{"id":172,"date":"2016-09-29T23:59:33","date_gmt":"2016-09-30T03:59:33","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/?p=172"},"modified":"2016-09-30T00:00:44","modified_gmt":"2016-09-30T04:00:44","slug":"what-is-old-is-new-again","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/russian-culture\/what-is-old-is-new-again\/","title":{"rendered":"What is &#8220;Old&#8221; Is New Again"},"content":{"rendered":"<p>As I myself have written at length about, Russian culture is obsessed with the idea of itself. The Russian nation&#8217;s identity is inexorably tied with its self perception, perhaps to an unhealthy level. In the 1800s, introspective pondering took maximum hold over the nation&#8217;s psyche. Russia found herself finally with a rich, unified history to look back on, and from which to derive a &#8220;Russian&#8221; identity. 500, 400, and 300 years beforehand, the direct impact and remnants of the Mongol occupancy were too fresh for Russia&#8217;s arts and culture to flourish in a self-derivative way, unconscious of their bastard influences. Before Muscovy united the lands east of the current Baltic states, and until that event was in not-recent memory, the singular Russian cultural focus of &#8220;Russian-ness&#8221; couldn&#8217;t be pursued.<\/p>\n<p>Tchaikovsky&#8217;s seminal ballet <em>Swan Lake <\/em>(1875) represents an era of culture that would have been impossible hundreds of years prior. The great artists of the 1800s, (Tchaikovsky and Pushkin included) drew heavily on a Russian folk tradition that emerged after the solidification of a singular Russian state. The plot of <em>Swan Lake\u00a0<\/em>is derived mostly from Russian folktales, just as Pushkin&#8217;s epic poem<em> Ruslan and Liudmila<\/em> is. Pushkin uses devices and imagery extremely reminiscent of folktales to craft a distinct story that is absolutely separate from any of its influences. Pushkin builds a poem that has a folktale-like framework, one that would be familiar to any adult in the 19th century from their childhood. In <em>Swan Lake, <\/em>the choreography is very similar to the basic structure of the Moiseyev ensemble dances. Extended sections of <em>Swan Lake <\/em>feature male and female dancers in front of a gender-balanced ensemble. This pairing by gender, as well as the basic ensemble structure is very alike when compared to the folk dancing. Musically, <em>Swan Lake <\/em>has many folk influences as well. Some melody lines in the ballet are starkly simple, giving reminder to the homophonic, almost monophonic Russian folk music. Often a single voice (melody line) dances above a drone-like, semi-static accompaniment. This is also a motif evident in <em>Swan Lake<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I myself have written at length about, Russian culture is obsessed with the idea of itself. The Russian nation&#8217;s identity is inexorably tied with its self perception, perhaps to an unhealthy level. In the 1800s, introspective pondering took maximum hold over the nation&#8217;s psyche. Russia found herself finally with a rich, unified history to [&hellip;]<\/p>\n","protected":false},"author":371,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[70,47,68,66,69],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-russian-culture","tag-dance","tag-pushkin","tag-ruslan-and-liudmila","tag-swan-lake","tag-tchaikovsky"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/users\/371"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-fall-2016\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}