{"id":1053,"date":"2020-04-24T03:34:51","date_gmt":"2020-04-24T03:34:51","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/?p=1053"},"modified":"2020-04-24T03:34:51","modified_gmt":"2020-04-24T03:34:51","slug":"in-the-night","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/lmcnett\/in-the-night\/","title":{"rendered":"&#8220;In the Night&#8221;"},"content":{"rendered":"<p>Despite its short length, &#8220;In the Night&#8221;, is an immensely powerful and unsettling story. \u00a0Throughout the story&#8217;s narration, Shalamov&#8217;s attention to detail, use of sensory, and tone causes the story to deeply impact and resonate with the reader.<\/p>\n<p>The first image in the story, that of &#8220;Glebov lick[ing] the bowl and brush[ing] the bread crumbs.. into his left left palm&#8230;Without swallowing, he felt each miniature fragment of bread in his mouth coated greedily with a thick layer of saliva&#8221; is explained in such methodic detail, that the image Shalamov describes can be easily imagined by the reader. \u00a0Moreover, the comment that &#8220;taste was an entirely different thing&#8221; further inserts the reader into the narrative \u00a0by activating both senses of sight and taste. \u00a0This use of sensory through Shalamov&#8217;s detailed narration creates and intimate experience for the reader, drawing him or her in, allowing the remainder of the story to further impact the reader.<\/p>\n<p>As the story progresses, Shalamov uses a rather dry, &#8220;matter of the fact&#8221; tone which is particularly haunting given the circumstances that the characters currently face. \u00a0This tone highlights the &#8216;new normal&#8217; of the gulag and the alarming way in which prisoners become accustomed\/indifferent to their way of life. \u00a0In particular, Glebov questioning his own past and commenting &#8220;not only the habit of judgement was lost, but even the habit of observation&#8221; demonstrates how the prison has stripped the characters of their individualism and that they are now consumed by their new reality.<\/p>\n<p>The matter-of-factness that Shalamov projects is most haunting then the corpse is introduced to which Bagretsov simply remarks &#8220;he&#8217;s a young one&#8221;. \u00a0It is almost has if the scenario, finding and essentially pickpocketing and robbing a corpse is a mundane, everyday aspect of life in the story. \u00a0The feeling of normalcy is most obvious when Glebov is carrying the dead man&#8217;s underwear in an attempt to sell it in order to smoke. \u00a0The fact that an act as mundane as smoking is juxtaposed to an image as drastic as taking a corpse&#8217;s underwear demonstrates to the reader the dire circumstances being experienced.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despite its short length, &#8220;In the Night&#8221;, is an immensely powerful and unsettling story. \u00a0Throughout the story&#8217;s narration, Shalamov&#8217;s attention to detail, use of sensory, and tone causes the story to deeply impact and resonate with the reader. The first image in the story, that of &#8220;Glebov lick[ing] the bowl and brush[ing] the bread crumbs.. [&hellip;]<\/p>\n","protected":false},"author":1024,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1053","post","type-post","status-publish","format-standard","hentry","category-unit-11-stalinism-thaw-and-stagnation"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/posts\/1053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/users\/1024"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/comments?post=1053"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/posts\/1053\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/media?parent=1053"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/categories?post=1053"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2240-spring-2020\/wp-json\/wp\/v2\/tags?post=1053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}