{"id":398,"date":"2020-12-07T18:09:55","date_gmt":"2020-12-07T23:09:55","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-female-pregnancy\/?page_id=398"},"modified":"2020-12-18T12:09:51","modified_gmt":"2020-12-18T17:09:51","slug":"intersectionality-in-contemporary-depictions","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-female-pregnancy\/themes\/intersectionality-in-contemporary-depictions\/","title":{"rendered":"INTERSECTIONALITY IN CONTEMPORARY DEPICTIONS"},"content":{"rendered":"

Welcome to our last theme of the exhibition – Intersectionality and Visibility of Pregnancy in Contemporary Depictions<\/em>. Please begin by watching the video below. It will expand on recent history of pregnancy portraits, detail how far we have come from early representation, and reflect on the work that still needs to be done in creating an inclusive narrative of pregnancy and its physical burden. After the video, you might want to return to the individual images by Annie Leibovitz, Awol Erizku, and Titus Kaphar; or you can continue scrolling to the guided reflection.<\/h4>\n

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[ensemblevideo contentid=R_u816tP2EiabFtmF-HkzA]<\/h4>\n

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Featured Works (Click to read more):<\/h4>\n

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\u00a0Click here for more information<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Click here for more information<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Click here for more information<\/a><\/p>\n

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Reflection:<\/h1>\n

Like one (and just one!) of the eight magazine covers below.<\/p>\n

Afterwards, scroll down to find questions to reflect on your chosen image.<\/p>\n

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\"\"Cosmopolitan Nov. 2020\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Vogue Brasil, Nov. 2020\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vanity Fair, Feb. 2018\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ESPN, July 2013<\/p>\n

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Ebony, Nov. 2011\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 In Style, Aug. 2011\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Latina, Feb. 2008\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Harper’s Bazaar, Aug. 2006<\/p>\n

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