{"id":172,"date":"2018-08-29T13:28:13","date_gmt":"2018-08-29T17:28:13","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/?page_id=172"},"modified":"2018-08-29T13:57:47","modified_gmt":"2018-08-29T17:57:47","slug":"syllabus","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/syllabus\/","title":{"rendered":"Syllabus"},"content":{"rendered":"<p style=\"text-align: left\">FALL 2018 SCHEDULE OF READINGS AND ASSIGNMENTS<br \/>\n<strong><br \/>\nIntroduction: Nature\u2014Culture\u2014Russia<\/strong><\/p>\n<p><span style=\"text-decoration: underline\">August 29 Introduction to the course<\/span><br \/>\nEcocriticism, the Russian landscape, and associated riddles of Russian national identity<br \/>\nMikhail Lermontov, \u201cMy Native Land\u201d: Fyodor Tyutchev, \u201cHow Bare the Countryside\u2026\u201d; Alexander Blok, \u201cRussia (Even sleeping you astonish me\u2026)\u201d<\/p>\n<p><span style=\"text-decoration: underline\">September 3 The 19th-century Romantic sublime<\/span><br \/>\nAlexander Pushkin, \u201cThe Poet,\u201d \u201cEcho,\u201d \u201cAutumn\u201d<br \/>\nMikhail Lermontov, \u201cA Sail,\u201d \u201cClouds,\u201d \u201cThe Cliff,\u201d \u201cLone I Walk at Night\u201d<br \/>\nFyodor Tyutchev, \u201cSpring Storm,\u201d \u201cSilentium!,\u201d \u201cNight Wind,\u201d \u201cHow bare the countryside!&#8230;,\u201d \u201cIn early autumn sweetly wistful\u2026\u201d<br \/>\nPaintings by Isaak Levitan and Aleksei Savrasov<\/p>\n<p><span style=\"text-decoration: underline\">September 5 The 20th-century nostalgic pastoral<\/span><br \/>\nIvan Bunin, \u201cThe Scent of Apples\u201d<br \/>\nTatiana Tolstaya, \u201cOn the Golden Porch\u201d<br \/>\nBoris Pasternak, \u201cSister My Life,\u201d \u201cHey, you in the wind\u2026,\u201d \u201cThe Steppe,\u201d \u201cSummer\u201d<br \/>\nNikolai Zabolotsky, \u201cSnakes,\u201d \u201cMorning Song,\u201d \u201cAll that the soul contained\u2026,\u201d \u201cA Woodland Lake\u201d<br \/>\nPaintings by Isaak Brodsky<\/p>\n<p><strong>The Primeval Russian Forest<\/strong><\/p>\n<p><span style=\"text-decoration: underline\">September 10 The Russian forest in folklore, art, film, and poetry<\/span><br \/>\nFairtytales: \u201cPrince Ivan and the Gray Wolf,\u201d \u201cVasilisa the Beautiful,\u201d \u201cIvanko the Bear\u2019s Son\u201d<br \/>\nFilm: Hedgehog in the Fog (directed by Yuri Norstein, 1975; 10 min.)<br \/>\nNikolai Zabolotsky, \u201cTrees,\u201d \u201cIn This Birch Wood,\u201d \u201cThe Forest Lodge\u201d<br \/>\nPaintings and illustrations by Ivan Shishkin, Ilya Repin, and Ivan Bilibin<\/p>\n<p><span style=\"text-decoration: underline\">September 12 The Russian forest and its creatures in 19th- and 20th-century short fiction<\/span><br \/>\nLeo Tolstoy, \u201cThe Bear Hunt\u201d<br \/>\nLidia Zinovieva-Annibal, \u201cWolves\u201d and \u201cThe Bear Cubs\u201d<br \/>\nIvan Bunin, \u201cWolves\u201d<br \/>\nAndrei Platonov, \u201cAmong Animals and Plants\u201d<br \/>\nVasily Shukshin, \u201cWolves\u201d<\/p>\n<p><span style=\"text-decoration: underline\"> September 17 Forest as metaphor, idea, and value<\/span><br \/>\nBrief overview of the history of environmentalism in Russia (late Imperial and Soviet periods)<br \/>\nAnton Chekhov, Uncle Vanya<br \/>\nNikolai Zabolotsky, \u201cArt,\u201d \u201cSigns of Autumn\u201d<br \/>\nOptional film: Uncle Vanya (directed by Andrei Konchalovsky, 1970; 99 min.)