{"id":62,"date":"2020-04-29T10:46:10","date_gmt":"2020-04-29T14:46:10","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/?page_id=62"},"modified":"2020-05-06T18:05:37","modified_gmt":"2020-05-06T22:05:37","slug":"william-schaus","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/gallery-bios\/william-schaus\/","title":{"rendered":"William Schaus"},"content":{"rendered":"<p><b>Active Dates:<\/b><span style=\"font-weight: 400\"> 1820-1892<\/span><\/p>\n<p><b>Gallerist: <\/b><span style=\"font-weight: 400\">William Schaus<\/span><\/p>\n<p><b>Location<\/b><span style=\"font-weight: 400\">:<sup class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-1\">1<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">All dates and locations from &#8220;American Art News, Vol. 9, No. 18.&#8221; American Art News 9, no. 18 (1911): 1-8. <\/span> <\/span><\/p>\n<p><span style=\"font-weight: 400\">1853-1883: 749 Broadway<\/span><\/p>\n<p><span style=\"font-weight: 400\">1856: 629 Broadway<\/span><\/p>\n<p><span style=\"font-weight: 400\">1863: 729 Broadway<\/span><\/p>\n<p><span style=\"font-weight: 400\">1890: 204 Fifth Avenue<\/span><\/p>\n<p><b>Specialty:<\/b><span style=\"font-weight: 400\"> Landscapes and genre paintings of American and European artists. <\/span><\/p>\n<p><b>Gallery History<\/b><\/p>\n<p><span style=\"font-weight: 400\">William Schaus opened his first gallery in 1853, and he steadily maintained different gallery spaces on Broadway Street until selling his company to his nephew, Herman Schaus, in 1886.<sup class=\"modern-footnotes-footnote \" data-mfn=\"2\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-2\">2<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-2\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"2\"> &#8220;American Art News, Vol. 9, No. 18.&#8221;<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400\">William Schaus was of German descent. In 1847, he moved from Paris to work in the New York branch of Goupil &amp; Co. He was charming, persuasive, and highly successful; after fifteen years working for Goupil &amp; Co., and a lack of profits to reflect his success as a dealer, he left and opened his own gallery and art supply store (\u201cImporters of Paintings, Engravings, and Artists\u2019 Materials\u201d [but may have been known as \u201cWilliam Schaus and Company\u201d]) in 1853 at 749 Broadway.<sup class=\"modern-footnotes-footnote \" data-mfn=\"3\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-3\">3<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-3\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"3\">Malcolm Goldstein. Landscape with Figures: A History of Art Dealing in the United States. Oxford University Press, New York. 2000. 55.<\/span> <\/span><span style=\"font-weight: 400\">He not only held exhibitions, but also he sold frames among various art supplies as well as published many prints. In the beginning of his independent career, he supported many American artists such as William Sidney Mount, Jasper Cropsey, and Lilly Martin Spencer.<sup class=\"modern-footnotes-footnote \" data-mfn=\"4\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-4\">4<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-4\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"4\"> &#8220;American Art News, Vol. 9, No. 18.&#8221;<\/span>\u00a0Goldstein, Malcolm, Landscape with Figures: A History of Art Dealing in the United States. Oxford University Press, New York. 2000. 55.[\/mfn] <\/span><span style=\"font-weight: 400\">The majority of these works were landscape paintings or depicted domestic scenes. Despite this admiration for American painters, Schaus continued to exhibit and sell European art and soon transitioned to showing European paintings, sculptures, and prints nearly exclusively. Unlike many of his fellow leading New York collectors, he occasionally bought and sold European master paintings\u2014despite the strong fear surrounding the risk of forgeries.<sup class=\"modern-footnotes-footnote \" data-mfn=\"5\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-5\">5<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-5\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"5\"> \u201cWilliam Schaus.\u201d Metropolitan Museum of Art. <a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search#!?q=william%20schaus\" target=\"_blank\" rel=\"noopener noreferrer\">metmuseum.org<\/a>.<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400\">Schaus bought and sold the first Rembrandt to America\u2014\u201cThe Gilder\u201d\u2014as well as many other notable European works of Goya, Rousseau, Gericault, Corot, Diaz, Dupre, Israels, and Van Dyck, among others.<sup class=\"modern-footnotes-footnote \" data-mfn=\"6\" data-mfn-post-scope=\"00000000000004190000000000000000_62\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-00000000000004190000000000000000_62-6\">6<\/a><\/sup><span id=\"mfn-content-00000000000004190000000000000000_62-6\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"6\"> \u201cWilliam Schaus.\u201d<\/span><\/span><\/p>\n<p><strong>Illustrations<\/strong><\/p>\n<figure id=\"attachment_63\" aria-describedby=\"caption-attachment-63\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-63 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image-300x228.jpeg\" alt=\"\" width=\"300\" height=\"228\" srcset=\"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image-300x228.jpeg 300w, https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image-1024x777.jpeg 1024w, https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image-768x583.jpeg 768w, https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/04\/main-image.jpeg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-63\" class=\"wp-caption-text\">Unknown artist. Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America.\u00a0Published by William Schaus. Lithograph.<\/figcaption><\/figure>\n<p><b>Date Written: <\/b><span style=\"font-weight: 400\">April 24, 2020<\/span><\/p>\n<p><b>Contributors: <\/b><span style=\"font-weight: 400\">KS, AB<\/span><\/p>\n<p><a href=\"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-content\/uploads\/sites\/368\/2020\/05\/William-Schaus-Gallery-Bio-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">William Schaus Gallery Bio PDF<\/a><\/p>\n<p><b>Primary Sources<\/b><\/p>\n<p><span style=\"font-weight: 400\">&#8220;American Art News, Vol. 9, No. 18.&#8221; <\/span><i><span style=\"font-weight: 400\">American Art News<\/span><\/i><span style=\"font-weight: 400\"> 9, no. 18 (1911): 1-8.\u00a0<\/span><\/p>\n<p><b>Secondary Sources<\/b><\/p>\n<p><span style=\"font-weight: 400\">Goldstein, Malcolm, <\/span><i><span style=\"font-weight: 400\">Landscape with Figures: A History of Art Dealing in the United\u00a0<\/span><\/i><i><span style=\"font-weight: 400\">States.<\/span><\/i><span style=\"font-weight: 400\"> Oxford University Press, New York. 2000.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">St. Clair, Michael, \u201cThe Art Dealers.\u201d <\/span><i><span style=\"font-weight: 400\">The Great Chinese Art Transfer: How So Much\u00a0<\/span><\/i><i><span style=\"font-weight: 400\">of China\u2019s Art Came to America. <\/span><\/i><span style=\"font-weight: 400\">Fairleigh Dickinson University Press, 2016. 102.<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u201cWilliam Schaus.\u201d <\/span><i><span style=\"font-weight: 400\">Metropolitan Museum of Art. <\/span><\/i><span style=\"font-weight: 400\">metmuseum.org.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Active Dates: 1820-1892 Gallerist: William Schaus Location: 1853-1883: 749 Broadway 1856: 629 Broadway 1863: 729 Broadway 1890: 204 Fifth Avenue Specialty: Landscapes and genre paintings of American and European artists. Gallery History William Schaus opened his first gallery in 1853, and he steadily maintained different gallery spaces on Broadway Street until selling his company to [&hellip;]<\/p>\n","protected":false},"author":795,"featured_media":63,"parent":40,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-62","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/pages\/62","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/users\/795"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/comments?post=62"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/pages\/62\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/pages\/40"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/media\/63"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/art-history-3570-spring-2020\/wp-json\/wp\/v2\/media?parent=62"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}