{"id":296,"date":"2021-01-28T11:03:22","date_gmt":"2021-01-28T16:03:22","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/?p=296"},"modified":"2021-05-13T11:07:50","modified_gmt":"2021-05-13T15:07:50","slug":"sister-lucas","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/sister-lucas\/","title":{"rendered":"Sister Lucas, circa 1975"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-587 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-300x300.jpg\" alt=\"BARKLEY L. HENDRICKS (American, 1945\u20132017), Sister Lucas, circa 1975, oil on canvas, 48 in. (121.92 cm), Lent by \u201cFriends of the Museum\u201d. \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York.\" width=\"300\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1-768x768.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/Woman_Hendricks_Moore-Official-1000x1000-1.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Barkley L. Hendricks (American, 1945\u20132017)<\/p>\n<p>oil on canvas<\/p>\n<p>48 in. (121.92 cm)<\/p>\n<p>Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York.<\/p>\n<p>With a piercing gaze, stern facial expression, and a hand on her hip, the subject of this nude portrait stands defiantly before us. As art historian Judith Wilson notes, before the 1960s there was a \u201cpaucity of Black nudes in U.S. artistic production,\u201d likely due to negative racial and sexual stereotypes that circulated about the Black female body. After the 1960s artworks depicting the Black nude become a subject matter adopted by contemporary Black artists, often male and often as a celebration of the \u201cBlack Is Beautiful\u201d movement. Sister Lucas\u2019s hairstyle further suggests this connection. She dons a dense afro with a colorful scarf loosely tied around her hair. Hendricks\u2019s choice to depict the hair in such a fashion also brings to mind the natural hair movement of the 1960s and \u201870s as a sign of Black cultural pride. <em>Sister Lucas <\/em>thus inserts new rhetoric and imagery into the void of visual vocabulary associated with Black female bodies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barkley L. Hendricks (American, 1945\u20132017) oil on canvas 48 in. (121.92 cm) Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York. With a piercing gaze, stern facial expression, and a hand on her hip, the subject of this nude portrait stands [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[15],"tags":[],"class_list":{"0":"post-296","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-classical-beauty","7":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sister Lucas, circa 1975 - The History of Disability in Art - Bowdoin College Museum of Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/classical-beauty\/sister-lucas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sister Lucas, circa 1975 - The History of Disability in Art - Bowdoin College Museum of Art\" \/>\n<meta property=\"og:description\" content=\"Barkley L. Hendricks (American, 1945\u20132017) oil on canvas 48 in. (121.92 cm) Lent by \u201cFriends of the Museum.\u201d \u00a9 Estate of Barkley L. Hendricks. Courtesy of the artist\u2019s estate and Jack Shainman Gallery, New York. 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