Bibliography<\/b><\/p>\n
With thanks to Kesley Gallagher for sharing her bibliography, which serves as the foundation for this one.<\/p>\n
Background Reading<\/b><\/p>\n
Sarah Burns, Inventing the Modern Artist: Art and Culture in Gilded Age America<\/i> (Yale UP, 1996<\/p>\n
David Lubin, Picturing a Nation: Art and Social Change in Nineteenth-Century America<\/i>, (New Haven, 1994)<\/p>\n
Nancy Rose Marshall, City of Gold and Mud: Painting Victorian London<\/i> (Yale UP, 2012)<\/p>\n
Lynda Nead, Victorian Babylon: People, Streets and Images in Nineteenth-Century London<\/i> (Yale UP, 2000),<\/p>\n
Anna Gruetzner Robins, A Fragile Modernism: Whistler and His Impressionist Followers<\/i> (Yale UP, 2007)<\/p>\n
Georg Simmel, \u2018The Metropolis and Mental Life\u2019 (1903), in Bridge and Watson, eds, The Blackwell City Reader<\/i><\/p>\n
<\/p>\n
Camden Town Group<\/b><\/p>\n
Wendy Baron, Perfect Moderns: A History of the Camden Town Group<\/i> (Ashgate, 1999)<\/p>\n
\u2018The Camden Town Group in Context\u2019, Tate http:\/\/www.tate.org.uk\/art\/research-publications\/camden-town-group<\/a><\/p>\n Robert Upstone, ed, Modern Painters: The Camden Town Group<\/i>, exhib cat (Tate, 2008)<\/p>\n Charles Harrison, English Art and Modernism, 1900-1939<\/i> (Allen Lane\/ Indiana UP, 1981), Chapter 2<\/p>\n Walter Sickert<\/i><\/p>\n David Peters Corbett, \u2018\u201cGross Material Facts\u201d: Sexuality, Identity and the City in Walter Sickert\u2019, Art History<\/i>, 21:1 (March 1998), 45-64<\/p>\n Anna Gruetzner Robins, Walter Sickert: Drawings, Theory and Practice; Word and Image<\/i> (1996), 34-75<\/p>\n Anna Gruetzer Robins, Walter Sickert: The Complete Writings on Art <\/i>(Oxford: Oxford University Press, 2000).<\/p>\n Lisa Tickner, \u2018Walter Sickert: The Camden Town Murder<\/i> and Tabloid Crime\u2019, in Modern Life and Modern Subjects<\/i> (2000), 11-47<\/p>\n Walter Sickert: The Complete Writings on Art<\/i>, ed Anna Gruetzner Robins (Oxford, 2000)<\/p>\n Barnaby Wright (ed.), Walter Sickert: The Camden Town Nudes<\/i> (2007)<\/p>\n Spencer Gore<\/i><\/p>\n Ysanne Holt, \u2018An Ideal Modernity: Spencer Gore at Letchworth\u2019, in The Geographies of Englishness: Landscape and the National Past, 1880-1940<\/i>, eds, David Peters Corbett, Ysanne Holt and Fiona Russell (Yale UP, 2002)<\/p>\n <\/p>\n Ashcan School<\/b><\/p>\n Alexis L. Boylan, Ashcan Art, Whiteness and the Unspectacular Man<\/i> (Bloomsbury, 2017).<\/p>\n David Peters Corbett, An American Experiment: George Bellows and the Ashcan Painters<\/i> (National Gallery, London \/ Yale UP, 2011)<\/p>\n Joanne Mancini, \u2018\u201cOne Term is as Fatuous as Another\u201d: Responses to the Armory Show Reconsidered\u2019, American Quarterly<\/i>, 51:4 (1999)<\/p>\n Rebecca Zurier, et al, Metropolitan Lives: The Ashcan Artists and their New York <\/i>(W. W. Norton, 1995).<\/p>\n Rebecca Zurier, Picturing the City: Urban Vision and the Ashcan School<\/i> (University of California Press, 2006)<\/p>\n George Bellows<\/i><\/p>\n Martin Berger, \u201cGeorge Bellows and the Complications of Race,\u201d in George Bellows Revisited<\/i>, ed. M. Melissa Wolfe (2016)<\/p>\n Charles Brock, ed., George Bellows<\/i>, exhib. cat (National Gallery, Washington DC, 2012)<\/p>\n Marianne Doezema, George Bellows and Urban America<\/i> (Yale UP, 1992), Chapter 2<\/p>\n John Fagg, On the Cusp: Stephen Crane, George Bellows, and Modernism<\/i> (University of Alabama Press, 2009)<\/p>\n Robert Haywood, \u2018George Bellows\u2019s Stag at Sharkey\u2019s<\/i>: Boxing, Violence and Male Identity\u2019, Smithsonian Studies in American Art<\/i>, 2:2 (Spring 1988): 2-15<\/p>\n Sarah Newman, \u201cGeorge Bellows\u2019s New York and the Spectacular Reality of the City\u201d, American Art<\/i>, 18:3 (September 2004): 92-99<\/p>\n Melissa Wolfe, ed., George Bellows Revisited: New Considerations of the Painter\u2019s Oeuvre<\/i> (Cambridge Scolars Press, 2016)<\/p>\n Edward W. Wolner, \u2018George Bellows, Georg Simmel and Modernizing New York\u2019, American Art<\/i>, 29:1 (Spring 2015): 106-121<\/p>\n Theresa Bernstein<\/i><\/p>\n Patricia M. Burnham, \u201cTheresa Bernstein,\u201d Woman\u2019s Art Journal <\/i>9\/2 (Autumn 1988-Winter 1989): 22-7.<\/p>\n Gail Levin, Theresa Bernstein: A Century in Art<\/i>, (2013)<\/p>\n Robert Henri<\/i><\/p>\n Robert Henri, The Art Spirit<\/i> [1923] (Cambridge MA, 2007)<\/p>\n William Glackens<\/i><\/p>\n Richard Wattennmaker, \u201cWilliam Glackens\u2019 Beach Scenes at Bellport,\u201d Smithsonian Studies in American Art <\/i>2\/2 (Spring 1988): 74-94.<\/p>\n John Sloan<\/i><\/p>\n Heather Campbell Coyle, et al, John Sloan\u2019s New York<\/i>, exhib cat (Yale UP, 2007)<\/p>\n Michael Lobel, John Sloan: Drawing on Illustration <\/i>(Yale UP, 2014), Chapters 2 and 4<\/p>\n John Sloan, The Gist of Art<\/i><\/p>\n John Sloan Manuscript Collection, Delaware Art Museum<\/p>\n