{"id":178,"date":"2017-01-06T17:30:01","date_gmt":"2017-01-06T17:30:01","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/?page_id=178"},"modified":"2021-06-11T11:07:28","modified_gmt":"2021-06-11T15:07:28","slug":"gallery-of-images","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/gallery-of-images\/","title":{"rendered":"Catalogue"},"content":{"rendered":"<h1 style=\"text-align: center\"><strong>Patterns of Visibility<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-8e43d7da vp-id-775 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-f44e3a0f\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg\"\n\t\taria-label=\"UNIDENTIFIED PHOTOGRAPHER (American), Sojourner Truth with Flowers, CDV, 1864, albumen silver print, 4 x 2 1\/2 in. (10.16 x 6.35 cm), Museum Purchase, James Phinney Baxter Fund, 2018.36. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1628\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg\" class=\"wp-image-616\" alt=\"Carte de visite of Sojourner Truth seated in chair wearing a dress, cap, and shawl, holding a pair of knitting needles and yarn as her proper left-hand rests on a fabric-covered table with a vase of flowers atop. A printed inscription at the bottom of the photograph reads: \u201cI Sell the Shadow to Support the Substance. Sojourner Truth.\u201d\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-184x300.jpg 184w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-629x1024.jpg 629w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-768x1250.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-943x1536.jpg 943w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img fetchpriority=\"high\" decoding=\"async\" width=\"1000\" height=\"1628\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg\" class=\"wp-image-616 vp-lazyload\" alt=\"Carte de visite of Sojourner Truth seated in chair wearing a dress, cap, and shawl, holding a pair of knitting needles and yarn as her proper left-hand rests on a fabric-covered table with a vase of flowers atop. A printed inscription at the bottom of the photograph reads: \u201cI Sell the Shadow to Support the Substance. Sojourner Truth.\u201d\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNjI4IiB2aWV3Qm94PSIwIDAgMTAwMCAxNjI4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-184x300.jpg 184w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-629x1024.jpg 629w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-768x1250.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1-943x1536.jpg 943w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Sojourner-1000x1628-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"UNIDENTIFIED PHOTOGRAPHER (American), Sojourner Truth with Flowers, CDV, 1864, albumen silver print, 4 x 2 1\/2 in. (10.16 x 6.35 cm), Museum Purchase, James Phinney Baxter Fund, 2018.36. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tUNIDENTIFIED PHOTOGRAPHER (American), Sojourner Truth with Flowers, CDV, 1864, albumen silver print, 4 x 2 1\/2 in. (10.16 x 6.35 cm), Museum Purchase, James Phinney Baxter Fund, 2018.36. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-2791d40d\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg\"\n\t\taria-label=\"UNIDENTIFIED PHOTOGRAPHER (American), [Portrait of a Biracial Woman], c. 1855-60, quarter plate ambrotype in thermoplastic case, 4 1\/4 x 3 1\/4 in. (10.8 x 8.26 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.4. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1288\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg\" class=\"wp-image-615\" alt=\"Photographic portrait of a biracial woman seated with hands resting in her lap\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-233x300.jpg 233w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-795x1024.jpg 795w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-768x989.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1288\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg\" class=\"wp-image-615 vp-lazyload\" alt=\"Photographic portrait of a biracial woman seated with hands resting in her lap\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjg4IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjg4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-233x300.jpg 233w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-795x1024.jpg 795w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1-768x989.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Unknown_BCMA_Biracial-1000x1288-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"UNIDENTIFIED PHOTOGRAPHER (American), [Portrait of a Biracial Woman], c. 1855-60, quarter plate ambrotype in thermoplastic case, 4 1\/4 x 3 1\/4 in. (10.8 x 8.26 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.4. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tUNIDENTIFIED PHOTOGRAPHER (American), [Portrait of a Biracial Woman], c. 1855-60, quarter plate ambrotype in thermoplastic case, 4 1\/4 x 3 1\/4 in. (10.8 x 8.26 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.4. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-aef9decb\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg\"\n\t\taria-label=\"ELIZABETH CATLETT (American-Mexican, 1915\u20132012), There is a Woman in Every Color, 1975, color linoleum cut, screenprint, and woodcut, 22 1\/4 x 29 15\/16 in. (56.52 x 76.04 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2015.61. \u00a9 2021 Catlett Mora Family Trust \/ Licensed by VAGA at Artists Rights Society (ARS), NY\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1345\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg\" class=\"wp-image-579\" alt=\"Linoleum cut, woodcut, and screenprint of a positive and negative images of a Black woman in quarter-profile looking stoic. Along the right edge, a vertical rainbow color assortment of women with hands raised\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg 1345w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-300x223.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-1024x761.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-768x571.jpg 768w\" sizes=\"auto, (max-width: 1345px) 100vw, 1345px\" \/><\/noscript><img decoding=\"async\" width=\"1345\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg\" class=\"wp-image-579 vp-lazyload\" alt=\"Linoleum cut, woodcut, and screenprint of a positive and negative images of a Black woman in quarter-profile looking stoic. Along the right edge, a vertical rainbow color assortment of women with hands raised\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM0NSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM0NSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg 1345w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-300x223.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-1024x761.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000-768x571.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Catlett_BCMA1345x1000.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ELIZABETH CATLETT (American-Mexican, 1915\u20132012), There is a Woman in Every Color, 1975, color linoleum cut, screenprint, and woodcut, 22 1\/4 x 29 15\/16 in. (56.52 x 76.04 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2015.61. \u00a9 2021 Catlett Mora Family Trust \/ Licensed by VAGA at Artists Rights Society (ARS), NY\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tELIZABETH CATLETT (American-Mexican, 1915\u20132012), There is a Woman in Every Color, 1975, color linoleum cut, screenprint, and woodcut, 22 1\/4 x 29 15\/16 in. (56.52 x 76.04 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2015.61. \u00a9 2021 Catlett Mora Family Trust \/ Licensed by VAGA at Artists Rights Society (ARS), NY<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-ca7d6d04\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg\"\n\t\taria-label=\"EASTMAN JOHNSON (American, 1824\u20131906), Dinah, Portrait of a Negress, ca. 1867, oil on board, 10 3\/4 x 8 1\/2 in. (27.31 x 21.59 cm), Gibbes Museum of Art, Charleston, South Carolina, Gift of Kathleen Hammer and Arthur Seelbinder and partial museum purchase with funds provided by gifts from Maureen and Roger Ackerman, Ryder Harwood Bishop, Angela R. Black, Mr. and Mrs. Wayne L. Burdick, Susan and Van Campbell, Ted Dintersmith and Elizabeth Hazard, Deborah C. and Neil G. Fisher, Laura D. and Stephen F. Gates, Paulo R. and Beth A. Geiss, Mr. and Mrs. James A. Ham, Sr., Pam and Monte Harrington, Bury and Lesesne Hudson, Teresa D. and Roger L. Jones, Lenna Ruth Macdonald and Robert C. Carew, Angela D. and Ben F. Mack, Debbie Rice-Marko and John Marko, Gwen and Layton McCurdy, Peter and Suzanne Pollak, Harriet B. and Richard W. Smartt, Mr. Todd Smith and Mr. Ben Hood, Tom and Lenora White, Mr. John Henry Dick, Mr. Don R. Gestefeld, Mrs. C. Gustavus Memminger, Ms. Evelyn Borchard Metzger and Ms. Doris Rosenthal. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1282\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg\" class=\"wp-image-589\" alt=\"Painted portrait of an enslaved Black woman with a pensive expression, sitting and holding a staff\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-234x300.jpg 234w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-799x1024.jpg 799w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-768x985.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1282\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg\" class=\"wp-image-589 vp-lazyload\" alt=\"Painted portrait of an enslaved Black woman with a pensive expression, sitting and holding a staff\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjgyIiB2aWV3Qm94PSIwIDAgMTAwMCAxMjgyIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-234x300.jpg 234w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-799x1024.jpg 799w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1-768x985.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Johnson_Gibbes-1000x1282-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"EASTMAN JOHNSON (American, 1824\u20131906), Dinah, Portrait of a Negress, ca. 1867, oil on board, 10 3\/4 x 8 1\/2 in. (27.31 x 21.59 cm), Gibbes Museum of Art, Charleston, South Carolina, Gift of Kathleen Hammer and Arthur Seelbinder and partial museum purchase with funds provided by gifts from Maureen and Roger Ackerman, Ryder Harwood Bishop, Angela R. Black, Mr. and Mrs. Wayne L. Burdick, Susan and Van Campbell, Ted Dintersmith and Elizabeth Hazard, Deborah C. and Neil G. Fisher, Laura D. and Stephen F. Gates, Paulo R. and Beth A. Geiss, Mr. and Mrs. James A. Ham, Sr., Pam and Monte Harrington, Bury and Lesesne Hudson, Teresa D. and Roger L. Jones, Lenna Ruth Macdonald and Robert C. Carew, Angela D. and Ben F. Mack, Debbie Rice-Marko and John Marko, Gwen and Layton McCurdy, Peter and Suzanne Pollak, Harriet B. and Richard W. Smartt, Mr. Todd Smith and Mr. Ben Hood, Tom and Lenora White, Mr. John Henry Dick, Mr. Don R. Gestefeld, Mrs. C. Gustavus Memminger, Ms. Evelyn Borchard Metzger and Ms. Doris Rosenthal. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tEASTMAN JOHNSON (American, 1824\u20131906), Dinah, Portrait of a Negress, ca. 1867, oil on board, 10 3\/4 x 8 1\/2 in. (27.31 x 21.59 cm), Gibbes Museum of Art, Charleston, South Carolina, Gift of Kathleen Hammer and Arthur Seelbinder and partial museum purchase with funds provided by gifts from Maureen and Roger Ackerman, Ryder Harwood Bishop, Angela R. Black, Mr. and Mrs. Wayne L. Burdick, Susan and Van Campbell, Ted Dintersmith and Elizabeth Hazard, Deborah C. and Neil G. Fisher, Laura D. and Stephen F. Gates, Paulo R. and Beth A. Geiss, Mr. and Mrs. James A. Ham, Sr., Pam and Monte Harrington, Bury and Lesesne Hudson, Teresa D. and Roger L. Jones, Lenna Ruth Macdonald and Robert C. Carew, Angela D. and Ben F. Mack, Debbie Rice-Marko and John Marko, Gwen and Layton McCurdy, Peter and Suzanne Pollak, Harriet B. and Richard W. Smartt, Mr. Todd Smith and Mr. Ben Hood, Tom and Lenora White, Mr. John Henry Dick, Mr. Don R. Gestefeld, Mrs. C. Gustavus Memminger, Ms. Evelyn Borchard Metzger and Ms. Doris Rosenthal. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-0b1db2c5\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg\"\n\t\taria-label=\"DESCHAMPS DE LA TALAIRE (French, active in Paris, circa 1760), Portrait of a Biracial Woman, 18th century, pastel on paper laid down on canvas, 16 1\/8 x 13 1\/4 in. (40.96 x 33.66 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2021.7. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1215\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg\" class=\"wp-image-580\" alt=\"Pastel portrait of a light-skinned, biracial woman wearing a choker and pink-and-white striped shawl and tied headdress\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-247x300.jpg 247w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-843x1024.jpg 843w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-768x933.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1215\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg\" class=\"wp-image-580 vp-lazyload\" alt=\"Pastel portrait of a light-skinned, biracial woman wearing a choker and pink-and-white striped shawl and tied headdress\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjE1IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjE1IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-247x300.jpg 247w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-843x1024.jpg 843w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1-768x933.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Deschamps_BCMA-1000x1215-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"DESCHAMPS DE LA TALAIRE (French, active in Paris, circa 1760), Portrait of a Biracial Woman, 18th century, pastel on paper laid down on canvas, 16 1\/8 x 13 1\/4 in. (40.96 x 33.66 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2021.7. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tDESCHAMPS DE LA TALAIRE (French, active in Paris, circa 1760), Portrait of a Biracial Woman, 18th century, pastel on paper laid down on canvas, 16 1\/8 x 13 1\/4 in. (40.96 x 33.66 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2021.7. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-f0cbb81e\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg\"\n\t\taria-label=\"ROBERT GAVIN (Scottish, 1826\u20131883), Head of a Creole Girl, ca. 1855\u20131871, oil on panel, 10 x 7 1\/2 in. (25.4 x 19.05 cm), Gift of Paul and Anima Katz, Williams College Museum of Art, Williamstown, MA. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1383\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg\" class=\"wp-image-586\" alt=\"Painted portrait of a young girl of African descent gazing down and wearing a tied yellow fabric headwrap\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-217x300.jpg 217w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-740x1024.jpg 740w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-768x1062.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1383\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg\" class=\"wp-image-586 vp-lazyload\" alt=\"Painted portrait of a young girl of African descent gazing down and wearing a tied yellow fabric headwrap\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMzgzIiB2aWV3Qm94PSIwIDAgMTAwMCAxMzgzIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-217x300.jpg 217w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-740x1024.jpg 740w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1-768x1062.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Gavin_Williams-no-frame-1000x1383-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ROBERT GAVIN (Scottish, 1826\u20131883), Head of a Creole Girl, ca. 1855\u20131871, oil on panel, 10 x 7 1\/2 in. (25.4 x 19.05 cm), Gift of Paul and Anima Katz, Williams College Museum of Art, Williamstown, MA. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tROBERT GAVIN (Scottish, 1826\u20131883), Head of a Creole Girl, ca. 1855\u20131871, oil on panel, 10 x 7 1\/2 in. (25.4 x 19.05 cm), Gift of Paul and Anima Katz, Williams College Museum of Art, Williamstown, MA. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-e0a0aa4b\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg\"\n\t\taria-label=\"AUGUSTA SAVAGE (American, 1892\u20131962), Gamin, ca. 1930, painted plaster, 9 x 5 3\/4 x 4 1\/4 in. (22.86 x 14.61 x 10.8 cm), Gift of halley k Harrisburg, Class of 1990, and Michael Rosenfeld, 2020.52. