{"id":89,"date":"2016-02-07T16:24:43","date_gmt":"2016-02-07T21:24:43","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/?p=89"},"modified":"2016-02-07T16:24:43","modified_gmt":"2016-02-07T21:24:43","slug":"topic-2-truth-emotions-and-entertainment","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/urban-education\/topic-2-truth-emotions-and-entertainment\/","title":{"rendered":"Topic 2- Truth, Emotions, and Entertainment"},"content":{"rendered":"<p><em>The Importance of Being Earnest<\/em> by Oscar Wilde is a multidimensional play that touches on many themes. One theme in particular that stood out to me was the theme of absolute truth. The theme emerges rather quickly in the play, in Act I, when Algernon discovers a different name in Jack\u2019s cigarette case and learns of Jack\u2019s separate identity. Jack responds to Algernon\u2019s confrontation by describing that his name is \u201cErnst in town and Jack in the country\u201d (Wilde 778). This sets a precedent for the reminder of the play, building its foundation on the premise of alternate truth. In that same vein, Kovarik\u2019s discussion in <em>the Revolutions in Communications<\/em> of the early stages of the commercial and industrial media revolution relates to this theme of alternate vs. absolute truth as well. This is best seen through the New York Sun\u2019s emphasis on the \u201chuman condition, in ways that the elite papers did not\u201d (Kovarik 50). More specifically, the news outlet\u2019s efforts to emphasize one type of story and inherently omit others creates an absence of truth. This is also seen in James Gordon Bennett\u2019s, the founder of <em>the Herald<\/em>, style of journalism. Described as one the most successful penny newspapers, the paper was famous for its sensationalism where many people were \u201cvictims of his pen\u201d (Koravik 52). This kind of reporting and its rhetoric alters the truth as well, mutilating the reality of the news story.<\/p>\n<p>In chapter 5 of <em>Theater Histories<\/em>, Zarrilli discusses sentimental aspect of theater. Zarrilli states that \u201csentimental plays sought to evoke a benevolent community in the audience\u201d (Zarrilli 238). Much like sensationalism and selecting certain stories to report in journalism, both mediums of theater and media strive to touch human emotions. Perhaps this was Wilde\u2019s effort in the Importance of Being Earnest when he created a world filled with layers of truth or lack there of. Maybe the lack of truth, specifically in identity, is a commonality of all of us, something everyone experiences. In closing, I still have a couple questions. First, is truthful entertainment possible? Another question of mine is, would you describe the Importance of Being Earnest as a truthful play in terms of our reality and the world we live in? And lastly, how can we relate this idea of truth to social media?<\/p>\n<p>-Hannah Hirschfeld<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Importance of Being Earnest by Oscar Wilde is a multidimensional play that touches on many themes. One theme in particular that stood out to me was the theme of absolute truth. The theme emerges rather quickly in the play, in Act I, when Algernon discovers a different name in Jack\u2019s cigarette case and learns [&hellip;]<\/p>\n","protected":false},"author":320,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-89","post","type-post","status-publish","format-standard","hentry","category-urban-education"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/users\/320"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/posts\/89\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/media?parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/categories?post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/theater-1504-spring-2016\/wp-json\/wp\/v2\/tags?post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}