{"id":111,"date":"2018-01-31T09:39:29","date_gmt":"2018-01-31T14:39:29","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/?p=111"},"modified":"2018-01-31T09:39:29","modified_gmt":"2018-01-31T14:39:29","slug":"guia-de-preguntas-jornada-i","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/valor-agravio-y-mujer\/guia-de-preguntas-jornada-i\/","title":{"rendered":"gu\u00eda de preguntas: jornada I"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-50 aligncenter\" src=\"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-300x238.jpeg\" alt=\"\" width=\"300\" height=\"238\" srcset=\"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-300x238.jpeg 300w, https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-150x119.jpeg 150w, https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-768x610.jpeg 768w, https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-1024x813.jpeg 1024w, https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview-624x496.jpeg 624w, https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-content\/uploads\/sites\/182\/2018\/01\/Michael-Palma-Mir-for-Repertorio-Dress-Valor-001_preview.jpeg 1934w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>1) En el soliloquio de Don Juan hay una auto representaci\u00f3n par\u00f3dica de Don Juan en la que este personaje plantea ciertos conceptos clave de esta obra, como el amor, el poder, los g\u00e9neros sexuales y el matrimonio. \u00a0Comenten sobre ellos.<\/p>\n<p>2) Do\u00f1a Leonor se presenta a s\u00ed misma como mujer varonil, no motivada por el amor. \u00a0\u00bfQu\u00e9 la motiva? \u00a0Relacionen esta autopresentaci\u00f3n con la del personaje de Don Juan, y con las de Don Juan y Tisbea en <u>El burlador<\/u>.<\/p>\n<p>3) Al principio del primer acto o &#8220;Jornada primera&#8221; Don Juan reconoce que ha faltado a su promesa matrimonial para con Do\u00f1a Leonor. \u00a0\u00bfC\u00f3mo se representa esta situaci\u00f3n distinta de las de Do\u00f1a Isabela, Tisbea, Aminta y Do\u00f1a Ana de Ulloa en <u>El burlador<\/u>? \u00a0\u00bfQu\u00e9 papel desempe\u00f1a la Condesa Estela en todo este asunto?<\/p>\n<p>4) El paje o gracioso es un personaje t\u00f3pico de la comedia castellana del siglo XVII. \u00a0Normalmente reproduce la historia de su amo a otro nivel social o sirve de contraste con el protagonista. \u00a0Discutan el par (tr\u00edo) Ribete \/ Do\u00f1a Leonor (Le-Honor) \/ Don Leonardo, y recuerden la discusi\u00f3n anterior sobre Catalin\u00f3n \/ Don Juan. \u00a0Indiquen los rasgos distintivos de cada uno.<\/p>\n<p>6) \u00a0\u00bfDe qu\u00e9 forma el personaje de Don Juan est\u00e1 rompiendo o problematizando la visi\u00f3n del caballero en <u>Valor, agravio y mujer<\/u>? \u00a0\u00bfC\u00f3mo as\u00ed el personaje de Do\u00f1a Leonor \/ Don Leonardo?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1) En el soliloquio de Don Juan hay una auto representaci\u00f3n par\u00f3dica de Don Juan en la que este personaje plantea ciertos conceptos clave de esta obra, como el amor, el poder, los g\u00e9neros sexuales y el matrimonio. \u00a0Comenten sobre ellos. 2) Do\u00f1a Leonor se presenta a s\u00ed misma como mujer varonil, no motivada por [&hellip;]<\/p>\n","protected":false},"author":201,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-111","post","type-post","status-publish","format-standard","hentry","category-valor-agravio-y-mujer"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/posts\/111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/users\/201"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/comments?post=111"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/posts\/111\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/media?parent=111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/categories?post=111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/hispanic-studies-3110-spring-2018\/wp-json\/wp\/v2\/tags?post=111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}