of the knife 1988-89 Pastel on paper 73 1\/2 x 110 1\/4 inches Iziko SANG collection &nbsp; Starting Helen Mmakgabo Sebidi\u2019s artistic career with depictions of rural life, she did not make artistic social commentary until the mid-1980s. Even once [&hellip;]<\/p>\n","protected":false},"author":799,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[73],"tags":[30,79,26,24],"class_list":{"0":"post-651","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-south-africa","7":"tag-gender","8":"tag-sebidi","9":"tag-south-africa","10":"tag-womens-rights","11":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The child&#039;s mother holds the sharp side of the knife - Art &amp; Politics in Africa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/women-and-gender-artists\/south-africa\/the-childs-mother-holds-the-sharp-side-of-the-knife\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The child&#039;s mother holds the sharp side of the knife - Art &amp; Politics in Africa\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Helen Mmakgabo Sebidi (b. 1943, South African) The child&#8217;s mother holds the sharp side of the knife 1988-89 Pastel on paper 73 1\/2 x 110 1\/4 inches Iziko SANG collection &nbsp; Starting Helen Mmakgabo Sebidi\u2019s artistic career with depictions of rural life, she did not make artistic social commentary until the mid-1980s. 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