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg\" class=\"wp-image-631\" alt=\"A small plaster bust painted brown of a young Black boy wearing a wrinkled shirt, slightly opened, with a bebop cap tilted to the side. The boy wears a pensive facial expression\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-768x768.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg\" class=\"wp-image-631 vp-lazyload\" alt=\"A small plaster bust painted brown of a young Black boy wearing a wrinkled shirt, slightly opened, with a bebop cap tilted to the side. The boy wears a pensive facial expression\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTAwMCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000-768x768.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/woman-savage_1000x1000.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"AUGUSTA SAVAGE (American, 1892\u20131962), Gamin, ca. 1930, painted plaster, 9 x 5 3\/4 x 4 1\/4 in. (22.86 x 14.61 x 10.8 cm), Gift of halley k Harrisburg, Class of 1990, and Michael Rosenfeld, 2020.52. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tAUGUSTA SAVAGE (American, 1892\u20131962), Gamin, ca. 1930, painted plaster, 9 x 5 3\/4 x 4 1\/4 in. (22.86 x 14.61 x 10.8 cm), Gift of halley k Harrisburg, Class of 1990, and Michael Rosenfeld, 2020.52. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-2857eeb3\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg\"\n\t\taria-label=\"ILSE MARTHA BISCHOFF (American, 1901\u20131990), Mary, 1943, oil on canvas, 34 1\/8 x 32 1\/4 in. (86.68 x 81.92 cm), Hood Museum of Art, Dartmouth College, Gift of the artist. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1063\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg\" class=\"wp-image-578\" alt=\"Painted portrait of a smiling Black woman seated in a curved chair wearing a blue dress, a gold and blue shawl, and a blue hat with flowers and a feather in the front\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-282x300.jpg 282w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-963x1024.jpg 963w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-768x816.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1063\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg\" class=\"wp-image-578 vp-lazyload\" alt=\"Painted portrait of a smiling Black woman seated in a curved chair wearing a blue dress, a gold and blue shawl, and a blue hat with flowers and a feather in the front\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDYzIiB2aWV3Qm94PSIwIDAgMTAwMCAxMDYzIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-282x300.jpg 282w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-963x1024.jpg 963w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1-768x816.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Bischoff_Hood-1000x1063-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ILSE MARTHA BISCHOFF (American, 1901\u20131990), Mary, 1943, oil on canvas, 34 1\/8 x 32 1\/4 in. (86.68 x 81.92 cm), Hood Museum of Art, Dartmouth College, Gift of the artist. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tILSE MARTHA BISCHOFF (American, 1901\u20131990), Mary, 1943, oil on canvas, 34 1\/8 x 32 1\/4 in. (86.68 x 81.92 cm), Hood Museum of Art, Dartmouth College, Gift of the artist. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-060f7ce9\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg\"\n\t\taria-label=\"DAVID DRISKELL (American, 1931-2020), Benin Woman III, 1972, color woodcut on paper, 15 5\/8 in. x 11 1\/2 in. (39.69 cm. x 29.21 cm.), Museum Purchase, Art Objects Fund, 1974.62. \u00a9 Estate of David C. Driskell. Courtesy of DC Moore Gallery, New York\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1342\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg\" class=\"wp-image-582\" alt=\"An abstract color woodcut of a woman from Benin, looking to the side, with a broad nose and big lips, wearing a necklace and a flower\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-224x300.jpg 224w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-763x1024.jpg 763w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-768x1031.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1342\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg\" class=\"wp-image-582 vp-lazyload\" alt=\"An abstract color woodcut of a woman from Benin, looking to the side, with a broad nose and big lips, wearing a necklace and a flower\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMzQyIiB2aWV3Qm94PSIwIDAgMTAwMCAxMzQyIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-224x300.jpg 224w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-763x1024.jpg 763w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1-768x1031.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Driskell_BCMA-1000x1342-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"DAVID DRISKELL (American, 1931-2020), Benin Woman III, 1972, color woodcut on paper, 15 5\/8 in. x 11 1\/2 in. (39.69 cm. x 29.21 cm.), Museum Purchase, Art Objects Fund, 1974.62. \u00a9 Estate of David C. Driskell. Courtesy of DC Moore Gallery, New York\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tDAVID DRISKELL (American, 1931-2020), Benin Woman III, 1972, color woodcut on paper, 15 5\/8 in. x 11 1\/2 in. (39.69 cm. x 29.21 cm.), Museum Purchase, Art Objects Fund, 1974.62. \u00a9 Estate of David C. Driskell. Courtesy of DC Moore Gallery, New York<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-f12bcae2\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg\"\n\t\taria-label=\"HENRY ROCHER (American, 1824\u20131887), Edmonia Lewis, 1870, albumen silver print, 3 15\/16 x 2 3\/8 in. (10 x 6.1 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1715\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg\" class=\"wp-image-976\" alt=\"Photographic portrait of Edmonia Lewis leaning against a fabric-covered pillar and resting her proper right elbow on the pillar\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-175x300.jpg 175w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-597x1024.jpg 597w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-87x150.jpg 87w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-768x1317.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-896x1536.jpg 896w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-500x858.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-800x1372.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1715\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg\" class=\"wp-image-976 vp-lazyload\" alt=\"Photographic portrait of Edmonia Lewis leaning against a fabric-covered pillar and resting her proper right elbow on the pillar\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNzE1IiB2aWV3Qm94PSIwIDAgMTAwMCAxNzE1IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-175x300.jpg 175w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-597x1024.jpg 597w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-87x150.jpg 87w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-768x1317.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-896x1536.jpg 896w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-500x858.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1-800x1372.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rocher_McGuigan_B-1000x1715-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"HENRY ROCHER (American, 1824\u20131887), Edmonia Lewis, 1870, albumen silver print, 3 15\/16 x 2 3\/8 in. (10 x 6.1 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tHENRY ROCHER (American, 1824\u20131887), Edmonia Lewis, 1870, albumen silver print, 3 15\/16 x 2 3\/8 in. (10 x 6.1 cm), McGuigan Collection. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-29fc912d\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg\"\n\t\taria-label=\"EDMONIA LEWIS (American, 1844\u20131907), Unidentified Female Bust, 1869, marble, 22 x 19 x 11 in. (55.88 x 48.26 x 27.94 cm), Gift of Elizabeth C. Roak and Robert H. Roak, 2017.62. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1583\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg\" class=\"wp-image-563\" alt=\"Marble bust of a woman of white European descend with a middle-parted hairstyle and an open-necked blouse\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-190x300.jpg 190w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-647x1024.jpg 647w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-768x1216.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-970x1536.jpg 970w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1583\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg\" class=\"wp-image-563 vp-lazyload\" alt=\"Marble bust of a woman of white European descend with a middle-parted hairstyle and an open-necked blouse\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNTgzIiB2aWV3Qm94PSIwIDAgMTAwMCAxNTgzIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-190x300.jpg 190w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-647x1024.jpg 647w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-768x1216.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1-970x1536.jpg 970w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2017.62-1000x1583-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"EDMONIA LEWIS (American, 1844\u20131907), Unidentified Female Bust, 1869, marble, 22 x 19 x 11 in. (55.88 x 48.26 x 27.94 cm), Gift of Elizabeth C. Roak and Robert H. Roak, 2017.62. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tEDMONIA LEWIS (American, 1844\u20131907), Unidentified Female Bust, 1869, marble, 22 x 19 x 11 in. (55.88 x 48.26 x 27.94 cm), Gift of Elizabeth C. Roak and Robert H. Roak, 2017.62. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-f131b2bf\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg\"\n\t\taria-label=\"WILLIAM MATTHEW PRIOR (American, 1806\u20131873), Mrs. Nancy Lawson, 1843, oil on canvas, 30 1\/8 in. x 25 in. (76.52 cm x 63.5 cm), Shelburne Museum, Shelburne, Vermont. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1202\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg\" class=\"wp-image-604\" alt=\"Painted portrait of Mrs. Nancy Lawson, a Black woman wearing an untied lace cap, black ribbon necklace, and a fancy dress while holding a book. She is seated against burgundy velvet curtains with a window looking out to a pastoral landscape\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-250x300.jpg 250w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-852x1024.jpg 852w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-768x923.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1202\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg\" class=\"wp-image-604 vp-lazyload\" alt=\"Painted portrait of Mrs. Nancy Lawson, a Black woman wearing an untied lace cap, black ribbon necklace, and a fancy dress while holding a book. She is seated against burgundy velvet curtains with a window looking out to a pastoral landscape\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjAyIiB2aWV3Qm94PSIwIDAgMTAwMCAxMjAyIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-250x300.jpg 250w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-852x1024.jpg 852w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202-768x923.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Prior_Shelburne-1000X1202.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"WILLIAM MATTHEW PRIOR (American, 1806\u20131873), Mrs. Nancy Lawson, 1843, oil on canvas, 30 1\/8 in. x 25 in. (76.52 cm x 63.5 cm), Shelburne Museum, Shelburne, Vermont. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tWILLIAM MATTHEW PRIOR (American, 1806\u20131873), Mrs. Nancy Lawson, 1843, oil on canvas, 30 1\/8 in. x 25 in. (76.52 cm x 63.5 cm), Shelburne Museum, Shelburne, Vermont. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><strong>Classical Beauty<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-9b7c0400 vp-id-796 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-b0de89a8\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg\"\n\t\taria-label=\"WILLIAM WITT (American, 1921\u20132013), Black Nude and Radiator, 1948, vintage gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.231. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1256\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg\" class=\"wp-image-626\" alt=\"Photograph of a nude Black woman turned in profile standing in a sparse room in front of a hot water radiator\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-239x300.jpg 239w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-815x1024.jpg 815w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-768x965.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1256\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg\" class=\"wp-image-626 vp-lazyload\" alt=\"Photograph of a nude Black woman turned in profile standing in a sparse room in front of a hot water radiator\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjU2IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjU2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-239x300.jpg 239w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-815x1024.jpg 815w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1-768x965.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Radiator-1000x1256-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"WILLIAM WITT (American, 1921\u20132013), Black Nude and Radiator, 1948, vintage gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.231. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tWILLIAM WITT (American, 1921\u20132013), Black Nude and Radiator, 1948, vintage gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.231. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-5a0e8187\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg\"\n\t\taria-label=\"WILLIAM WITT (American, 1921\u20132013), Sleeping Nude, 1947, later gelatin silver print, 11 x 13 7\/8 in. (27.94 x 35.24 cm), Gift of Todd Gitlin and Laurel Cook, 2015.53.14. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1401\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg\" class=\"wp-image-627\" alt=\"Photograph of a nude Black woman laying down on her side, back towards the viewer, in a sparse room in front of a hot water radiator\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg 1401w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-300x214.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-1024x731.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-768x548.jpg 768w\" sizes=\"auto, (max-width: 1401px) 100vw, 1401px\" \/><\/noscript><img decoding=\"async\" width=\"1401\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg\" class=\"wp-image-627 vp-lazyload\" alt=\"Photograph of a nude Black woman laying down on her side, back towards the viewer, in a sparse room in front of a hot water radiator\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTQwMSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTQwMSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg 1401w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-300x214.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-1024x731.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1-768x548.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Sleeping-1401x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"WILLIAM WITT (American, 1921\u20132013), Sleeping Nude, 1947, later gelatin silver print, 11 x 13 7\/8 in. (27.94 x 35.24 cm), Gift of Todd Gitlin and Laurel Cook, 2015.53.14. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tWILLIAM WITT (American, 1921\u20132013), Sleeping Nude, 1947, later gelatin silver print, 11 x 13 7\/8 in. (27.94 x 35.24 cm), Gift of Todd Gitlin and Laurel Cook, 2015.53.14. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-e66c8fe1\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg\"\n\t\taria-label=\"WILLIAM WITT (American, 1921\u20132013), Nude In Leather Chair, 1948, vintage gelatin silver, 8 1\/2 x 7 in. (22 x 18 cm), Gift of Jon and Nicole Ungar, 2016.46.230. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1194\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg\" class=\"wp-image-624\" alt=\"Photograph of a nude Black woman kneeling in a large leather chair, head turned towards the viewer\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-251x300.jpg 251w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-858x1024.jpg 858w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-768x917.