{"id":356,"date":"2021-01-28T11:16:40","date_gmt":"2021-01-28T16:16:40","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/?p=356"},"modified":"2021-05-13T12:33:32","modified_gmt":"2021-05-13T16:33:32","slug":"myriads-only-by-dark","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/artistic-exploration\/myriads-only-by-dark\/","title":{"rendered":"Myriads, Only By Dark, 2014"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Julie Mehretu (American, born 1970)<\/p>\n

multi-color aquatint and spit-bite<\/p>\n

81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm)<\/p>\n

Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York<\/p>\n

Julie Mehretu\u2019s work consists of \u201cvisual neologisms\u201d \u2013art that illustrates subjects for which there is no proper language to describe. Myriads, Only by Dark <\/em>is no exception. Originally conceived as individual aquatints, the artist decided that they should be seen and understood together. An explosion of black and grey markings emanates from the center of each piece, causing one\u2019s eye to float across the images. Colored lines cross through the composition. Invoking her presence and body, Mehretu\u2019s handprints appear in three of these aquatints, perhaps infusing the work with the artist\u2019s own experiences. Myriads <\/em>explores what Mehretu terms \u201cself-ethnography\u201d and its effects on the formation of one\u2019s identity. Instead of using representational art to represent the presence of an individual, the artist gravitates toward abstraction, which in her words \u201cafforded a whole other space of exploration, experimentation, and possibility, because it is not necessarily tethered to specific kinds of cultural meaning.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Julie Mehretu (American, born 1970) multi-color aquatint and spit-bite 81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm) Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. Courtesy of the artist and Marian Goodman Gallery, New York Julie Mehretu\u2019s work consists of \u201cvisual neologisms\u201d \u2013art that illustrates subjects for which there is […]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[19,35],"tags":[],"class_list":{"0":"post-356","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artistic-exploration","7":"category-julie-mehretu","8":"entry"},"yoast_head":"\nMyriads, Only By Dark, 2014 - The History of Disability in Art - Bowdoin College Museum of Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/history-of-disability-in-art-2021\/artistic-exploration\/myriads-only-by-dark\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Myriads, Only By Dark, 2014 - The History of Disability in Art - Bowdoin College Museum of Art\" \/>\n<meta property=\"og:description\" content=\"Julie Mehretu (American, born 1970) multi-color aquatint and spit-bite 81 1\/4 x 45 1\/4 in. (206.38 x 114.94 cm) Colby College Museum of Art, The Lunder Collection. \u00a9 Julie Mehretu. 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