{"id":425,"date":"2020-12-06T23:16:56","date_gmt":"2020-12-06T23:16:56","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/?p=425"},"modified":"2020-12-21T18:54:30","modified_gmt":"2020-12-21T18:54:30","slug":"la-fornarina","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/catalogue\/la-fornarina\/","title":{"rendered":"La Fornarina"},"content":{"rendered":"<p style=\"text-align: center\"><a href=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/gallery-of-images\/\">Back to Gallery<\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-335 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/wp-content\/uploads\/sites\/482\/2020\/12\/La-Fornarina-202x300.jpg\" alt=\"\" width=\"202\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/wp-content\/uploads\/sites\/482\/2020\/12\/La-Fornarina-202x300.jpg 202w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/wp-content\/uploads\/sites\/482\/2020\/12\/La-Fornarina.jpg 516w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/p>\n<p><b>Raphael, <\/b><b><i>La Fornarina<\/i><\/b><b>, 1518-1519, 33 in \u00d7 24 in. (85 cm \u00d7 60 cm), oil on wood, National Gallery of Ancient Art, Rome.\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400\">The great artist Raphael was known for his love of sex. While working in Rome, he found his muse, Margherita Luti, and painted a portrait to commemorate her beauty.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Margherita is outfitted in draping red and translucent fabric, her pale breasts exposed in the harsh white light. She dons a coordinating oriental hat and armband, suggesting a degree of wealth as a result of her association with Raphael. Her armlet reads \u201cRAPHAEL URBINAS\u201d in gold letters. While her chest is ghostly white, Margherita\u2019s face is flushed red with heat. Her left hand rests in her lap, while her right hand is drawn under her left breast.<\/span><\/p>\n<p><span style=\"font-weight: 400\">This eroticized painting of a male artists\u2019 muse is a theme stretching across centuries of portraiture. Studios are a male-dominated space where artists have artistic and sexual control over models. Carol Duncan notes that females in portraiture \u201cusually appear as personal possessions of the artist, part of his specific studio and objects of his particular gratification.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Margherita\u2019s hand placement over her breast and her groin has strong sexual implications. Raphael claims ownership of his muse by posing her in the nude, but also by dressing her in expensive accessories, and depicting her in an armband with his name stitched in gold.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sources:<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cBiography of Raphael.\u201d <\/span><i><span style=\"font-weight: 400\">Raphael Biography | Life, Paintings, Influence on Art<\/span><\/i><span style=\"font-weight: 400\">, 2002, <\/span><a href=\"http:\/\/www.raphaelsanzio.org\/biography.html\"><span style=\"font-weight: 400\">www.raphaelsanzio.org\/biography.html<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Duncan, Carol. \u201cVirility and Domination in Early Twentieth-Century Vanguard Painting.\u201d <\/span><i><span style=\"font-weight: 400\">Feminism and Art History: Questioning the Litany<\/span><\/i><span style=\"font-weight: 400\">, edited by Norma Broude and Mary D. Garrard, Harper &amp; Row, 1982, pp. 293\u2013313.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Penny, Nicholas. \u201cRaphael.\u201d Grove Art Online. 2003. Oxford University press. Date of access 2 Dec. 2020, &lt;<\/span><a href=\"https:\/\/www-oxfordartonline-com.ezproxy.bowdoin.edu\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000070770\"><span style=\"font-weight: 400\">https:\/\/www-oxfordartonline-com.ezproxy.bowdoin.edu\/groveart\/view\/10.1093\/gao\/9781884446054.001.0001\/oao-9781884446054-e-7000070770<\/span><\/a><span style=\"font-weight: 400\">&gt;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back to Gallery Raphael, La Fornarina, 1518-1519, 33 in \u00d7 24 in. (85 cm \u00d7 60 cm), oil on wood, National Gallery of Ancient Art, Rome.\u00a0 The great artist Raphael was known for his love of sex. While working in Rome, he found his muse, Margherita Luti, and painted a portrait to commemorate her beauty. [&hellip;]<\/p>\n","protected":false},"author":1216,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-425","post","type-post","status-publish","format-standard","hentry","category-catalogue"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Fornarina - Portraits of Women<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-portraits-of-women\/catalogue\/la-fornarina\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Fornarina - Portraits of Women\" \/>\n<meta property=\"og:description\" content=\"Back to Gallery Raphael, La Fornarina, 1518-1519, 33 in \u00d7 24 in. 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