{"id":1995,"date":"2022-06-08T18:52:38","date_gmt":"2022-06-08T22:52:38","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/italian-2500\/?page_id=1995"},"modified":"2022-06-13T01:06:24","modified_gmt":"2022-06-13T05:06:24","slug":"past-assigned-stories-for-wsf","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/italian-2500\/past-assigned-stories-for-wsf\/","title":{"rendered":"Past Short Stories"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-2026\" src=\"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-298x300.jpeg\" alt=\"\" width=\"522\" height=\"526\" srcset=\"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-298x300.jpeg 298w, https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-1018x1024.jpeg 1018w, https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-150x150.jpeg 150w, https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-768x772.jpeg 768w, https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299-624x627.jpeg 624w, https:\/\/courses.bowdoin.edu\/italian-2500\/wp-content\/uploads\/sites\/542\/2022\/06\/E6CE585C-564B-4AC4-B9B8-A5DDD6565299.jpeg 1467w\" sizes=\"auto, (max-width: 522px) 100vw, 522px\" \/><br \/>\n<span style=\"font-weight: 400\"><em>\u00a9 Franco Brambilla, \u201cBones of the Earth\u201d (undated)<\/em><br \/>\n<\/span><\/strong><\/p>\n<hr \/>\n<p><strong>A selection of previously-assigned short stories:<br \/>\n<\/strong>Anatoly Dnieprov, &#8220;The World in Which I Vanished&#8221; (Russia, 1961)<br \/>\nJulian Kawalec, &#8220;I Kill Myself&#8221; (Poland, 1962)<br \/>\nStanis\u0142aw Lem, &#8220;How Erg the Self-Inducting Slew a Paleface&#8221; (Poland, 1964)<br \/>\nPablo Capanna, &#8220;Acronia&#8221; (Argentina, 1966)<br \/>\nStrugatsky Brothers, &#8220;Wanders and Travelers&#8221; (Russia, 1966)<span style=\"line-height: 1.714285714;font-size: 1rem\"><br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">G\u00e9rard Klein, &#8220;Party Line&#8221; (France, 1969)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Vladlen Bakhnov, &#8220;Cheap Sale&#8221; (Russia, 1970)<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\"><br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Gheorghe S\u0103s\u0103rman, &#8220;Senezia&#8221; (Romania, 1975)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Gabriel Bermudez Castillo, &#8220;Opportunities Galore&#8221; (Spain, 1978)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">David Grigg, &#8220;A Compassionate People&#8221; (Australia, 1978)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Sam Lundwall, &#8220;Take Me Down the River&#8221; (Sweden, 1979)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Ernst Vlcek, &#8220;Say It With Flowers&#8221; (Austria, 1980)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Bob Shaw, &#8220;In the Hereafter Hilton&#8221; (Ireland, 1980)<\/span><br \/>\n<span style=\"line-height: 1.714285714;font-size: 1rem\">Tong Enzheng, &#8220;The Death of the World&#8217;s First Robot&#8221; (China, 1982)<br \/>\nJosef Nesvadba, &#8220;The Divided Carla&#8221; (The Czech Republic, 1985)<br \/>\n<\/span><span style=\"font-size: 1rem\">Yves Meynard, &#8220;Equinox&#8221; (Canada, 1992)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Guillermo Lav\u00edn, &#8220;Reaching the Shore&#8221; (Mexico, 1994)<br \/>\nValerio Evangelisti, &#8220;Sepultura&#8221; (Italy, 1996)<br \/>\nRosaleen Love, &#8220;Two Recipes for Magic Beans&#8221; (Australia, 1998)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Ion Hobana, &#8220;Night Broadcast&#8221; (Romania, 1986)<br \/>\n<\/span><span style=\"line-height: 1.714285714;font-size: 