{"id":391,"date":"2017-04-19T10:46:12","date_gmt":"2017-04-19T14:46:12","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/?p=391"},"modified":"2017-04-19T10:46:12","modified_gmt":"2017-04-19T14:46:12","slug":"391","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/romancing-the-sonnet\/391\/","title":{"rendered":""},"content":{"rendered":"<p>I was particularly struck by the repetition of the use of &#8220;poison&#8221; and &#8220;devil&#8221; throughout the first act. There seems to be an inherent fear of sin and how sin transports. The characters treat sin as a disease to be caught. More specifically I am interested in the many forms that sin and evil, that the text presumes, can occupy. They cite it as both a force, a spirit, a figure, and a physical embodiment. I assume that the \u00a0malleability of evil and sin was reinforced in order to impose fear, constrain freedoms and maintain\u00a0\u00a0social order. In addition, the first act spends a lot of time focusing on the subject of the Duchess&#8217; widowship. Ferdinand explicitly conveys this concern, while Antonio spend over three pages discussing it as well. I know that once a woman&#8217;s husband dies she is granted the freedom to remarry and own property (unsure about that one). I am interested in the lines that the male characters draw, to constrain the duchess&#8217;s \u00a0new found social and sexual flexibility.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was particularly struck by the repetition of the use of &#8220;poison&#8221; and &#8220;devil&#8221; throughout the first act. There seems to be an inherent fear of sin and how sin transports. The characters treat sin as a disease to be caught. More specifically I am interested in the many forms that sin and evil, that [&hellip;]<\/p>\n","protected":false},"author":410,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-391","post","type-post","status-publish","format-standard","hentry","category-romancing-the-sonnet"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/posts\/391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/users\/410"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/comments?post=391"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/posts\/391\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/media?parent=391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/categories?post=391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/english-2202-spring-2017\/wp-json\/wp\/v2\/tags?post=391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}