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1194\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg\" class=\"wp-image-624 vp-lazyload\" alt=\"Photograph of a nude Black woman kneeling in a large leather chair, head turned towards the viewer\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMTk0IiB2aWV3Qm94PSIwIDAgMTAwMCAxMTk0IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-251x300.jpg 251w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-858x1024.jpg 858w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1-768x917.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chair-1000x1194-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"WILLIAM WITT (American, 1921\u20132013), Nude In Leather Chair, 1948, vintage gelatin silver, 8 1\/2 x 7 in. (22 x 18 cm), Gift of Jon and Nicole Ungar, 2016.46.230. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tWILLIAM WITT (American, 1921\u20132013), Nude In Leather Chair, 1948, vintage gelatin silver, 8 1\/2 x 7 in. (22 x 18 cm), Gift of Jon and Nicole Ungar, 2016.46.230. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-0cbc87ce\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg\"\n\t\taria-label=\"WILLIAM WITT (American, 1921\u20132013), Black Nude Hands On Chest, 1941, printed 1950s, early gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.219. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1298\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg\" class=\"wp-image-625\" alt=\"Photograph of a nude Black woman shown from the waist up facing the viewer with both hands on upper chest\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-231x300.jpg 231w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-789x1024.jpg 789w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-768x997.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1298\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg\" class=\"wp-image-625 vp-lazyload\" alt=\"Photograph of a nude Black woman shown from the waist up facing the viewer with both hands on upper chest\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjk4IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjk4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-231x300.jpg 231w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-789x1024.jpg 789w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1-768x997.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Witt_BCMA_Chest-1000x1298-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"WILLIAM WITT (American, 1921\u20132013), Black Nude Hands On Chest, 1941, printed 1950s, early gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.219. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tWILLIAM WITT (American, 1921\u20132013), Black Nude Hands On Chest, 1941, printed 1950s, early gelatin silver print, 14 x 11 in. (36 x 28 cm), Gift of Jon and Nicole Ungar, 2016.46.219. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-08ae1fdf\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\"\n\t\taria-label=\"BARKLEY L. HENDRICKS (American, 1945\u20132017), Sister Lucas, circa 1975, oil on canvas, 48 in. (121.92 cm), Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\" class=\"wp-image-587\" alt=\"Painted portrait of a nude Black woman standing with a hand on her proper left hip gazing at the viewer, situated against a circular lavender background\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\" class=\"wp-image-587 vp-lazyload\" alt=\"Painted portrait of a nude Black woman standing with a hand on her proper left hip gazing at the viewer, situated against a circular lavender background\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTAwMCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-768x768.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"BARKLEY L. HENDRICKS (American, 1945\u20132017), Sister Lucas, circa 1975, oil on canvas, 48 in. (121.92 cm), Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tBARKLEY L. HENDRICKS (American, 1945\u20132017), Sister Lucas, circa 1975, oil on canvas, 48 in. (121.92 cm), Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-4d49c484\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\"\n\t\taria-label=\"HIRAM POWERS (American, 1805\u20131873), Greek Slave, ca. 1845-46, marble, 24 in. (60.96 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1287\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\" class=\"wp-image-975\" alt=\"Marble half-length bust sculpture of nude woman wearing hair pulled back in a bun with head turned in profile. Acanthus leaf ornamentation beaded across the bottom of the half-length bust\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-233x300.jpg 233w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-796x1024.jpg 796w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-117x150.jpg 117w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-768x988.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-500x644.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-800x1030.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1287\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\" class=\"wp-image-975 vp-lazyload\" alt=\"Marble half-length bust sculpture of nude woman wearing hair pulled back in a bun with head turned in profile. Acanthus leaf ornamentation beaded across the bottom of the half-length bust\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjg3IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjg3IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-233x300.jpg 233w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-796x1024.jpg 796w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-117x150.jpg 117w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-768x988.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-500x644.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-800x1030.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"HIRAM POWERS (American, 1805\u20131873), Greek Slave, ca. 1845-46, marble, 24 in. (60.96 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tHIRAM POWERS (American, 1805\u20131873), Greek Slave, ca. 1845-46, marble, 24 in. (60.96 cm), McGuigan Collection. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-1bfbc2cd\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg\"\n\t\taria-label=\"RANDOLPH ROGERS (American, 1825\u20131892), Africa, ca. 1850s, marble, 31 7\/8 x 16 3\/4 x 10 1\/2 in. (81 x 42.5 x 26.7 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1333\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg\" class=\"wp-image-977\" alt=\"Marble sculpture of the female allegory of Africa wearing an elephant headdress, carrying a full cornucopia, seated on a pillar and lion\u2019s head\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-225x300.jpg 225w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-768x1024.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-113x150.jpg 113w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-500x667.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-800x1066.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1333\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg\" class=\"wp-image-977 vp-lazyload\" alt=\"Marble sculpture of the female allegory of Africa wearing an elephant headdress, carrying a full cornucopia, seated on a pillar and lion\u2019s head\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMzMzIiB2aWV3Qm94PSIwIDAgMTAwMCAxMzMzIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-225x300.jpg 225w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-768x1024.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-113x150.jpg 113w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-500x667.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1-800x1066.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Rogers_McGuigan-1000x1333-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"RANDOLPH ROGERS (American, 1825\u20131892), Africa, ca. 1850s, marble, 31 7\/8 x 16 3\/4 x 10 1\/2 in. (81 x 42.5 x 26.7 cm), McGuigan Collection. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tRANDOLPH ROGERS (American, 1825\u20131892), Africa, ca. 1850s, marble, 31 7\/8 x 16 3\/4 x 10 1\/2 in. (81 x 42.5 x 26.7 cm), McGuigan Collection. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><strong>Force of Labor<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-103d3a24 vp-id-800 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-dd5a6c5a\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg\"\n\t\taria-label=\"BALL, BLACK, &amp; COMPANY (American, 1851-1874), Thimble belonging to Phebe Ann Jacobs (formerly enslaved to Maria Wheelock; servant to the Allen family), 19th century, silver, Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, William Allen Family Papers, Bowdoin College Library. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"941\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg\" class=\"wp-image-576\" alt=\"mage of a small fabric-covered box (at left) that reads: \u201cBall, Black and Co. Jewelers, New York,\u201d with a used silver thimble that is engraved with the initials \u201cP,\u201d \u201cA,\u201d and \u201cJ.\u201d\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg 2040w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-300x147.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-1024x502.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-768x376.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-1536x753.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/noscript><img decoding=\"async\" width=\"1920\" height=\"941\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg\" class=\"wp-image-576 vp-lazyload\" alt=\"mage of a small fabric-covered box (at left) that reads: \u201cBall, Black and Co. Jewelers, New York,\u201d with a used silver thimble that is engraved with the initials \u201cP,\u201d \u201cA,\u201d and \u201cJ.\u201d\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTkyMCIgaGVpZ2h0PSI5NDEiIHZpZXdCb3g9IjAgMCAxOTIwIDk0MSIgZmlsbD0ibm9uZSIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj48L3N2Zz4=\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg 2040w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-300x147.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-1024x502.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-768x376.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1-1536x753.jpg 1536w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/thimble-case-spc-collections-2040x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"BALL, BLACK, &amp; COMPANY (American, 1851-1874), Thimble belonging to Phebe Ann Jacobs (formerly enslaved to Maria Wheelock; servant to the Allen family), 19th century, silver, Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, William Allen Family Papers, Bowdoin College Library. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tBALL, BLACK, &amp; COMPANY (American, 1851-1874), Thimble belonging to Phebe Ann Jacobs (formerly enslaved to Maria Wheelock; servant to the Allen family), 19th century, silver, Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, William Allen Family Papers, Bowdoin College Library. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-8f360310\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg\"\n\t\taria-label=\"BENNY ANDREWS (American, 1930\u20132006), Mrs. Viola Andrews\u2013My Mother, 1974, oil with fabric collage on canvas, 60 1\/8 x 48 1\/8 x 1 1\/2 in. (152.72 x 122.24 x 3.81 cm), Gift of halley k harrisburg \u201990 and Michael Rosenfeld, 2018.39. \u00a9 2021 Estate of Benny Andrews \/ Licensed by VAGA at Artists Rights Society (ARS), NY, Courtesy Michael Rosenfeld Gallery, LLC, New York, NY\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1251\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg\" class=\"wp-image-577\" alt=\"Painting and fabric collage depicting a Black woman in a red shirt with her proper left hand resting at her waist while holding a tall staff in her proper right hand. Flowers are seen in the bottom left of the painting\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-240x300.jpg 240w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-819x1024.jpg 819w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-768x961.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1251\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg\" class=\"wp-image-577 vp-lazyload\" alt=\"Painting and fabric collage depicting a Black woman in a red shirt with her proper left hand resting at her waist while holding a tall staff in her proper right hand. Flowers are seen in the bottom left of the painting\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjUxIiB2aWV3Qm94PSIwIDAgMTAwMCAxMjUxIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-240x300.jpg 240w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-819x1024.jpg 819w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1-768x961.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Andrews_BCMA-1000x1251-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"BENNY ANDREWS (American, 1930\u20132006), Mrs. Viola Andrews\u2013My Mother, 1974, oil with fabric collage on canvas, 60 1\/8 x 48 1\/8 x 1 1\/2 in. (152.72 x 122.24 x 3.81 cm), Gift of halley k harrisburg \u201990 and Michael Rosenfeld, 2018.39. \u00a9 2021 Estate of Benny Andrews \/ Licensed by VAGA at Artists Rights Society (ARS), NY, Courtesy Michael Rosenfeld Gallery, LLC, New York, NY\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tBENNY ANDREWS (American, 1930\u20132006), Mrs. Viola Andrews\u2013My Mother, 1974, oil with fabric collage on canvas, 60 1\/8 x 48 1\/8 x 1 1\/2 in. (152.72 x 122.24 x 3.81 cm), Gift of halley k harrisburg \u201990 and Michael Rosenfeld, 2018.39. \u00a9 2021 Estate of Benny Andrews \/ Licensed by VAGA at Artists Rights Society (ARS), NY, Courtesy Michael Rosenfeld Gallery, LLC, New York, NY<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-4b9f9973\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg\"\n\t\taria-label=\"AARON SISKIND (American, 1903\u20131991), Untitled, from Harlem Document, 1939, gelatin silver print, 9 7\/16 in. x 7 7\/16 in. (24 cm. x 18.9 cm.), Museum Purchase, 1988.10. Artwork published under fair use.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1272\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg\" class=\"wp-image-612\" alt=\"Photograph of a Black woman ascending a turned staircase in a building with crumbling architecture\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-236x300.jpg 236w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-805x1024.jpg 805w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-768x977.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1272\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg\" class=\"wp-image-612 vp-lazyload\" alt=\"Photograph of a Black woman ascending a turned staircase in a building with crumbling architecture\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjcyIiB2aWV3Qm94PSIwIDAgMTAwMCAxMjcyIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-236x300.jpg 236w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-805x1024.jpg 805w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1-768x977.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Siskind_BCMA-1000x1272-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"AARON SISKIND (American, 1903\u20131991), Untitled, from Harlem Document, 1939, gelatin silver print, 9 7\/16 in. x 7 7\/16 in. (24 cm. x 18.9 cm.), Museum Purchase, 1988.10. Artwork published under fair use.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tAARON SISKIND (American, 1903\u20131991), Untitled, from Harlem Document, 1939, gelatin silver print, 9 7\/16 in. x 7 7\/16 in. (24 cm. x 18.9 cm.), Museum Purchase, 1988.10. Artwork published under fair use.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-9ac521d8\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg\"\n\t\taria-label=\"PHEBE LORD UPHAM (MRS. T.C. UPHAM (American, 1804-1882), Narrative of Phebe Ann Jacobs, or, \u201cHappy Phebe\u201d \/ by Mrs. T.C. Upham, Imprint: New York: American Tract Society, [185-?], book; 8 p.; 18 cm, 7 1\/16 in. (18 cm), Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, Bowdoin College Library, pg. 1\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1640\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg\" class=\"wp-image-635\" alt=\"Text excerpt from \u201cNarrative of Phebe Ann Jacobs, or, \u2018Happy Phebe\u2019\u201d by Mrs. (Phebe Lord) T.C. Upham\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-183x300.jpg 183w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-624x1024.jpg 624w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-768x1260.