The following is a compilation of resources that NEH participants and co directors put together.<\/p>\n
Quick Links to Images<\/b><\/p>\n Finding digital images often involves finding information about those images. The following websites provide both information about<\/i> images and<\/i> the images themselves:<\/p>\n Images in Memorial Museums\/Historical Museums\/Art Museums<\/b><\/p>\n Note: Art museum website<\/i>s are good places to search for art images, especially if you know the\u00a0 institution where the artwork resides. Due to many of the artists living in the twentieth century, copyright\u00a0 may be an issue depending on use, size, and amount of work used. For more information including fair use for educational purposes consult:<\/p>\n Works of Art\/About Artists Charlotte Salomon<\/p>\n Henryk Ross (Lodz Ghetto photographs)<\/p>\n Degenerate Art:<\/p>\n Holocaust Memorials\u00a0<\/b><\/p>\n Images in Concentration Camp Museums (Auschwitz)<\/b><\/p>\n http:\/\/auschwitz.org\/en\/gallery\/<\/a> Images in Libraries\u00a0\u00a0<\/b><\/p>\n Survivor testimonies:\u00a0<\/b><\/p>\n Jewish Life before the Holocaust<\/b><\/p>\n Films The following is a compilation of resources that NEH participants and co directors put together. Part I: Finding and Using Digital Images Quick Links to Images Wikimedia Commons: https:\/\/commons.wikimedia.org\/wiki\/Main_Page Creative Commons: https:\/\/search.creativecommons.org\/ Digital Public Library of America (DPLA): https:\/\/dp.la\/ Europeana https:\/\/www.europeana.eu\/portal\/en\/search?page=2&q=john+heartfield\u00a0 https:\/\/www.europeana.eu\/portal\/en\/rights\/public-domain.html Finding digital images often involves finding information about those images. The following websites […]<\/p>\n","protected":false},"author":724,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-555","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/pages\/555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/users\/724"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/comments?post=555"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/pages\/555\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/teaching-the-holocaust-through-visual-culture\/wp-json\/wp\/v2\/media?parent=555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
\nhttps:\/\/www.europeana.eu\/portal\/en\/search?page=2&q=john+heartfield<\/a>\u00a0 https:\/\/www.europeana.eu\/portal\/en\/rights\/public-domain.html<\/a><\/li>\n<\/ul>\n\n
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\nhttps:\/\/cja.huji.ac.il\/hmm\/browser.php?mode=main<\/a><\/li>\n
\nhttps:\/\/www.philaholocaustmemorial.org\/<\/a><\/li>\n
\nhttp:\/\/www.yadvashem.org\/<\/a><\/li>\n
\nhttps:\/\/www.nehm.org\/<\/a>
\nLocated just outside of Quincy Market\/Faneuil Hall, and less than a ten minute walk from the TD Garden.\u00a0 It is also next to the \u201cFreedom Trail.\u201d\u00a0 The virtual tour feature is highly interactive, and works similar to Google Earth.\u00a0 Primary documents, letters, videos, etc. are part of the virtual tour. If you are in Boston, it is worth the stop.\u00a0 From a distance, the glass towers look like frosted glass.\u00a0 Up close, you realize every number that had been tattooed on a person is etched into the glass.\u00a0 Stand inside one of the towers and look up.\u00a0 It is overwhelming.<\/li>\n<\/ul>\n
\n(http:\/\/auschwitz.org\/en\/copyright\/ \u201cMaterial belonging to the Museum may be used free\u00a0 of charge exclusively for non-commercial and strictly educational purposes, on the\u00a0 condition that its source is indicated in the following form: www.auschwitz.org \u201c)<\/p>\n\n
\nhttps:\/\/wienerholocaustlibrary.org\/<\/a>
\nhttps:\/\/wienerholocaustlibrary.org\/object\/<\/a><\/li>\n
\nhttps:\/\/www.loc.gov\/collections\/<\/a><\/li>\n
\nhttps:\/\/digitalcollections.nypl.org\/<\/a>
\nhttps:\/\/digitalcollections.nypl.org\/american-jewish-committee<\/a><\/li>\n<\/ul>\nPart II: Additional resources compiled by Professors Goldman and Herrlinger and former NEH participants<\/b><\/h2>\n
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\nhttps:\/\/timelineoftheholocaust.org\/<\/a><\/li>\n
\nhttps:\/\/echoesandreflections.org\/teach\/<\/a><\/li>\n
\nhttps:\/\/www.facinghistory.org\/<\/a><\/li>\n
\nhttps:\/\/www.hdot.org\/<\/a><\/li>\n
\nhttp:\/\/www.yadvashem.org\/<\/a><\/li>\n
\nhttp:\/\/motlc.wiesenthal.com\/site\/pp.asp?c=gvKVLcMVIuG&b=358201<\/a><\/li>\n<\/ul>\n\n
\nhttps:\/\/fortunoff.library.yale.edu\/<\/a><\/li>\n
\nhttps:\/\/sfi.usc.edu\/content\/iwitness-overview<\/a><\/li>\n
\nhttps:\/\/artsandculture.google.com\/story\/2QVhSSb7oRR7Jg?hl=en<\/a><\/li>\n
\nhttps:\/\/germanhistorydocs.ghi-dc.org\/section.cfm?section_id=13<\/a><\/li>\n\n
\nhttps:\/\/aleteia.org\/2022\/01\/27\/haunting-3-minute-film-features-a-jewish-community-in-poland-before-the-holocaust\/<\/a><\/li>\n
\nPermeation (Accessibility view<\/a>)<\/li>\n
\nhttps:\/\/www.youtube.com\/watch?v=DwKPFT-RioU<\/a><\/li>\n<\/ul>\n
\n<\/b><\/p>\n\n
\n<\/i>https:\/\/www.ushmm.org\/remember\/holocaust-reflections-testimonies\/one-survivor-remembers<\/a><\/li>\n
\nhttps:\/\/www.youtube.com\/watch?v=Bwz7kQtPPW0<\/a><\/li>\n
\nhttps:\/\/www.youtube.com\/watch?v=0We7BNUILBA<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"