<\/p>\n<p><span style=\"text-decoration: underline\">September 19 Challenges of environmental activism in contemporary Russia<\/span><br \/>\nKate Pride Brown, \u201cState Suppression of Baikal Activism\u201d<br \/>\nNote: This class will be guest-taught by Laura Henry, Associate Professor of Government &amp; Legal Studies (and a specialist on the politics of environmentalism in post-Soviet Russia)<\/p>\n<p><strong>The Russian Countryside and the Peasant Village<\/strong><\/p>\n<p><span style=\"text-decoration: underline\">September 24 Social commentary in 19th-century depictions of nature and peasants<\/span><br \/>\nAlexander Pushkin, \u201cWinter in the Country,\u201d \u201cWhen lost in thought\u2026\u201d<br \/>\nIvan Turgenev, \u201cBezhin Meadow,\u201d \u201cThe Singers,\u201d \u201cThe Rendezvous,\u201d \u201cForest and Steppe\u201d<br \/>\nPaintings by Aleksei Venetsianov<\/p>\n<p><span style=\"text-decoration: underline\">September 26 The countryside and village life in times of change<\/span><br \/>\nAlexander Engelgardt, excerpt from Letters from the Country<br \/>\nAlexander Blok, \u201cAutumn Day\u201d<br \/>\nSergei Esenin, selected poems (especially \u201cHey there, Russia, mother country\u2026,\u201d \u201cLand of mine in dire neglect\u2026,\u201d \u201cSong about a Dog,\u201d \u201cThe Hooligan,\u201d \u201cIt can\u2019t be dispelled\u2026,\u201d \u201cThe disquiet of vaporous moonshine\u2026\u201d)<br \/>\nNikolai Kliuev, selected poems (especially \u201cO fir, weaver of lace-in-thickets\u2026,\u201d \u201cDo not fear the falling of leaves\u2026,\u201d \u201cMy white linden has dropped its blossoms\u2026,\u201d \u201cSnow falls on the road\u2026\u201d)<br \/>\nAndrei Platonov, \u201cThe Motherland of Electricity\u201d<\/p>\n<p><span style=\"text-decoration: underline\">October 1 The village in Soviet fiction and film under Stalin<\/span><br \/>\nAndrei Platonov, \u201cThe Cow\u201d<br \/>\nFilm fragments: Bezhin Meadow (directed by Sergei Eisenstein, 1937; 26 min.)<br \/>\nFilm: Cossacks of the Kuban (directed by Ivan Pyr\u2019ev, 1949; 104 min.)<\/p>\n<p><span style=\"text-decoration: underline\">October 3 The village in Soviet prose of the Thaw period<\/span><br \/>\nAlexander Solzhenitsyn, \u201cMatryona\u2019s Homestead\u201d<br \/>\nVasily Shukshin, \u201cGogol and Raika,\u201d \u201cHarvesting\u201d<\/p>\n<p><strong>The Domestic Exotic (on the Southern and Eastern Peripheries of Empire)<\/strong><\/p>\n<p><span style=\"text-decoration: underline\">October 10 The Caucasian wilds in the Russian literary imagination<\/span><br \/>\nAlexander Pushkin, \u201cSing not, my love\u2026,\u201d \u201cThe Hills of Georgia\u201d<br \/>\nMikhail Lermontov, \u201cFarewell to Russia,\u201d \u201cA Dream,\u201d \u201cTamara\u201d<br \/>\nIvan Bunin, \u201cCaucasus\u201d<br \/>\nLeo Tolstoy, The Cossacks, chapters I-XVI<br \/>\nPaintings by Arkhip Kuindzhi<\/p>\n<p><span style=\"text-decoration: underline\">October 15 The Caucasian wilds in the Russian literary imagination, continued<\/span><br \/>\nLeo Tolstoy, The Cossacks, chapters XVII-XLII<\/p>\n<p><span style=\"text-decoration: underline\">October 17 Nature and culture in the Russian Arctic<\/span><br \/>\nYuri Rytkheu, A Dream in Polar Fog, chapters 1-10<\/p>\n<p><span style=\"text-decoration: underline\">October 22 Nature and culture in the Russian Arctic, continued<\/span><br \/>\nYuri Rytkheu, A Dream in Polar Fog, chapters 11-20<\/p>\n<p><span style=\"text-decoration: underline\">October 24 Nature and culture in the Russian Arctic, continued<\/span><br \/>\nYuri Rytkheu, A Dream in Polar Fog, chapters 21-30<\/p>\n<p><span style=\"text-decoration: underline\">October 29 Russian fantasies of the Asian steppe<\/span><br \/>\nAlexander Blok, \u201cOn the Field of Kulikovo\u201d (parts I-V), \u201cRussia and I\u201d<br \/>\nFilm: Urga: Close to Eden (directed by Nikita Mikhalkov, 1991; 119 min.)