{"id":337,"date":"2020-12-08T16:16:43","date_gmt":"2020-12-08T21:16:43","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/?p=337"},"modified":"2020-12-21T15:53:32","modified_gmt":"2020-12-21T20:53:32","slug":"keisai-eisen","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/catalogue\/keisai-eisen\/","title":{"rendered":"Courtesan with Two Attendants under Cherry Tree"},"content":{"rendered":"<p><strong>Keisai Eisen<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-467 alignright\" src=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-206x300.jpg\" alt=\"Keisai Eisen, Courtesan with Two Attendants under Cherry Tree, 1790-1848, 39.05 cm x 26.35 cm, color woodcut on paper, Bowdoin College Museum of Art.\" width=\"206\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-206x300.jpg 206w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-705x1024.jpg 705w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-768x1116.jpg 768w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-1057x1536.jpg 1057w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-1410x2048.jpg 1410w, https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/wp-content\/uploads\/sites\/483\/2020\/12\/1935.258_Eisen-scaled.jpg 1762w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/strong><br \/>\n1790 &#8211; 1848<\/p>\n<p><em>Courtesan with Two Attendants under Cherry Tree<\/em><br \/>\nDimensions: 39.05 cm x 26.35 cm<br \/>\nMedium: color woodcut on paper<br \/>\nDate Created: 1790-1848<\/p>\n<p>Keisai Eisen was born in the Edo period of Japan, characterized by isolationist foreign policies but a thriving economy and culture within the country\u2019s borders. Eisen was a successful artist specializing in woodblock prints of beautiful women, known as bijinga. Eisen captures the rich detail and colors of the courtesan\u2019s attire, as these images identified popular fashions and were circulated among the upper class. The adornment of elaborate drapery on this courtesan reaffirms her higher class status relative to common prostitutes of the time, known as y\u016bjo. She is heavily decorated and attended by two figures, possibly en route to an entertaining gathering of upper-class society. This courtesan is displayed under a cherry tree, known for their intense but short-lived beauty. The cherry tree is also often used for decoration around the New Year to symbolize rebirth, which is perhaps another gendered-female social concept.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keisai Eisen 1790 &#8211; 1848 Courtesan with Two Attendants under Cherry Tree Dimensions: 39.05 cm x 26.35 cm Medium: color woodcut on paper Date Created: 1790-1848 Keisai Eisen was born in the Edo period of Japan, characterized by isolationist foreign policies but a thriving economy and culture within the country\u2019s borders. Eisen was a successful [&hellip;]<\/p>\n","protected":false},"author":1220,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[16,1],"tags":[],"class_list":{"0":"post-337","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-commodification-and-power","7":"category-catalogue","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Courtesan with Two Attendants under Cherry Tree - Women, Gender, Sexuality, Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/art-history-2560-fall-2020-women-and-textiles\/catalogue\/keisai-eisen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Courtesan with Two Attendants under Cherry Tree - Women, Gender, Sexuality, Art\" \/>\n<meta property=\"og:description\" content=\"Keisai Eisen 1790 &#8211; 1848 Courtesan with Two Attendants under Cherry Tree Dimensions: 39.05 cm x 26.35 cm Medium: color woodcut on paper Date Created: 1790-1848 Keisai Eisen was born in the Edo period of Japan, characterized by isolationist foreign policies but a thriving economy and culture within the country\u2019s borders. 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