{"id":72,"date":"2017-01-05T20:21:01","date_gmt":"2017-01-05T20:21:01","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?page_id=72"},"modified":"2021-09-15T10:02:09","modified_gmt":"2021-09-15T14:02:09","slug":"further-reading","status":"publish","type":"page","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/further-reading\/","title":{"rendered":"Further Reading"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Catlett, Elizabeth. \u201cThe Role of the Black Artist.\u201d <em>The Black Scholar <\/em>6, no. 9 (June 1975): 10-14.<\/p>\n<p>Farrington, Lisa E. The Black Female Nude. <em>Woman\u2019s Art Journal <\/em>24 (2003-2004): 15-23.<\/p>\n<p>Godfrey, Mark and Zo\u00e9 Whitley, eds. <em>Soul of a Nation: Art in the Age of Black Power. <\/em>London: Tate Publishing, 2017.<\/p>\n<p>Golden, Thelma. <em>Black Male: Representations of Masculinity in Contemporary American Art. <\/em>New York: Whitney Museum of American Art, 1994.<\/p>\n<p>Jones, Jacqueline. <em>Labor of Love, Labor of Sorrow: Black Women, Work, and the Family from Slavery to the Present.<\/em> New York: Basic Books, 2009.<\/p>\n<p>Kessler-Harris, Alice. <em>Women Have Always Worked: A Historical Overview.<\/em> Old Westbury, NY: The Feminist Press; New York: McGraw-Hill, 1981.<\/p>\n<p>Laws, Mike. &#8220;Why we capitalize \u2018Black\u2019 (and not \u2018white\u2019).&#8221;\u00a0<em>Columbia Journalism Review.\u00a0<\/em>June 16, 2020. <a href=\"https:\/\/www.cjr.org\/analysis\/capital-b-black-styleguide.php\">https:\/\/www.cjr.org\/analysis\/capital-b-black-styleguide.php<\/a>.<\/p>\n<p>Mercer, Kobena. \u201cBlack Art and the Burden of Representation.\u201d <em>Third Text <\/em>4, no. 10 (1990): 71-78.<\/p>\n<p>Murrell, Denise. <em>Posing Modernity: The Black Model from Manet and Matisse to Today. <\/em>New Haven: Yale University Press, 2018.<\/p>\n<p>Nanda, S. \u201cRe-Framing Hottentot: Liberating Black Female Sexuality from the Mammy\/Hottentot Bind.\u201d\u00a0<em>Humanities<\/em>\u00a08, no. 4 (October 2019): 161.<\/p>\n<p>Nelson, Charmaine A.\u00a0<em>The Color of Stone: Sculpting the Black Female Subject in Nineteenth-Century America<\/em>. Minneapolis: University of Minnesota Press, 2007.<\/p>\n<p>Wallace, Michele. \u201cBlack Women in Popular Culture: From Stereotype to Heroine.\u201d In <em>Dark Designs &amp; Visual Culture<\/em>. Durham: Duke University Press, 2004.<\/p>\n<p>Wilson, Judith. \u201cGetting Down to Get Over: Romare Bearden\u2019s Use of Pornography and the Problem of the Black Female Body in Afro-U.S. Art.\u201d In <em>Black Popular Culture: A Project by Michele Wallace<\/em>. Edited by Gina Dent. Seattle: Bay Press, 1992. pp. 112\u201322.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Catlett, Elizabeth. \u201cThe Role of the Black Artist.\u201d The Black Scholar 6, no. 9 (June 1975): 10-14. Farrington, Lisa E. The Black Female Nude. Woman\u2019s Art Journal 24 (2003-2004): 15-23. Godfrey, Mark and Zo\u00e9 Whitley, eds. Soul of a Nation: Art in the Age of Black Power. London: Tate Publishing, 2017. Golden, Thelma. Black [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":{"0":"post-72","1":"page","2":"type-page","3":"status-publish","5":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Further Reading - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/further-reading\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Further Reading - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Catlett, Elizabeth. \u201cThe Role of the Black Artist.\u201d The Black Scholar 6, no. 9 (June 1975): 10-14. 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