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-937x1536.jpg 937w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1640\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg\" class=\"wp-image-635 vp-lazyload\" alt=\"Text excerpt from \u201cNarrative of Phebe Ann Jacobs, or, \u2018Happy Phebe\u2019\u201d by Mrs. (Phebe Lord) T.C. Upham\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNjQwIiB2aWV3Qm94PSIwIDAgMTAwMCAxNjQwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-183x300.jpg 183w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-624x1024.jpg 624w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-768x1260.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1-937x1536.jpg 937w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/phebe-page1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"PHEBE LORD UPHAM (MRS. T.C. UPHAM (American, 1804-1882), Narrative of Phebe Ann Jacobs, or, \u201cHappy Phebe\u201d \/ by Mrs. T.C. Upham, Imprint: New York: American Tract Society, [185-?], book; 8 p.; 18 cm, 7 1\/16 in. (18 cm), Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, Bowdoin College Library, pg. 1\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPHEBE LORD UPHAM (MRS. T.C. UPHAM (American, 1804-1882), Narrative of Phebe Ann Jacobs, or, \u201cHappy Phebe\u201d \/ by Mrs. T.C. Upham, Imprint: New York: American Tract Society, [185-?], book; 8 p.; 18 cm, 7 1\/16 in. (18 cm), Courtesy the George J. Mitchell Department of Special Collections &amp; Archives, Bowdoin College Library, pg. 1<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-214d17d7\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg\"\n\t\taria-label=\"JOHN CATHERWOOD (American), [Squirming White Child and Black Child Nanny, Winchester, Kentucky], 19th century, sixth plate daguerreotype, 3 \u00bc x 2 \u00be in. (8.26 x 6.99 cm), Private collection. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1176\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg\" class=\"wp-image-978\" alt=\"Daguerreotype portrait of a squirming white child seated in chair with enslaved Black girl staring directly at the viewer and holding the white child in place\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-255x300.jpg 255w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-871x1024.jpg 871w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-128x150.jpg 128w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-768x903.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-500x588.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-800x941.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1176\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg\" class=\"wp-image-978 vp-lazyload\" alt=\"Daguerreotype portrait of a squirming white child seated in chair with enslaved Black girl staring directly at the viewer and holding the white child in place\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMTc2IiB2aWV3Qm94PSIwIDAgMTAwMCAxMTc2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-255x300.jpg 255w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-871x1024.jpg 871w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-128x150.jpg 128w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-768x903.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-500x588.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1-800x941.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Unknown_French-1000x1176-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"JOHN CATHERWOOD (American), [Squirming White Child and Black Child Nanny, Winchester, Kentucky], 19th century, sixth plate daguerreotype, 3 \u00bc x 2 \u00be in. (8.26 x 6.99 cm), Private collection. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tJOHN CATHERWOOD (American), [Squirming White Child and Black Child Nanny, Winchester, Kentucky], 19th century, sixth plate daguerreotype, 3 \u00bc x 2 \u00be in. (8.26 x 6.99 cm), Private collection. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-bdb6ac80\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg\"\n\t\taria-label=\"JOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.3. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1536\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg\" class=\"wp-image-629\" alt=\"Photograph of an elderly Black woman seated surrounded by a white infant seated on the woman\u2019s proper right knee, a young white girl resting against the woman at her proper left, and a young white boy standing at the woman\u2019s proper right. All subjects are against a studio photography backdrop\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-195x300.jpg 195w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-667x1024.jpg 667w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-768x1180.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1536\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg\" class=\"wp-image-629 vp-lazyload\" alt=\"Photograph of an elderly Black woman seated surrounded by a white infant seated on the woman\u2019s proper right knee, a young white girl resting against the woman at her proper left, and a young white boy standing at the woman\u2019s proper right. All subjects are against a studio photography backdrop\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNTM2IiB2aWV3Qm94PSIwIDAgMTAwMCAxNTM2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-195x300.jpg 195w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-667x1024.jpg 667w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1-768x1180.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA2-1000x1536-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"JOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.3. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tJOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.3. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-720dfb73\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg\"\n\t\taria-label=\"JOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.2. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1557\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg\" class=\"wp-image-628\" alt=\"Photograph of an elderly Black woman seated surrounded by a white infant seated on the woman\u2019s proper right knee, a young white girl resting against the woman at her proper left, and a young white boy standing at the woman\u2019s proper right. All subjects are against a studio photography backdrop\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-193x300.jpg 193w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-658x1024.jpg 658w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-768x1196.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-987x1536.jpg 987w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1557\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg\" class=\"wp-image-628 vp-lazyload\" alt=\"Photograph of an elderly Black woman seated surrounded by a white infant seated on the woman\u2019s proper right knee, a young white girl resting against the woman at her proper left, and a young white boy standing at the woman\u2019s proper right. All subjects are against a studio photography backdrop\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNTU3IiB2aWV3Qm94PSIwIDAgMTAwMCAxNTU3IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-193x300.jpg 193w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-658x1024.jpg 658w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-768x1196.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1-987x1536.jpg 987w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Wortham_BCMA-1000x1557-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"JOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.2. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tJOHN B. WORTHAM (American, 1838-1889), [African American Woman (Nanny) &amp; Three White Children], cabinet card, late 19th century, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.2. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-82004ae5\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg\"\n\t\taria-label=\"DESIDERIO LAGRANGE (French-Mexican, 1849-1926), [Wet Nurse of African Descent and White Infant], mid-to-late 19th century, cabinet card, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.1. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1559\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg\" class=\"wp-image-664\" alt=\"Photograph of a Wet Nurse of African Descent with braided hair and a checkered shirt holding a white infant in a christening gown\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-449x700.jpg 449w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-657x1024.jpg 657w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-768x1197.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-500x780.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-800x1247.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-985x1536.jpg 985w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1559\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg\" class=\"wp-image-664 vp-lazyload\" alt=\"Photograph of a Wet Nurse of African Descent with braided hair and a checkered shirt holding a white infant in a christening gown\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNTU5IiB2aWV3Qm94PSIwIDAgMTAwMCAxNTU5IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-449x700.jpg 449w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-657x1024.jpg 657w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-768x1197.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-500x780.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-800x1247.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new-985x1536.jpg 985w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_LaGrange_BCMA-1000x1559-new.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"DESIDERIO LAGRANGE (French-Mexican, 1849-1926), [Wet Nurse of African Descent and White Infant], mid-to-late 19th century, cabinet card, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.1. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tDESIDERIO LAGRANGE (French-Mexican, 1849-1926), [Wet Nurse of African Descent and White Infant], mid-to-late 19th century, cabinet card, 4 1\/4 x 6 1\/2 in. (10.8 x 16.51 cm), Museum Purchase, Gridley W. Tarbell II Fund, 2020.22.1. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-0d8a7c7d\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\"\n\t\taria-label=\"ARTHUR ROTHSTEIN (American, 1915\u20131985), Gee\u2019s Bend, Alabama, 1937, printed later, gelatin silver print, 9 1\/2 x 13 in. (24.13 x 33.02 cm), Gift, Daveed D. Frazier, MD Collection, 2017.48.14. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1350\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\" class=\"wp-image-606\" alt=\"Photograph of a young Black girl staring out of an open window of a log home. The interior of the window door and home contain layers of newspaper on the walls\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg 1350w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-300x222.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-1024x759.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-768x569.jpg 768w\" sizes=\"auto, (max-width: 1350px) 100vw, 1350px\" \/><\/noscript><img decoding=\"async\" width=\"1350\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\" class=\"wp-image-606 vp-lazyload\" alt=\"Photograph of a young Black girl staring out of an open window of a log home. The interior of the window door and home contain layers of newspaper on the walls\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM1MCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM1MCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg 1350w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-300x222.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-1024x759.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-768x569.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ARTHUR ROTHSTEIN (American, 1915\u20131985), Gee\u2019s Bend, Alabama, 1937, printed later, gelatin silver print, 9 1\/2 x 13 in. (24.13 x 33.02 cm), Gift, Daveed D. Frazier, MD Collection, 2017.48.14. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tARTHUR ROTHSTEIN (American, 1915\u20131985), Gee\u2019s Bend, Alabama, 1937, printed later, gelatin silver print, 9 1\/2 x 13 in. (24.13 x 33.02 cm), Gift, Daveed D. Frazier, MD Collection, 2017.48.14. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><strong>Documented Histories<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-63e463b1 vp-id-802 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-72907f5e\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg\"\n\t\taria-label=\"Photograph of a Black woman standing outside on a busy street in Manhattan during the Occupy Wall Street protest wearing a dress that reads: \u201cOne of the 99%. I want a fair chance to work, learn and grow in the U.S. I helped to build.\u201d\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1236\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg\" class=\"wp-image-610\" alt=\"Photograph of a Black woman standing outside on a busy street in Manhattan during the Occupy Wall Street protest wearing a dress that reads: \u201cOne of the 99%. I want a fair chance to work, learn and grow in the U.S. I helped to build.\u201d\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-243x300.jpg 243w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-828x1024.jpg 828w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-768x949.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1236\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg\" class=\"wp-image-610 vp-lazyload\" alt=\"Photograph of a Black woman standing outside on a busy street in Manhattan during the Occupy Wall Street protest wearing a dress that reads: \u201cOne of the 99%. I want a fair chance to work, learn and grow in the U.S. I helped to build.\u201d\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjM2IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjM2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-243x300.jpg 243w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-828x1024.jpg 828w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1-768x949.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Shadow-1000x1236-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Photograph of a Black woman standing outside on a busy street in Manhattan during the Occupy Wall Street protest wearing a dress that reads: \u201cOne of the 99%. I want a fair chance to work, learn and grow in the U.S. I helped to build.\u201d\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPhotograph of a Black woman standing outside on a busy street in Manhattan during the Occupy Wall Street protest wearing a dress that reads: \u201cOne of the 99%. I want a fair chance to work, learn and grow in the U.S. I helped to build.\u201d<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-8f80ce02\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg\"\n\t\taria-label=\"Photograph of an elderly Black woman in a quilted jacket standing outside on a busy street in Manhattan during the Occupy Wall Street protest\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1227\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg\" class=\"wp-image-609\" alt=\"Photograph of an elderly Black woman in a quilted jacket standing outside on a busy street in Manhattan during the Occupy Wall Street protest\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-244x300.jpg 244w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-835x1024.jpg 835w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-768x942.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1227\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg\" class=\"wp-image-609 vp-lazyload\" alt=\"Photograph of an elderly Black woman in a quilted jacket standing outside on a busy street in Manhattan during the Occupy Wall Street protest\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjI3IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjI3IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-244x300.jpg 244w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-835x1024.jpg 835w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1-768x942.