{"id":284,"date":"2021-01-28T11:01:48","date_gmt":"2021-01-28T16:01:48","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/?p=284"},"modified":"2021-06-07T14:30:06","modified_gmt":"2021-06-07T18:30:06","slug":"half-length-bust-of-greek-slave","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/half-length-bust-of-greek-slave\/","title":{"rendered":"Greek Slave, ca. 1845-46"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-975\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-233x300.jpg\" alt=\"HIRAM POWERS (American, 1805\u20131873), Greek Slave, ca. 1845-46, marble, 24 in. (60.96 cm), McGuigan Collection. Artwork in the public domain.\" width=\"233\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-233x300.jpg 233w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-796x1024.jpg 796w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-117x150.jpg 117w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-768x988.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-500x644.jpg 500w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1-800x1030.jpg 800w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/06\/Woman_Powers_McGuigan-1000x1287-1.jpg 1000w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><\/a>Hiram Powers (American, 1805\u20131873)<\/p>\n<p>marble<\/p>\n<p>24 in. (60.96 cm)<\/p>\n<p>McGuigan Collection. Artwork in the public domain.<\/p>\n<p>Hiram Powers\u2019 <em>Greek Slave<\/em> depicts a Greek woman enslaved by the army of the Ottoman Empire during the Greek War of Independence. Sculpted in white marble, \u00a0it captivated audiences upon being first exhibited. White marble was considered void of race; however, the sculpture\u2019s subject was coded as white and palatable to a Euro-American audience. For American abolitionists, the <em>Greek Slave\u2019<\/em>s parallels to the contemporaneous treatment of enslaved Black women were hard to ignore. Many viewers believed that the Greek woman symbolically represented the Black bodies of enslaved Africans in the United States. While not explicitly depicting the Black body in sculptural form, the subject matter evokes and makes possible the interpretation of the Black female nude in neoclassical sculpture.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hiram Powers (American, 1805\u20131873) marble 24 in. (60.96 cm) McGuigan Collection. Artwork in the public domain. Hiram Powers\u2019 Greek Slave depicts a Greek woman enslaved by the army of the Ottoman Empire during the Greek War of Independence. Sculpted in white marble, \u00a0it captivated audiences upon being first exhibited. White marble was considered void of [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[15],"tags":[],"class_list":{"0":"post-284","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-classical-beauty","7":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Greek Slave, ca. 1845-46 - The History of Disability in Art - Bowdoin College Museum of Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/half-length-bust-of-greek-slave\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Greek Slave, ca. 1845-46 - The History of Disability in Art - Bowdoin College Museum of Art\" \/>\n<meta property=\"og:description\" content=\"Hiram Powers (American, 1805\u20131873) marble 24 in. 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