1rem\">Hannu Rajaniemi, &#8220;Shibuya No Love&#8221; (Finland, 2004)<br \/>\nW. J. Maryson, &#8220;Verstummte Musik&#8221; (The Netherlands, 2005)<br \/>\nJo\u00e3o Barreiros, &#8220;A Night on the Edge of the Empire&#8221; (Portugal, 2007)<br \/>\nPanagiotis Koustas, &#8220;Athos Emfovos in the Temple of Sound&#8221; (Greece, 2007)<br \/>\nKristin Mandigma, &#8220;Excerpt From a Letter By a Social-Realist Aswang&#8221; (Phillippines, 2007)<br \/>\nAnabel Eriquez Pineiro, &#8220;Borrowed Time&#8221; (Cuba, 2007)<br \/>\nYaniv Nir, &#8220;Cinderers&#8221; (Israel, 2009)<br \/>\nRochita Loenen-Ruiz, &#8220;Alternate Girls&#8217; Expatriate Life&#8221; (Philippines\/Netherlands, 2010)<br \/>\nF\u00e1bio Fernandes, &#8220;Nothing Happened in 1999&#8221; (Brazil, 2010)<br \/>\n<span style=\"font-size: 1rem\">Issui Ogawa, &#8220;Golden Bread&#8221; (Japan, 2012)<br \/>\n<\/span><span style=\"font-size: 1rem\">Sergey Lukyanenko, &#8220;If You Act Now&#8221; (Russia, 2012)<br \/>\n<\/span><span style=\"font-size: 1rem\">Nick Wood, &#8220;Azania&#8221; (Zambia, 2012)<\/span><span style=\"font-size: 1rem\"><br \/>\n<\/span><span style=\"font-size: 1rem\">Minsoo Kang, &#8220;Jing Ke Before the Principle of Order&#8221; (Korea, 2012)<br \/>\nKen Liu, &#8220;Mono no Aware&#8221; (USA, 2012)<br \/>\nGrace Bridges, &#8220;Max&#8217;s Black Box&#8221; (New Zealand, 2013)<br \/>\nKarin Tidbeck, <a style=\"line-height: 1.714285714;font-size: 1rem\" href=\"http:\/\/www.tor.com\/stories\/2013\/04\/sing\">&#8220;Sing&#8221;<\/a> (Sweden, 2013)<br \/>\nHannu Rajaniemi, &#8220;The Server and the Dragon&#8221; (Finland, 2014)<br \/>\nEzra Clayton Daniels, \u201cA Vessel in Drift\u201d (USA, 2016)<br \/>\nMagera Gordon, \u201cPeopleology\u201d (USA, 2016)<br \/>\nEvangelos Androutsopoulos, \u201cRecordings\u201d (Greece\/Finland, 2016)<br \/>\n<\/span><\/span><\/p>\n<hr \/>\n<p style=\"font-weight: 400\"><b>Questions, suggestions, and recommendations:<br \/>\n<\/b><span style=\"font-weight: 400\">These are welcome and may be sent to Arielle Saiber: <\/span><span style=\"font-weight: 400\">asaiber@bowdoin.edu<\/span><\/p>\n<hr \/>\n<p><strong>Copyright Information:<\/strong><br \/>\nThe information on this website is licensed under <a href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons 4.0<\/a>.<br \/>\nThe images are \u00a9 <a href=\"http:\/\/francobrambilla.com\/home.html\">Franco Brambilla<\/a>.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/i.creativecommons.org\/l\/by-nc\/3.0\/88x31.png\" alt=\"\" width=\"88\" height=\"31\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a9 Franco Brambilla, \u201cBones of the Earth\u201d (undated) A selection of previously-assigned short stories: Anatoly Dnieprov, &#8220;The World in Which I Vanished&#8221; (Russia, 1961) Julian Kawalec, &#8220;I Kill Myself&#8221; (Poland, 1962) Stanis\u0142aw Lem, &#8220;How Erg the Self-Inducting Slew a Paleface&#8221; (Poland, 1964) Pablo Capanna, &#8220;Acronia&#8221; (Argentina, 1966) Strugatsky Brothers, &#8220;Wanders and Travelers&#8221; (Russia, 1966) G\u00e9rard [&hellip;]<\/p>\n","protected":false},"author":1454,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1995","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/pages\/1995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/users\/1454"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/comments?post=1995"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/pages\/1995\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/italian-2500\/wp-json\/wp\/v2\/media?parent=1995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}