{"id":667,"date":"2019-05-12T18:09:20","date_gmt":"2019-05-12T18:09:20","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/?p=667"},"modified":"2019-05-13T20:33:40","modified_gmt":"2019-05-13T20:33:40","slug":"umaskhenkethe-likhaya-lam","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/africana-studies-2251-spring-2019\/health\/umaskhenkethe-likhaya-lam\/","title":{"rendered":"Umaskhenkethe Likhaya Lam"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure style=\"width: 185px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static1.squarespace.com\/static\/51c75a8de4b0c275d0aaa3b4\/543d5db4e4b095f637f06716\/552edffde4b0c6b6fbd1273f\/1429135357947\/Nobukho+Nqaba+%282%29.jpg?format=1000w\" alt=\"\" width=\"185\" height=\"272\" \/><figcaption class=\"wp-caption-text\">Nobukho Nqaba, <em>Umaskhenkethe Likhaya Lam<\/em><\/figcaption><\/figure>\n<p><strong>Nobukho Nqaba<\/strong><\/p>\n<p>South African, b.1992<\/p>\n<p><em>Umaskhenkethe Likhaya Lam <\/em><\/p>\n<p>2012<\/p>\n<p>Photograph<\/p>\n<p>South Africa<\/p>\n<p>AKAA Art Fair, Paris, France<\/p>\n<p><!--more--><\/p>\n<p><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">This photograph shows the artist\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"SpellingError SCXW151225947 BCX0\">Nobukho<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"SpellingError SCXW151225947 BCX0\">Nqaba<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">, focused within South Africa, dressed in \u201cChina bags\u201d that symbolize migration. The bags are<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">filled with clothing and food for immigrants traveling to their new destination. For\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"SpellingError SCXW151225947 BCX0\">Nqaba<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">, the<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">se<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">bag<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">s\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">held memories of travel from the Eastern Cape to Cape Town<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0a<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">nd<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">served as\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">physical ties to her past. These items serve as congealed forms of stress of an international immigrant. As she\u2019s surrounded by these objects of stress and movement<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">, they merge with her, and become a part of her identity<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">.\u00a0The bags encapsulate her, binding them to her memory and her body<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">. Subsequently, these bags are now positive reminders of her strength and experience as a migrant, each bag carried across a different journey.<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0Natives may be unaware of the pressure there can be for immigrants, and\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"SpellingError SCXW151225947 BCX0\">Umaskhenkethe<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"SpellingError SCXW151225947 BCX0\">Likhaya<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0Lam\u00a0<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">open<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">s<\/span><\/span><span class=\"TextRun SCXW151225947 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\"><span class=\"NormalTextRun SCXW151225947 BCX0\">\u00a0dialogue on this often-invisible aspect of mental health for immigrants.<\/span><\/span><span class=\"EOP SCXW151225947 BCX0\">\u00a0<\/span><\/p>\n<p>Tyrese Duncan-Moore &#8217;22<\/p>\n<h5>Bibliography<\/h5>\n<ol>\n<li>\u00a0Kpanake,\u00a0Lonzozou. \u201cCultural Concepts of the Person and Mental Health in Africa.\u201d Transcultural Psychiatry 55, no. 2 (April 2018): 198\u2013218. doi:10.1177\/1363461517749435.<\/li>\n<\/ol>\n<p>This article focuses on viewing how therapists can treat African patients. Their cultural values reveal potential underlying mental illnesses.<\/p>\n<ol>\n<li>\u00a0Huang,\u00a0Mingwei. \u201cThe Foreign and the Familiar: Reading the China Bag in South Africa.\u201d International Journal of Cultural Studies, (February 2019). doi:10.1177\/1367877919831015.<\/li>\n<\/ol>\n<p>This article focuses on the history of China bags and analyzes its significance for immigrant communities.<\/p>\n<ol>\n<li>Steel, Jennifer L., Andrea C. Dunlavy, Collette E. Harding, and\u00a0T\u00f6\u00a0Theorell. &#8220;The Psychological Consequences of Pre-Emigration Trauma and Post-Migration Stress in Refugees and Immigrants from Africa.&#8221;\u00a0<i>Journal of Immigrant and Minority Health<\/i>\u00a019, no. 3 (06, 2017): 523-532.\u00a0doi:http:\/\/dx.doi.org\/10.1007\/s10903-016-0478-z.\u00a0<a href=\"https:\/\/login.ezproxy.bowdoin.edu\/login?url=https:\/\/search.proquest.com\/docview\/1890005427?accountid=9681\">https:\/\/login.ezproxy.bowdoin.edu\/login?url=https:\/\/search.proquest.com\/docview\/1890005427?accountid=9681<\/a>.<\/li>\n<\/ol>\n<p>More detail and analysis of the mental health consequences of being an African immigrant are covered within this article.<\/p>\n<ol>\n<li>&#8220;Nobukho\u00a0Nqaba.&#8221; ART MEETS. Accessed May 11, 2019. http:\/\/artmeets.agency\/nobukho-nqaba.<\/li>\n<\/ol>\n<p>The artist is covered within this article, as well as the meaning of the exhibition to the\u00a0artist.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Nobukho Nqaba South African, b.1992 Umaskhenkethe Likhaya Lam 2012 Photograph South Africa AKAA Art Fair, Paris, France<\/p>\n","protected":false},"author":801,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"sidebar-content","footnotes":""},"categories":[17,75],"tags":[81,25,26],"class_list":{"0":"post-667","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-health","7":"category-mental-health","8":"tag-immigration","9":"tag-mental-health","10":"tag-south-africa","11":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Umaskhenkethe Likhaya Lam - Art &amp; 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