{"id":312,"date":"2021-01-28T11:08:12","date_gmt":"2021-01-28T16:08:12","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=312"},"modified":"2021-05-13T11:47:21","modified_gmt":"2021-05-13T15:47:21","slug":"gees-bend-alabama","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/labor-force\/gees-bend-alabama\/","title":{"rendered":"Gee\u2019s Bend, Alabama, 1937"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-606 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-300x222.jpg\" alt=\"ARTHUR ROTHSTEIN (American, 1915\u20131985), Gee\u2019s Bend, Alabama, 1937, printed later, gelatin silver print, 9 1\/2 x 13 in. (24.13 x 33.02 cm), Gift, Daveed D. Frazier, MD Collection, 2017.48.14.\" width=\"300\" height=\"222\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-300x222.jpg 300w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-1024x759.jpg 1024w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1-768x569.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Rothstein_BCMA-1350x1000-1.jpg 1350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Arthur Rothstein (American, 1915\u20131985)<\/p>\n<p>printed later, gelatin silver print<\/p>\n<p>9 1\/2 x 13 in. (24.13 x 33.02 cm)<\/p>\n<p>Gift, Daveed D. Frazier, MD Collection, 2017.48.14.<\/p>\n<p>Employed by the Farm Security Administration, photojournalist Arthur Rothstein traveled to Gee\u2019s Bend, Alabama, to capture the lifeways of the majority African American community during the Great Depression. While there, Rothstein photographed Artelia Bendolph gazing out of the window of her grandfather\u2019s log cabin. In contrast to White America, the hardships of the Great Depression were not new for most African Americans, as they had managed over the generations to get by with very little. Artelia\u2019s family\u2019s economic struggles are reflected in the newspapering of the home\u2019s interior, seen in the window opening. The newspapers convey messages of abundance \u2013 advertising commercial food and products \u2013 and is juxtaposed by the hardship faced by Artelia and her family. Images such as these often documented the harsh realities faced by African Americans in rural communities. However they do not reveal the resourcefulness and determined spirit of these communities.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arthur Rothstein (American, 1915\u20131985) printed later, gelatin silver print 9 1\/2 x 13 in. (24.13 x 33.02 cm) Gift, Daveed D. Frazier, MD Collection, 2017.48.14. Employed by the Farm Security Administration, photojournalist Arthur Rothstein traveled to Gee\u2019s Bend, Alabama, to capture the lifeways of the majority African American community during the Great Depression. While there, [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[17],"tags":[],"class_list":{"0":"post-312","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-labor-force","7":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gee\u2019s Bend, Alabama, 1937 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/labor-force\/gees-bend-alabama\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gee\u2019s Bend, Alabama, 1937 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"Arthur Rothstein (American, 1915\u20131985) printed later, gelatin silver print 9 1\/2 x 13 in. (24.13 x 33.02 cm) Gift, Daveed D. Frazier, MD Collection, 2017.48.14. Employed by the Farm Security Administration, photojournalist Arthur Rothstein traveled to Gee\u2019s Bend, Alabama, to capture the lifeways of the majority African American community during the Great Depression. 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