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Shepp_BCMA_Colette-1000x1227-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Photograph of an elderly Black woman in a quilted jacket standing outside on a busy street in Manhattan during the Occupy Wall Street protest\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPhotograph of an elderly Black woman in a quilted jacket standing outside on a busy street in Manhattan during the Occupy Wall Street protest<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-07dee873\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg\"\n\t\taria-label=\"Photograph of about fifteen Black teenage girls standing around in a jail cell in Georgia\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1496\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg\" class=\"wp-image-594\" alt=\"Photograph of about fifteen Black teenage girls standing around in a jail cell in Georgia\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg 1496w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-300x201.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-1024x684.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-768x513.jpg 768w\" sizes=\"auto, (max-width: 1496px) 100vw, 1496px\" \/><\/noscript><img decoding=\"async\" width=\"1496\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg\" class=\"wp-image-594 vp-lazyload\" alt=\"Photograph of about fifteen Black teenage girls standing around in a jail cell in Georgia\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTQ5NiIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTQ5NiAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg 1496w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-300x201.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-1024x684.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1-768x513.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Arrested-1496x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Photograph of about fifteen Black teenage girls standing around in a jail cell in Georgia\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPhotograph of about fifteen Black teenage girls standing around in a jail cell in Georgia<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-3e8ae54c\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg\"\n\t\taria-label=\"Lithograph of historical figures Madam CJ Walker, Sojourner Truth, Ida B. Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, and Mary McLeod Bethune join fictional character Willia Marie Simone around a quilt depicting sunflowers, while standing in a garden full of sunflowers. Vincent Van Gogh stands behind the women carrying a vase of flowers\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1335\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg\" class=\"wp-image-605\" alt=\"Lithograph of historical figures Madam CJ Walker, Sojourner Truth, Ida B. Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, and Mary McLeod Bethune join fictional character Willia Marie Simone around a quilt depicting sunflowers, while standing in a garden full of sunflowers. Vincent Van Gogh stands behind the women carrying a vase of flowers\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg 1335w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-300x225.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-1024x767.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-768x575.jpg 768w\" sizes=\"auto, (max-width: 1335px) 100vw, 1335px\" \/><\/noscript><img decoding=\"async\" width=\"1335\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg\" class=\"wp-image-605 vp-lazyload\" alt=\"Lithograph of historical figures Madam CJ Walker, Sojourner Truth, Ida B. Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, and Mary McLeod Bethune join fictional character Willia Marie Simone around a quilt depicting sunflowers, while standing in a garden full of sunflowers. Vincent Van Gogh stands behind the women carrying a vase of flowers\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTMzNSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTMzNSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg 1335w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-300x225.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-1024x767.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1-768x575.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Ringgold_BCMA-1335x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Lithograph of historical figures Madam CJ Walker, Sojourner Truth, Ida B. Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, and Mary McLeod Bethune join fictional character Willia Marie Simone around a quilt depicting sunflowers, while standing in a garden full of sunflowers. Vincent Van Gogh stands behind the women carrying a vase of flowers\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tLithograph of historical figures Madam CJ Walker, Sojourner Truth, Ida B. Wells, Fannie Lou Hamer, Harriet Tubman, Rosa Parks, and Mary McLeod Bethune join fictional character Willia Marie Simone around a quilt depicting sunflowers, while standing in a garden full of sunflowers. Vincent Van Gogh stands behind the women carrying a vase of flowers<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-16d8ea87\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\"\n\t\taria-label=\"Drawing of a Black woman\u2019s face in profile wearing a stoic expression. The face hovers above a rusted and worn shooting gallery target with two crows on top of the target\u2019s bar\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1335\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\" class=\"wp-image-593\" alt=\"Drawing of a Black woman\u2019s face in profile wearing a stoic expression. The face hovers above a rusted and worn shooting gallery target with two crows on top of the target\u2019s bar\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg 225w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-767x1024.jpg 767w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-768x1025.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1335\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\" class=\"wp-image-593 vp-lazyload\" alt=\"Drawing of a Black woman\u2019s face in profile wearing a stoic expression. The face hovers above a rusted and worn shooting gallery target with two crows on top of the target\u2019s bar\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMzM1IiB2aWV3Qm94PSIwIDAgMTAwMCAxMzM1IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg 225w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-767x1024.jpg 767w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-768x1025.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Drawing of a Black woman\u2019s face in profile wearing a stoic expression. The face hovers above a rusted and worn shooting gallery target with two crows on top of the target\u2019s bar\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tDrawing of a Black woman\u2019s face in profile wearing a stoic expression. The face hovers above a rusted and worn shooting gallery target with two crows on top of the target\u2019s bar<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-2aa8841a\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg\"\n\t\taria-label=\"Photograph of an elderly Black woman standing and resting her proper left arm against a chair where a young Black boy is seated. Both people are in a kitchen\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1273\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg\" class=\"wp-image-583\" alt=\"Photograph of an elderly Black woman standing and resting her proper left arm against a chair where a young Black boy is seated. Both people are in a kitchen\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg 1273w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-300x236.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-1024x804.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-768x603.jpg 768w\" sizes=\"auto, (max-width: 1273px) 100vw, 1273px\" \/><\/noscript><img decoding=\"async\" width=\"1273\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg\" class=\"wp-image-583 vp-lazyload\" alt=\"Photograph of an elderly Black woman standing and resting her proper left arm against a chair where a young Black boy is seated. Both people are in a kitchen\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTI3MyIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTI3MyAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg 1273w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-300x236.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-1024x804.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1-768x603.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Frazier_BCMA-1273x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Photograph of an elderly Black woman standing and resting her proper left arm against a chair where a young Black boy is seated. Both people are in a kitchen\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPhotograph of an elderly Black woman standing and resting her proper left arm against a chair where a young Black boy is seated. Both people are in a kitchen<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-626c770b\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg\"\n\t\taria-label=\"Photograph of Fannie Lou Hamer and other Black Mississippians demonstrating out in the rain\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1492\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg\" class=\"wp-image-595\" alt=\"Photograph of Fannie Lou Hamer and other Black Mississippians demonstrating out in the rain\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-201x300.jpg 201w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-686x1024.jpg 686w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-768x1146.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1492\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg\" class=\"wp-image-595 vp-lazyload\" alt=\"Photograph of Fannie Lou Hamer and other Black Mississippians demonstrating out in the rain\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNDkyIiB2aWV3Qm94PSIwIDAgMTAwMCAxNDkyIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-201x300.jpg 201w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-686x1024.jpg 686w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1-768x1146.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Lyon_BCMA_Hamer-1000x1492-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Photograph of Fannie Lou Hamer and other Black Mississippians demonstrating out in the rain\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPhotograph of Fannie Lou Hamer and other Black Mississippians demonstrating out in the rain<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><strong>Artistic Explorations<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-323ba1e1 vp-id-804 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-96067b6e\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg\"\n\t\taria-label=\"KARA WALKER, American, born 1969, Crossover Artist, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.1. \u00a9 Kara Walker\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1376\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg\" class=\"wp-image-621\" alt=\"Gouache drawing of a standing female figure standing behind shorter woman passing her hands through the shorter woman\u2019s face. The title \u201cCrossover Artist\u201d is written at the top of the drawing\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg 1376w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-1024x744.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-768x558.jpg 768w\" sizes=\"auto, (max-width: 1376px) 100vw, 1376px\" \/><\/noscript><img decoding=\"async\" width=\"1376\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg\" class=\"wp-image-621 vp-lazyload\" alt=\"Gouache drawing of a standing female figure standing behind shorter woman passing her hands through the shorter woman\u2019s face. The title \u201cCrossover Artist\u201d is written at the top of the drawing\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM3NiIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM3NiAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg 1376w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-1024x744.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1-768x558.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walkr_BCMA_Crossover-1376x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"KARA WALKER, American, born 1969, Crossover Artist, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.1. \u00a9 Kara Walker\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tKARA WALKER, American, born 1969, Crossover Artist, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.1. \u00a9 Kara Walker<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-969bff43\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg\"\n\t\taria-label=\"KARA WALKER (American, born 1969), Poor Baby, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.2. \u00a9 Kara Walker\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1381\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg\" class=\"wp-image-619\" alt=\"Gouache drawing of a Black woman laying on her stomach covered in biting snakes with a large jar of milk, titled \u201cLAIT,\u201d on her head. The title \u201cPoor Baby\u201d is written at the top of the drawing\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg 1381w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-300x217.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-1024x741.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-768x556.jpg 768w\" sizes=\"auto, (max-width: 1381px) 100vw, 1381px\" \/><\/noscript><img decoding=\"async\" width=\"1381\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg\" class=\"wp-image-619 vp-lazyload\" alt=\"Gouache drawing of a Black woman laying on her stomach covered in biting snakes with a large jar of milk, titled \u201cLAIT,\u201d on her head. The title \u201cPoor Baby\u201d is written at the top of the drawing\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM4MSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM4MSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg 1381w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-300x217.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-1024x741.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1-768x556.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Poor-1381x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"KARA WALKER (American, born 1969), Poor Baby, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.2. \u00a9 Kara Walker\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tKARA WALKER (American, born 1969), Poor Baby, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.2. \u00a9 Kara Walker<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-4736ceb1\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg\"\n\t\taria-label=\"MILDRED HOWARD (American, born 1945), Thirty-Eight Double Dee (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.4. \u00a9 Courtesy the Artist and Anglim\/Trimble, San Francisco. Digital reproduction by Sean Burrus\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1006\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg\" class=\"wp-image-973\" alt=\"Silkscreen print of a large white bra with lace and floral patterns hovering above a brown box full of two dozen fragile eggs\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-298x300.jpg 298w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-768x773.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-500x503.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-800x805.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1006\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg\" class=\"wp-image-973 vp-lazyload\" alt=\"Silkscreen print of a large white bra with lace and floral patterns hovering above a brown box full of two dozen fragile eggs\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDA2IiB2aWV3Qm94PSIwIDAgMTAwMCAxMDA2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-298x300.jpg 298w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-768x773.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-500x503.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1-800x805.