{"version":"1.0","provider_name":"The History of Disability in Art - Bowdoin College Museum of Art","provider_url":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021","author_name":"Elizabeth Humphrey","author_url":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/author\/ehumphr2\/","title":"Africa, ca. 1850s - The History of Disability in Art - Bowdoin College Museum of Art","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2bsANUL8SA\"><a href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/africa\/\">Africa, ca. 1850s<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/africa\/embed\/#?secret=2bsANUL8SA\" width=\"600\" height=\"338\" title=\"&#8220;Africa, ca. 1850s&#8221; &#8212; The History of Disability in Art - Bowdoin College Museum of Art\" data-secret=\"2bsANUL8SA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Randolph Rogers (American, 1825\u20131892) marble 31 7\/8 x 16 3\/4 x 10 1\/2 in. (81 x 42.5 x 26.7 cm) McGuigan Collection. Artwork in the public domain. American sculptor Randolph Rogers is best known for his 1855 commissioned reliefs on the doors of the U.S. Capitol, which included one of the earliest examples of a [&hellip;]","thumbnail_url":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-225x300.jpg"}