{"id":342,"date":"2021-01-28T11:14:27","date_gmt":"2021-01-28T16:14:27","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/?p=342"},"modified":"2021-05-13T12:10:18","modified_gmt":"2021-05-13T16:10:18","slug":"african-american","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/artistic-exploration\/african-american\/","title":{"rendered":"African\/American, 1998"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-559 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-300x223.jpg\" alt=\"KARA WALKER (American, born 1969), African\/American, 1998, linoleum cut on cream wove paper, 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm), Collection of Alvin Hall. \u00a9 Kara Walker\" width=\"300\" height=\"223\" srcset=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-300x223.jpg 300w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1024x760.jpg 1024w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-768x570.jpg 768w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb-1536x1140.jpg 1536w, https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/wp-content\/uploads\/sites\/533\/2021\/03\/82.2014_Walker-AfricanAmerican_72dpiWeb.jpg 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Kara Walker (American, born 1969)<\/p>\n<p>linoleum cut on cream wove paper<\/p>\n<p>46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm)<\/p>\n<p>Collection of Alvin Hall. \u00a9 Kara Walker<\/p>\n<p>In the 1990s, Kara Walker revived the Victorian art of the cut-paper silhouette, a popular form of nineteenth-century portraiture. Her characters\u2014ranging from enslavers to enslaved children\u2014are often shown engaging in taboo acts of sex, violence, and debasement. She describes the semi\u2013nude figure in this print as \u201cyour essentialist-token slave maiden in midair.\u201d Without any background or context, this figure seems to be helplessly falling through a timeless void. While she has been both celebrated and criticized for appropriating negative stereotypes of African Americans, Walker seeks to reconcile with a painful, violent, and traumatic past through her artwork. Her surrealistic figures, which often force incongruent elements into uncomfortably tense proximity, refuse to resolve the horrific historical and psychological circumstances of slavery\u2019s era, leaving us to wonder whether some resolution between racism\u2019s past and present is even possible.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kara Walker (American, born 1969) linoleum cut on cream wove paper 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm) Collection of Alvin Hall. \u00a9 Kara Walker In the 1990s, Kara Walker revived the Victorian art of the cut-paper silhouette, a popular form of nineteenth-century portraiture. Her characters\u2014ranging from enslavers to enslaved children\u2014are often [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[19,30],"tags":[],"class_list":{"0":"post-342","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artistic-exploration","7":"category-kara-walker","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>African\/American, 1998 - The History of Disability in Art - Bowdoin College Museum of Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/artistic-exploration\/african-american\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"African\/American, 1998 - The History of Disability in Art - Bowdoin College Museum of Art\" \/>\n<meta property=\"og:description\" content=\"Kara Walker (American, born 1969) linoleum cut on cream wove paper 46 1\/2 x 60 1\/2 in. (118.11 x 153.67 cm) Collection of Alvin Hall. \u00a9 Kara Walker In the 1990s, Kara Walker revived the Victorian art of the cut-paper silhouette, a popular form of nineteenth-century portraiture. 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