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Howard_BCMA-1000x1006-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"MILDRED HOWARD (American, born 1945), Thirty-Eight Double Dee (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.4. \u00a9 Courtesy the Artist and Anglim\/Trimble, San Francisco. Digital reproduction by Sean Burrus\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tMILDRED HOWARD (American, born 1945), Thirty-Eight Double Dee (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.4. \u00a9 Courtesy the Artist and Anglim\/Trimble, San Francisco. Digital reproduction by Sean Burrus<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-735b9399\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg\"\n\t\taria-label=\"MARY LOVELACE O\u2019NEAL (American, born 1942), Dark Days in the Abundant Blue Light of Paris (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.8. \u00a9 Mary Lovelace O\u2019Neal. Digital reproduction by Sean Burrus\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1001\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg\" class=\"wp-image-974\" alt=\"Silkscreen print of layered green, blue, dark red rectangles on black background. Two corseted figures superimposed on the rectangular surfaces\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg 1001w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-768x767.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-500x500.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-800x799.jpg 800w\" sizes=\"auto, (max-width: 1001px) 100vw, 1001px\" \/><\/noscript><img decoding=\"async\" width=\"1001\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg\" class=\"wp-image-974 vp-lazyload\" alt=\"Silkscreen print of layered green, blue, dark red rectangles on black background. Two corseted figures superimposed on the rectangular surfaces\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTAwMSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg 1001w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-768x767.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-500x500.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1-800x799.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_ONeal_BCMA-1001x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"MARY LOVELACE O\u2019NEAL (American, born 1942), Dark Days in the Abundant Blue Light of Paris (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.8. \u00a9 Mary Lovelace O\u2019Neal. Digital reproduction by Sean Burrus\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tMARY LOVELACE O\u2019NEAL (American, born 1942), Dark Days in the Abundant Blue Light of Paris (from 10 x 10: Ten Women, Ten Prints, a serigraph portfolio), 1995, silkscreen on paper, 22 x 22 in. (55.88 x 55.88 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.8.8. \u00a9 Mary Lovelace O\u2019Neal. Digital reproduction by Sean Burrus<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-a3d068ac\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg\"\n\t\taria-label=\"EMMA AMOS (American, 1937-2020), Pool Lady, 1980, etching, aquatint, and styrene stencil, 23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm), Museum Purchase, Barbara Cooney Porter Fund, 2021.13. \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York. Digital reproduction by Sean Burrus\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1025\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg\" class=\"wp-image-997\" alt=\"Etching, aquatint, and styrene stencil depicting a dark-skinned Black woman wearing a striped bathing suit and headwrap, sitting on wooden floor with her proper right hand on her hip\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg 1025w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-300x293.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-150x146.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-768x749.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-500x488.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-800x780.jpg 800w\" sizes=\"auto, (max-width: 1025px) 100vw, 1025px\" \/><\/noscript><img decoding=\"async\" width=\"1025\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg\" class=\"wp-image-997 vp-lazyload\" alt=\"Etching, aquatint, and styrene stencil depicting a dark-skinned Black woman wearing a striped bathing suit and headwrap, sitting on wooden floor with her proper right hand on her hip\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAyNSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTAyNSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg 1025w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-300x293.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-150x146.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-768x749.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-500x488.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web-800x780.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/new-amos-margins-web.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"EMMA AMOS (American, 1937-2020), Pool Lady, 1980, etching, aquatint, and styrene stencil, 23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm), Museum Purchase, Barbara Cooney Porter Fund, 2021.13. \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York. Digital reproduction by Sean Burrus\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tEMMA AMOS (American, 1937-2020), Pool Lady, 1980, etching, aquatint, and styrene stencil, 23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm), Museum Purchase, Barbara Cooney Porter Fund, 2021.13. \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York. Digital reproduction by Sean Burrus<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-af9e8743\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg\"\n\t\taria-label=\"LORNA SIMPSON (American, born 1960), H.S., 1992, 2 dye diffusion color Polaroid prints, engraved on Plexiglas, 49 1\/2 x 20 1\/2 in. (125.73 x 52.07 cm), Collection of Alvin Hall. \u00a9 Lorna Simpson. Courtesy the artist and Hauser &amp; Wirth\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"2434\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg\" class=\"wp-image-611\" alt=\"Two-part photograph of a Black woman standing against a red background holding a high school yearbook open\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-123x300.jpg 123w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-421x1024.jpg 421w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-768x1869.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-631x1536.jpg 631w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-841x2048.jpg 841w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"2434\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg\" class=\"wp-image-611 vp-lazyload\" alt=\"Two-part photograph of a Black woman standing against a red background holding a high school yearbook open\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIyNDM0IiB2aWV3Qm94PSIwIDAgMTAwMCAyNDM0IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-123x300.jpg 123w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-421x1024.jpg 421w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-768x1869.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-631x1536.jpg 631w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1-841x2048.jpg 841w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Simpson_Hall-1000x2434-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"LORNA SIMPSON (American, born 1960), H.S., 1992, 2 dye diffusion color Polaroid prints, engraved on Plexiglas, 49 1\/2 x 20 1\/2 in. (125.73 x 52.07 cm), Collection of Alvin Hall. \u00a9 Lorna Simpson. Courtesy the artist and Hauser &amp; Wirth\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tLORNA SIMPSON (American, born 1960), H.S., 1992, 2 dye diffusion color Polaroid prints, engraved on Plexiglas, 49 1\/2 x 20 1\/2 in. (125.73 x 52.07 cm), Collection of Alvin Hall. \u00a9 Lorna Simpson. Courtesy the artist and Hauser &amp; Wirth<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-62af48ff\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg\"\n\t\taria-label=\"LESLIE HEWITT (American, born 1977), Riffs on Real Time (8 of 10), 2006\u20132009, c-print, 30 in. x 24 in. (76.2 cm x 60.96 cm), Museum Purchase, Collectors\u2019 Collaborative and Funds Contributed by Isaac L. Lagnado, 2012.20. \u00a9 Courtesy the artist and Perrotin\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1250\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg\" class=\"wp-image-663\" alt=\"Photograph of a photograph and landscape image from a print publication layered together on a royal blue carpet\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-560x700.jpg 560w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-819x1024.jpg 819w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-768x960.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-500x625.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-800x1000.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1250\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg\" class=\"wp-image-663 vp-lazyload\" alt=\"Photograph of a photograph and landscape image from a print publication layered together on a royal blue carpet\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjUwIiB2aWV3Qm94PSIwIDAgMTAwMCAxMjUwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-560x700.jpg 560w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-819x1024.jpg 819w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-768x960.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-500x625.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new-800x1000.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hewitt_BCMA-1000x1250-new.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"LESLIE HEWITT (American, born 1977), Riffs on Real Time (8 of 10), 2006\u20132009, c-print, 30 in. x 24 in. (76.2 cm x 60.96 cm), Museum Purchase, Collectors\u2019 Collaborative and Funds Contributed by Isaac L. Lagnado, 2012.20. \u00a9 Courtesy the artist and Perrotin\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tLESLIE HEWITT (American, born 1977), Riffs on Real Time (8 of 10), 2006\u20132009, c-print, 30 in. x 24 in. (76.2 cm x 60.96 cm), Museum Purchase, Collectors\u2019 Collaborative and Funds Contributed by Isaac L. Lagnado, 2012.20. \u00a9 Courtesy the artist and Perrotin<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-5920a8b0\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg\"\n\t\taria-label=\"KARA WALKER (American, born 1969), The Hi-Brids, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.4. \u00a9 Kara Walker\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1377\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg\" class=\"wp-image-618\" alt=\"Gouache drawing with the title \u201cThe Hi-Brids\u201d written at the with three figures of African descent pictured below with broad noses and big lips\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg 1377w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-1024x744.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-768x558.jpg 768w\" sizes=\"auto, (max-width: 1377px) 100vw, 1377px\" \/><\/noscript><img decoding=\"async\" width=\"1377\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg\" class=\"wp-image-618 vp-lazyload\" alt=\"Gouache drawing with the title \u201cThe Hi-Brids\u201d written at the with three figures of African descent pictured below with broad noses and big lips\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM3NyIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM3NyAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg 1377w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-1024x744.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1-768x558.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_HiBrids-1377x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"KARA WALKER (American, born 1969), The Hi-Brids, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.4. \u00a9 Kara Walker\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tKARA WALKER (American, born 1969), The Hi-Brids, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.4. \u00a9 Kara Walker<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-1f5f40ca\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg\"\n\t\taria-label=\"PAULA WILSON (American, born 1975), Remodeled, 2007, woodcut, lithograph, collage on paper 19 1\/2 x 25 1\/2 in. (49.53 x 64.77 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.423. \u00a9 Courtesy of the Artist. Digital reproduction by Sean Burrus\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1321\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg\" class=\"wp-image-979\" alt=\"Lithograph and collage featuring a colorful amphora resting on table as a woman of African descent gazes toward the amphora. Bright forest landscape with dinosaurs in background\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg 1321w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-300x227.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-1024x775.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-150x114.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-768x581.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-500x379.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-800x606.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-1280x969.jpg 1280w\" sizes=\"auto, (max-width: 1321px) 100vw, 1321px\" \/><\/noscript><img decoding=\"async\" width=\"1321\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg\" class=\"wp-image-979 vp-lazyload\" alt=\"Lithograph and collage featuring a colorful amphora resting on table as a woman of African descent gazes toward the amphora. Bright forest landscape with dinosaurs in background\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTMyMSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTMyMSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg 1321w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-300x227.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-1024x775.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-150x114.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-768x581.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-500x379.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-800x606.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1-1280x969.jpg 1280w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Wilson_BCMA-1321x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"PAULA WILSON (American, born 1975), Remodeled, 2007, woodcut, lithograph, collage on paper 19 1\/2 x 25 1\/2 in. (49.53 x 64.77 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.423. \u00a9 Courtesy of the Artist. Digital reproduction by Sean Burrus\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tPAULA WILSON (American, born 1975), Remodeled, 2007, woodcut, lithograph, collage on paper 19 1\/2 x 25 1\/2 in. (49.53 x 64.77 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.423. \u00a9 Courtesy of the Artist. Digital reproduction by Sean Burrus<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-5ab84c95\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\"\n\t\taria-label=\"KARA WALKER (American, born 1969), African\/American, 1998, linoleum cut on cream wove paper, 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm), Collection of Alvin Hall. \u00a9 Kara Walker\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1425\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\" class=\"wp-image-559\" alt=\"Linoleum cut image of a silhouetted woman of African descent free falling upside down while wearing a necklace, cuff bracelet, and what appears to be a loin cloth or pubic hair\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg 2000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-300x223.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1024x760.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-768x570.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1536x1140.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/noscript><img decoding=\"async\" width=\"1920\" height=\"1425\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\" class=\"wp-image-559 vp-lazyload\" alt=\"Linoleum cut image of a silhouetted woman of African descent free falling upside down while wearing a necklace, cuff bracelet, and what appears to be a loin cloth or pubic hair\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTkyMCIgaGVpZ2h0PSIxNDI1IiB2aWV3Qm94PSIwIDAgMTkyMCAxNDI1IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg 2000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-300x223.