{"id":328,"date":"2021-01-28T11:12:51","date_gmt":"2021-01-28T16:12:51","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=328"},"modified":"2021-05-13T11:58:21","modified_gmt":"2021-05-13T15:58:21","slug":"kin-xlvi-follie","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/documented-histories\/kin-xlvi-follie\/","title":{"rendered":"Kin XLVI (Follie), 2011"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-593 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg\" alt=\"WHITFIELD LOVELL (American, born 1959), Kin XLVI (Follie), 2011, Conte crayon drawing on paper, shooting gallery target, 30 x 22 1\/4 x 2 in. (76.2 x 56.52 x 5.08 cm), Museum Purchase, Greenacres Acquisition Fund and Collectors Collaborative, 2019.44. \u00a9 Whitfield Lovell. Courtesy of DC Moore Gallery, New York\" width=\"225\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg 225w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-767x1024.jpg 767w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-768x1025.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1.jpg 1000w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a>Whitfield Lovell (American, born 1959)<\/p>\n<p>conte crayon drawing on paper, shooting gallery target<\/p>\n<p>30 x 22 1\/4 x 2 in. (76.2 x 56.52 x 5.08 cm)<\/p>\n<p>Museum Purchase, Greenacres Acquisition Fund and Collectors Collaborative, 2019.44. \u00a9 Whitfield Lovell. Courtesy of DC Moore Gallery, New York<\/p>\n<p>The lives of many Black women will never be known because their histories have been disregarded both by scholars and mainstream American society. How, then, might one recover these hidden histories? Whitfield Lovell combines cont\u00e9 crayon drawings and found objects to revitalize lost histories in his <em>Kin <\/em>series. In <em>Kin XLVI, <\/em>Lovell pairs an object used for target practice with a drawing of a Black woman in profile. This juxtaposition suggests a narrative about the anonymous sitter, drawing inspiration from images Lovell collected from the period between the Emancipation Proclamation and the Civil Rights Movement. As Lovell puts it, he aims to \u201cilluminate the humanity and richness of these ordinary people.\u201d In the composition presented here, the woman\u2019s profile is paired with a shooting gallery target, prompting one to consider the history of violence on the Black body and issues of domestic violence toward women.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Whitfield Lovell (American, born 1959) conte crayon drawing on paper, shooting gallery target 30 x 22 1\/4 x 2 in. (76.2 x 56.52 x 5.08 cm) Museum Purchase, Greenacres Acquisition Fund and Collectors Collaborative, 2019.44. \u00a9 Whitfield Lovell. Courtesy of DC Moore Gallery, New York The lives of many Black women will never be [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[18],"tags":[],"class_list":{"0":"post-328","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-documented-histories","7":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kin XLVI (Follie), 2011 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/documented-histories\/kin-xlvi-follie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kin XLVI (Follie), 2011 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"&nbsp; Whitfield Lovell (American, born 1959) conte crayon drawing on paper, shooting gallery target 30 x 22 1\/4 x 2 in. (76.2 x 56.52 x 5.08 cm) Museum Purchase, Greenacres Acquisition Fund and Collectors Collaborative, 2019.44. \u00a9 Whitfield Lovell. Courtesy of DC Moore Gallery, New York The lives of many Black women will never be [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/documented-histories\/kin-xlvi-follie\/\" \/>\n<meta property=\"og:site_name\" content=\"Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/Bowdoin\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-28T16:12:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-05-13T15:58:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg\" \/>\n<meta name=\"author\" content=\"Elizabeth Humphrey\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@BowdoinCollege\" \/>\n<meta name=\"twitter:site\" content=\"@BowdoinCollege\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Elizabeth Humphrey\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/\"},\"author\":{\"name\":\"Elizabeth Humphrey\",\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/#\\\/schema\\\/person\\\/8494c6de0d95c35b627034c937a7d779\"},\"headline\":\"Kin XLVI (Follie), 2011\",\"datePublished\":\"2021-01-28T16:12:51+00:00\",\"dateModified\":\"2021-05-13T15:58:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/\"},\"wordCount\":185,\"publisher\":{\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/wp-content\\\/uploads\\\/sites\\\/502\\\/2021\\\/03\\\/Woman_Lovell_BCMA-1000x1335-1-225x300.jpg\",\"articleSection\":[\"Documented Histories\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/\",\"url\":\"https:\\\/\\\/courses.bowdoin.edu\\\/there-is-a-woman-in-every-color-2021\\\/documented-histories\\\/kin-xlvi-follie\\\/\",\"name\":\"Kin XLVI (Follie), 2011 - 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