<\/p>\n<p><strong>Calamities of Ice and Water<\/strong><\/p>\n<p><span style=\"text-decoration: underline\">October 31 Winter in pre-Revolutionary fiction and poetry<\/span><br \/>\nAlexander Pushkin, \u201cThe Snowstorm\u201d<br \/>\nLeo Tolstoy, \u201cMaster and Man\u201d<br \/>\nVladimir Korolenko, \u201cThe Cold\u201d<br \/>\nAlexander Blok, \u201cCaught by the Blizzard,\u201d \u201cO what is the setting sun\u2019s radiance\u2026\u201d<\/p>\n<p><span style=\"text-decoration: underline\">November 5 Winter in Soviet-era fiction, memoir, and poetry<\/span><br \/>\nEvgeny Zamyatin, \u201cThe Cave\u201d<br \/>\nNikolai Zabolotsky, \u201cWinter\u2019s Start\u201d<br \/>\nLydia Ginzburg, excerpt from Blockade Diary<\/p>\n<p><span style=\"text-decoration: underline\">November 7 Storms and cold in the Gulag and its aftermath<\/span><br \/>\nVarlaam Shalamov, \u201cA Pushover Job,\u201d \u201cA Child\u2019s Drawings,\u201d \u201cLend-Lease\u201d<br \/>\nNikolai Zabolotsky, \u201cNight Garden,\u201d \u201cThunderstorm,\u201d \u201cThe North\u201d<\/p>\n<p><span style=\"text-decoration: underline\">November 12 Apocalyptic floods and social critique<\/span><br \/>\nAlexander Pushkin, The Bronze Horseman<br \/>\nEvgeny Zamyatin, \u201cThe Flood\u201d<\/p>\n<p><span style=\"text-decoration: underline\">November 14 Legendary Russian waters<\/span><br \/>\nFilm: Rusalka (The Mermaid) (directed by Alexander Petrov, 1996; 10 min.)<br \/>\nVladimir Korolenko, \u201cSvetloyar\u201d<br \/>\nValentin Rasputin, \u201cBaikal\u201d<br \/>\nPaintings by Ivan Aivazovsky<\/p>\n<p><strong>Soviet Aspirations and Environmental Disasters<\/strong><\/p>\n<p><span style=\"text-decoration: underline\"> November 19 The Soviet project: old world and new world<\/span><br \/>\nVladimir Mayakovsky, selected poems (especially \u201cCould You?\u201d \u201cMe,\u201d \u201cLove,\u201d \u201cVladimir Mayakovsky Rented a Dacha One Summer\u201d)<br \/>\nNikolai Zabolotsky, \u201cThe Mad Wolf,\u201d \u201cI do not look for harmony\u2026\u201d<br \/>\nFilm: Magnitogorsk: Forging the New Man (directed by Pieter Jan Smit, 1996; 60 min.)<\/p>\n<p><span style=\"text-decoration: underline\">November 26 Harnessing the waters with slave labor<\/span><br \/>\nMaxim Gorky, et al., excerpts from Belomor: An Account of the Construction of the New Canal between the White Sea and the Baltic Sea<br \/>\nVisit to Bowdoin Museum of Art to view The Belomor Canal, issue #12 of USSR in Construction<\/p>\n<p><span style=\"text-decoration: underline\">November 28 The Chernobyl disaster<\/span><br \/>\nSvetlana Alexievich, Voices from Chernobyl, parts 1-2<\/p>\n<p><span style=\"text-decoration: underline\">December 3 The Chernobyl disaster, continued<\/span><br \/>\nSvetlana Alexievich, Voices from Chernobyl, part 3<br \/>\nFilm: The Babushkas of Chernobyl (directed by Holly Morris, 2015; 70 min.)<\/p>\n<p><span style=\"text-decoration: underline\">December 5 Post-Soviet decay and corruption, and course conclusion<\/span><br \/>\nViktor Pelevin, \u201cVera Pavlovna\u2019s Ninth Dream\u201d<br \/>\nFilm: Leviathan (directed by Andrei Zviagintsev, 2014; 142 min.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FALL 2018 SCHEDULE OF READINGS AND ASSIGNMENTS Introduction: Nature\u2014Culture\u2014Russia August 29 Introduction to the course Ecocriticism, the Russian landscape, and associated riddles of Russian national identity Mikhail Lermontov, \u201cMy Native Land\u201d: Fyodor Tyutchev, \u201cHow Bare the Countryside\u2026\u201d; Alexander Blok, \u201cRussia (Even sleeping you astonish me\u2026)\u201d September 3 The 19th-century Romantic sublime Alexander Pushkin, \u201cThe Poet,\u201d [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-172","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/pages\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/pages\/172\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/russian-2447-fall-2018\/wp-json\/wp\/v2\/media?parent=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}