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1024x760.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-768x570.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1536x1140.jpg 1536w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"KARA WALKER (American, born 1969), African\/American, 1998, linoleum cut on cream wove paper, 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm), Collection of Alvin Hall. \u00a9 Kara Walker\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tKARA WALKER (American, born 1969), African\/American, 1998, linoleum cut on cream wove paper, 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm), Collection of Alvin Hall. \u00a9 Kara Walker<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-a2f96c8d\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg\"\n\t\taria-label=\"BARBARA DEWAYNE CHASE-RIBOUD (American, born 1939), Zanzibar #3, ca. 1972, bronze with silk (rope tassels), 12 1\/2 in. x 13 1\/2 in. x 13 1\/2 in. (31.75 cm x 34.29 cm x 34.29 cm), Bequest of William H. Alexander, 2003.11.24. \u00a9 Barbara Chase-Riboud\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1104\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg\" class=\"wp-image-649\" alt=\"An abstract sculpture with bronze folded and crinkled top with silk rope tassels hanging loosely from the base\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg 1104w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-300x272.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-1024x928.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-768x696.jpg 768w\" sizes=\"auto, (max-width: 1104px) 100vw, 1104px\" \/><\/noscript><img decoding=\"async\" width=\"1104\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg\" class=\"wp-image-649 vp-lazyload\" alt=\"An abstract sculpture with bronze folded and crinkled top with silk rope tassels hanging loosely from the base\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTEwNCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTEwNCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg 1104w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-300x272.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-1024x928.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1-768x696.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2003.11.24.a_Demers-1104x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"BARBARA DEWAYNE CHASE-RIBOUD (American, born 1939), Zanzibar #3, ca. 1972, bronze with silk (rope tassels), 12 1\/2 in. x 13 1\/2 in. x 13 1\/2 in. (31.75 cm x 34.29 cm x 34.29 cm), Bequest of William H. Alexander, 2003.11.24. \u00a9 Barbara Chase-Riboud\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tBARBARA DEWAYNE CHASE-RIBOUD (American, born 1939), Zanzibar #3, ca. 1972, bronze with silk (rope tassels), 12 1\/2 in. x 13 1\/2 in. x 13 1\/2 in. (31.75 cm x 34.29 cm x 34.29 cm), Bequest of William H. Alexander, 2003.11.24. \u00a9 Barbara Chase-Riboud<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-b362ea54\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg\"\n\t\taria-label=\"JULIE MEHRETU (American, born 1970), Myriads, Only By Dark, 2014, multi-color aquatint and spit-bite, 81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm), Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"780\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg\" class=\"wp-image-676\" alt=\"Four abstract drawings featuring black and white lines and various shapes, black handprints, and colored lines, all on a white background\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg 1920w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-700x285.jpg 700w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1024x416.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-768x312.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-500x203.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-800x325.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1280x520.jpg 1280w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1536x624.jpg 1536w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-2048x833.jpg 2048w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/noscript><img decoding=\"async\" width=\"1920\" height=\"780\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg\" class=\"wp-image-676 vp-lazyload\" alt=\"Four abstract drawings featuring black and white lines and various shapes, black handprints, and colored lines, all on a white background\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTkyMCIgaGVpZ2h0PSI3ODAiIHZpZXdCb3g9IjAgMCAxOTIwIDc4MCIgZmlsbD0ibm9uZSIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj48L3N2Zz4=\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg 1920w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-700x285.jpg 700w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1024x416.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-768x312.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-500x203.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-800x325.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1280x520.jpg 1280w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1536x624.jpg 1536w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-2048x833.jpg 2048w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Mehretu_Colby-Combined-1460x1000-1-1920x780.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"JULIE MEHRETU (American, born 1970), Myriads, Only By Dark, 2014, multi-color aquatint and spit-bite, 81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm), Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tJULIE MEHRETU (American, born 1970), Myriads, Only By Dark, 2014, multi-color aquatint and spit-bite, 81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm), Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-4fd6ea70\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\"\n\t\taria-label=\"CARRIE MAE WEEMS (American, born 1953), American Icons: Untitled (Salt and Pepper Shakers), 1988-89, silver gelatin print, 19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1004\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\" class=\"wp-image-623\" alt=\"Photograph of a salt and pepper shaker set depicting Sambo and Mammy stereotypes sitting on a domestic kitchen counter with silverware, utensils, and a cut cantaloupe\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-768x771.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1004\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\" class=\"wp-image-623 vp-lazyload\" alt=\"Photograph of a salt and pepper shaker set depicting Sambo and Mammy stereotypes sitting on a domestic kitchen counter with silverware, utensils, and a cut cantaloupe\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDA0IiB2aWV3Qm94PSIwIDAgMTAwMCAxMDA0IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-768x771.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"CARRIE MAE WEEMS (American, born 1953), American Icons: Untitled (Salt and Pepper Shakers), 1988-89, silver gelatin print, 19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tCARRIE MAE WEEMS (American, born 1953), American Icons: Untitled (Salt and Pepper Shakers), 1988-89, silver gelatin print, 19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-59bd2c9d\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg\"\n\t\taria-label=\"KARA WALKER (American, born 1969), Quadroon Song, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.3. \u00a9 Kara Walker\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1373\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg\" class=\"wp-image-620\" alt=\"Gouache drawing of five faces depicting five people of varying shades of skin tone and facial expressions. The title \u201cQuadroon Song\u201d is written at the top of the drawing\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg 1373w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-1024x746.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-768x559.jpg 768w\" sizes=\"auto, (max-width: 1373px) 100vw, 1373px\" \/><\/noscript><img decoding=\"async\" width=\"1373\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg\" class=\"wp-image-620 vp-lazyload\" alt=\"Gouache drawing of five faces depicting five people of varying shades of skin tone and facial expressions. The title \u201cQuadroon Song\u201d is written at the top of the drawing\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTM3MyIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTM3MyAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg 1373w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-300x218.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-1024x746.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1-768x559.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Walker_BCMA_Quadroon-1373x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"KARA WALKER (American, born 1969), Quadroon Song, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.3. \u00a9 Kara Walker\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tKARA WALKER (American, born 1969), Quadroon Song, gouache on paper, 9 1\/16 x 12 3\/8 in. (23.02 x 31.43 cm), Gift of Marion Boulton \u201cKippy\u201d Stroud Foundation, 2020.39.3. \u00a9 Kara Walker<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-87e716b3\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg\"\n\t\taria-label=\"ALMA WOODSEY THOMAS (American, 1891\u20131978), Double Cherry Blossoms, 1973, acrylic on canvas, 60 in. x 40 1\/8 in. (152.4 cm x 101.92 cm), Gift of halley k harrisburg, Class of 1990, and Michael Rosenfeld, 2003.28. Artwork in the public domain.\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1498\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg\" class=\"wp-image-613\" alt=\"An abstract painting with pink and red splotches densely packed on a white background\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-200x300.jpg 200w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-684x1024.jpg 684w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-768x1150.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1498\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg\" class=\"wp-image-613 vp-lazyload\" alt=\"An abstract painting with pink and red splotches densely packed on a white background\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxNDk4IiB2aWV3Qm94PSIwIDAgMTAwMCAxNDk4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-200x300.jpg 200w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-684x1024.jpg 684w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1-768x1150.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasAlma_BCMA-1000x1498-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ALMA WOODSEY THOMAS (American, 1891\u20131978), Double Cherry Blossoms, 1973, acrylic on canvas, 60 in. x 40 1\/8 in. (152.4 cm x 101.92 cm), Gift of halley k harrisburg, Class of 1990, and Michael Rosenfeld, 2003.28. Artwork in the public domain.\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tALMA WOODSEY THOMAS (American, 1891\u20131978), Double Cherry Blossoms, 1973, acrylic on canvas, 60 in. x 40 1\/8 in. (152.4 cm x 101.92 cm), Gift of halley k harrisburg, Class of 1990, and Michael Rosenfeld, 2003.28. Artwork in the public domain.<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-119eb0a5\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg\"\n\t\taria-label=\"HOWARDENA PINDELL (American, born 1943), Video Drawings: Tennis, 1975, chromogenic print 8 x 10 in. (20.32 x 25.4 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.7. Courtesy the artist and Garth Greenan Gallery, New York\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1502\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg\" class=\"wp-image-603\" alt=\"Chromogenic print of a distorted television screen depicting a tennis match with geometric dots and arrows drawn on the surface\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg 1502w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-300x200.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-1024x682.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-768x511.jpg 768w\" sizes=\"auto, (max-width: 1502px) 100vw, 1502px\" \/><\/noscript><img decoding=\"async\" width=\"1502\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg\" class=\"wp-image-603 vp-lazyload\" alt=\"Chromogenic print of a distorted television screen depicting a tennis match with geometric dots and arrows drawn on the surface\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTUwMiIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTUwMiAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg 1502w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-300x200.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-1024x682.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000-768x511.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Pindell_BCMA1502x1000.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"HOWARDENA PINDELL (American, born 1943), Video Drawings: Tennis, 1975, chromogenic print 8 x 10 in. (20.32 x 25.4 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.7. Courtesy the artist and Garth Greenan Gallery, New York\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tHOWARDENA PINDELL (American, born 1943), Video Drawings: Tennis, 1975, chromogenic print 8 x 10 in. (20.32 x 25.4 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.7. Courtesy the artist and Garth Greenan Gallery, New York<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-22ee5cbd\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg\"\n\t\taria-label=\"ALISON SAAR (American, born 1956), Blue Plate Special, 1993, lithograph, etching and chine coll\u00e9, 29 1\/8 in. x 28 3\/4 in. x 24 1\/2 in. (73.98 cm x 73.03 cm x 62.23 cm), Anonymous Gift and Museum Purchase, Art Collections Purchase Fund, 1994.3. \u00a9 Alison Saar. Courtesy of L.A. Louver, Venice, CA\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1014\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg\" class=\"wp-image-607\" alt=\"Lithograph with background image of an aluminum ceiling tile with a dark blue printed round table. On top of the table rests a severed head on a charger dish with cloth draped around it\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1-296x300.jpg 296w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1-768x779.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1014\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg\" class=\"wp-image-607 vp-lazyload\" alt=\"Lithograph with background image of an aluminum ceiling tile with a dark blue printed round table. On top of the table rests a severed head on a charger dish with cloth draped around it\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMDE0IiB2aWV3Qm94PSIwIDAgMTAwMCAxMDE0IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1-296x300.jpg 296w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1-768x779.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_SaarAlison_BCMA-1000x1014-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"ALISON SAAR (American, born 1956), Blue Plate Special, 1993, lithograph, etching and chine coll\u00e9, 29 1\/8 in. x 28 3\/4 in. x 24 1\/2 in. (73.98 cm x 73.03 cm x 62.23 cm), Anonymous Gift and Museum Purchase, Art Collections Purchase Fund, 1994.3. \u00a9 Alison Saar. Courtesy of L.A. Louver, Venice, CA\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tALISON SAAR (American, born 1956), Blue Plate Special, 1993, lithograph, etching and chine coll\u00e9, 29 1\/8 in. x 28 3\/4 in. x 24 1\/2 in. (73.98 cm x 73.03 cm x 62.23 cm), Anonymous Gift and Museum Purchase, Art Collections Purchase Fund, 1994.3. \u00a9 Alison Saar. Courtesy of L.A. Louver, Venice, CA<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-674814a9\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg\"\n\t\taria-label=\"MICKALENE THOMAS (American, born 1971), Tell Me What You\u2019re Thinking, 2016, chromogenic print on paper, 39 3\/4 x 49 1\/2 in. (100.97 x 125.73 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.8. \u00a9 2021 Mickalene Thomas \/ Artists Rights Society (ARS), New York\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1249\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg\" class=\"wp-image-614\" alt=\"Chromogenic print of a Black woman with an afro wearing a colorful printed dress rests on her side toward the viewer, laying atop an assortment of different printed sofas, pillows, and textiles\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg 1249w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-300x240.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-1024x820.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-768x615.jpg 768w\" sizes=\"auto, (max-width: 1249px) 100vw, 1249px\" \/><\/noscript><img decoding=\"async\" width=\"1249\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg\" class=\"wp-image-614 vp-lazyload\" alt=\"Chromogenic print of a Black woman with an afro wearing a colorful printed dress rests on her side toward the viewer, laying atop an assortment of different printed sofas, pillows, and textiles\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTI0OSIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTI0OSAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg 1249w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-300x240.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-1024x820.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1-768x615.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_ThomasMickalene_BCMA-1249x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"MICKALENE THOMAS (American, born 1971), Tell Me What You\u2019re Thinking, 2016, chromogenic print on paper, 39 3\/4 x 49 1\/2 in. (100.97 x 125.73 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.8. \u00a9 2021 Mickalene Thomas \/ Artists Rights Society (ARS), New York\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tMICKALENE THOMAS (American, born 1971), Tell Me What You\u2019re Thinking, 2016, chromogenic print on paper, 39 3\/4 x 49 1\/2 in. (100.97 x 125.73 cm), Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2018.8. \u00a9 2021 Mickalene Thomas \/ Artists Rights Society (ARS), New York<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-f562b9e1\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg\"\n\t\taria-label=\"JA\u2019TOVIA GARY (American, born 1984), An Ecstatic Experience, 2015, Film, 6 minutes, color, Museum Purchase, Greenacres Acquisition Fund in partnership with the New Media Arts Consortium, a collaboration of the art museums at Bowdoin College, Brandeis University, Colby College, Middlebury College, Mount Holyoke College, and Skidmore College, 2020.2. \u00a9 Ja\u2019Tovia Gary. Courtesy Paula Cooper Gallery, New York\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg\" class=\"wp-image-947\" alt=\"Film still with lines drawn from corners to central figure of a Black woman with a worried facial expression\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg 1600w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-300x188.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1024x640.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-150x94.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-768x480.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1536x960.jpg 1536w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-500x313.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-800x500.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1280x800.jpg 1280w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/noscript><img decoding=\"async\" width=\"1600\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg\" class=\"wp-image-947 vp-lazyload\" alt=\"Film still with lines drawn from corners to central figure of a Black woman with a worried facial expression\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYwMCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTYwMCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg 1600w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-300x188.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1024x640.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-150x94.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-768x480.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1536x960.jpg 1536w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-500x313.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-800x500.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1-1280x800.jpg 1280w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/05\/Gary_Jatovia_2015_An_Ecstatic_Experience_1-1600x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"JA\u2019TOVIA GARY (American, born 1984), An Ecstatic Experience, 2015, Film, 6 minutes, color, Museum Purchase, Greenacres Acquisition Fund in partnership with the New Media Arts Consortium, a collaboration of the art museums at Bowdoin College, Brandeis University, Colby College, Middlebury College, Mount Holyoke College, and Skidmore College, 2020.2. \u00a9 Ja\u2019Tovia Gary. Courtesy Paula Cooper Gallery, New York\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tJA\u2019TOVIA GARY (American, born 1984), An Ecstatic Experience, 2015, Film, 6 minutes, color, Museum Purchase, Greenacres Acquisition Fund in partnership with the New Media Arts Consortium, a collaboration of the art museums at Bowdoin College, Brandeis University, Colby College, Middlebury College, Mount Holyoke College, and Skidmore College, 2020.2. \u00a9 Ja\u2019Tovia Gary. Courtesy Paula Cooper Gallery, New York<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><strong>Influential Literature<\/strong><\/h1>\n<p style=\"text-align: left\">\n<div class=\"vp-portfolio vp-uid-ce806f23 vp-id-806 \"\n\tdata-vp-layout=\"justified\" data-vp-content-source=\"images\" data-vp-items-style=\"fade\" data-vp-items-click-action=\"url\" data-vp-items-gap=\"15\" data-vp-items-gap-vertical=\"\" data-vp-pagination=\"load-more\" data-vp-next-page-url=\"\" data-vp-random-seed=\"3756465123\" data-vp-justified-row-height=\"326\" data-vp-justified-row-height-tolerance=\"0.25\" data-vp-justified-max-rows-count=\"0\" data-vp-justified-last-row=\"left\" >\n\t<div class=\"vp-portfolio__preloader-wrap\">\n\t\t<div class=\"vp-portfolio__preloader\">\n\t\t\t<img decoding=\"async\" loading=\"eager\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/plugins\/visual-portfolio\/assets\/images\/logo-dark.svg\" alt=\"Visual Portfolio, Posts &amp; Image Gallery for WordPress\" width=\"20\" height=\"20\" data-skip-lazy>\n\t\t<\/div>\n\t<\/div>\n\t\t<div class=\"vp-portfolio__items-wrap\">\n\t\t\t\n<div class=\"vp-portfolio__items vp-portfolio__items-style-fade vp-portfolio__items-show-overlay-hover\">\n\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-91831eb8\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg\"\n\t\taria-label=\"Text excerpt from Kara Walker\u2019s \u201cFreedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times,\u201d 1997\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1670\" height=\"1000\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg\" class=\"wp-image-647\" alt=\"Text excerpt from Kara Walker\u2019s \u201cFreedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times,\u201d 1997\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg 1670w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-300x180.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-1024x613.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-768x460.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-1536x920.jpg 1536w\" sizes=\"auto, (max-width: 1670px) 100vw, 1670px\" \/><\/noscript><img decoding=\"async\" width=\"1670\" height=\"1000\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg\" class=\"wp-image-647 vp-lazyload\" alt=\"Text excerpt from Kara Walker\u2019s \u201cFreedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times,\u201d 1997\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTY3MCIgaGVpZ2h0PSIxMDAwIiB2aWV3Qm94PSIwIDAgMTY3MCAxMDAwIiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg 1670w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-300x180.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-1024x613.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-768x460.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1-1536x920.jpg 1536w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/2014.1.4.1.detail5_pm-PA-1670x1000-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Text excerpt from Kara Walker\u2019s \u201cFreedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times,\u201d 1997\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tText excerpt from Kara Walker\u2019s \u201cFreedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times,\u201d 1997<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-ac375204\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg\"\n\t\taria-label=\"Text excerpt from Zora Neale Hurston\u2019s \u201cMagnolia Flower,\u201d published in the artist book \u201cBookmarks in the Pages of Life,\u201d c. 2000\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1258\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg\" class=\"wp-image-964\" alt=\"Text excerpt from Zora Neale Hurston\u2019s \u201cMagnolia Flower,\u201d published in the artist book \u201cBookmarks in the Pages of Life,\u201d c. 2000\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-238x300.jpg 238w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-814x1024.jpg 814w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-119x150.jpg 119w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-768x966.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-500x629.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-800x1006.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1258\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg\" class=\"wp-image-964 vp-lazyload\" alt=\"Text excerpt from Zora Neale Hurston\u2019s \u201cMagnolia Flower,\u201d published in the artist book \u201cBookmarks in the Pages of Life,\u201d c. 2000\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjU4IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjU4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-238x300.jpg 238w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-814x1024.jpg 814w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-119x150.jpg 119w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-768x966.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-500x629.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002-800x1006.jpg 800w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0002.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Text excerpt from Zora Neale Hurston\u2019s \u201cMagnolia Flower,\u201d published in the artist book \u201cBookmarks in the Pages of Life,\u201d c. 2000\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tText excerpt from Zora Neale Hurston\u2019s \u201cMagnolia Flower,\u201d published in the artist book \u201cBookmarks in the Pages of Life,\u201d c. 2000<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-d337297a\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\"\n\t\taria-label=\"Graphite drawing of a two books, one at the top turned to the title page which reads: \u201cThose Extraordinary Twins: Authoritative Texts \/ Textual Introduction and Table of Varies \/ Criticism.\u201d The second book at the bottom turned to two blank pages\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1306\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\" class=\"wp-image-600\" alt=\"Graphite drawing of a two books, one at the top turned to the title page which reads: \u201cThose Extraordinary Twins: Authoritative Texts \/ Textual Introduction and Table of Varies \/ Criticism.\u201d The second book at the bottom turned to two blank pages\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-230x300.jpg 230w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-784x1024.jpg 784w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-768x1003.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1306\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\" class=\"wp-image-600 vp-lazyload\" alt=\"Graphite drawing of a two books, one at the top turned to the title page which reads: \u201cThose Extraordinary Twins: Authoritative Texts \/ Textual Introduction and Table of Varies \/ Criticism.\u201d The second book at the bottom turned to two blank pages\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMzA2IiB2aWV3Qm94PSIwIDAgMTAwMCAxMzA2IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" data-src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\" data-srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-230x300.jpg 230w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-784x1024.jpg 784w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-768x1003.jpg 768w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<\/a>\t<\/div>\n<\/div>\n\t<figcaption class=\"vp-portfolio__item-overlay vp-portfolio__item-overlay-text-align-center\">\n\t\t<div class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"Graphite drawing of a two books, one at the top turned to the title page which reads: \u201cThose Extraordinary Twins: Authoritative Texts \/ Textual Introduction and Table of Varies \/ Criticism.\u201d The second book at the bottom turned to two blank pages\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tGraphite drawing of a two books, one at the top turned to the title page which reads: \u201cThose Extraordinary Twins: Authoritative Texts \/ Textual Introduction and Table of Varies \/ Criticism.\u201d The second book at the bottom turned to two blank pages<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n\t\t<div\t\tclass=\"vp-portfolio__item-wrap vp-portfolio__item-uid-8aefa0c2\" data-vp-filter=\"\" \t\t>\n\t\t\t\t\t\t\t\t\t<figure class=\"vp-portfolio__item\">\n\t\t\t\t\n<div class=\"vp-portfolio__item-img-wrap\">\n\t<div class=\"vp-portfolio__item-img\">\n\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001.jpg\"\n\t\taria-label=\"Printed collage of two Black men sprouting from plant foliage, stalks of wheat, and two blooming flowers\" \t>\n\t\n\t\t<noscript><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1258\" data-skip-lazy src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001.jpg\" class=\"wp-image-963\" alt=\"Printed collage of two Black men sprouting from plant foliage, stalks of wheat, and two blooming flowers\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001.jpg 1000w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-238x300.jpg 238w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-814x1024.jpg 814w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-119x150.jpg 119w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-768x966.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-500x629.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001-800x1006.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/noscript><img decoding=\"async\" width=\"1000\" height=\"1258\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/book-0001.jpg\" class=\"wp-image-963 vp-lazyload\" alt=\"Printed collage of two Black men sprouting from plant foliage, stalks of wheat, and two blooming flowers\" srcset=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTAwMCIgaGVpZ2h0PSIxMjU4IiB2aWV3Qm94PSIwIDAgMTAwMCAxMjU4IiBmaWxsPSJub25lIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" 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class=\"vp-portfolio__item-meta-wrap vp-portfolio__custom-scrollbar\">\n\t\t\t\t<a\n\t\thref=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1.jpg\"\n\t\ttabindex=\"-1\" class=\"vp-portfolio__item-meta\" aria-label=\"A text-based artwork that reads, \u201cThis could be\/ the permanent rebellion\/ that lasts a lifetime.\/ calling a halt to the universe\/ because life doesn\u2019t wait\/ the savage is loose\/ where we are.\u201d\" \t>\n\t\n<h2 class=\"vp-portfolio__item-meta-title\">\n\tA text-based artwork that reads, \u201cThis could be\/ the permanent rebellion\/ that lasts a lifetime.\/ calling a halt to the universe\/ because life doesn\u2019t wait\/ the savage is loose\/ where we are.\u201d<\/h2>\n<\/a>\t\t<\/div>\n\t<\/figcaption>\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/p>\n<h1 style=\"text-align: center\"><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>Patterns of Visibility Classical Beauty Force of Labor Documented Histories Artistic Explorations Influential Literature<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":{"0":"post-178","1":"page","2":"type-page","3":"status-publish","5":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Catalogue - The History of Disability in Art - Bowdoin College Museum of Art<\/title>\n<meta name=\"robots\" content=\"index, follow, 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