{"id":346,"date":"2021-01-28T11:15:14","date_gmt":"2021-01-28T16:15:14","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=346"},"modified":"2021-05-13T12:12:01","modified_gmt":"2021-05-13T16:12:01","slug":"american-icons-untitled-salt-and-pepper-shakers","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/artistic-exploration\/american-icons-untitled-salt-and-pepper-shakers\/","title":{"rendered":"American Icons: Untitled (Salt and Pepper Shakers), 1988-89"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-623 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-300x300.jpg\" alt=\"CARRIE MAE WEEMS (American, born 1953), American Icons: Untitled (Salt and Pepper Shakers), 1988-89, silver gelatin print, 19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm), Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.\" width=\"300\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-300x300.jpg 300w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-150x150.jpg 150w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1-768x771.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Weems_BCMA-Official-1000x1004-1.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Carrie Mae Weems (American, born 1953)<\/p>\n<p>silver gelatin print<\/p>\n<p>19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm)<\/p>\n<p>Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.<\/p>\n<p>The \u201cicons\u201d in this otherwise mundane, domestic tableau are a pair of salt-and-pepper shakers, a functional object one might see in any American kitchen. Except in this image, the salt-and-pepper shakers on the counter are figured as Mammy and Sambo, respectively. These wide-grinning, subservient figures exemplify American society\u2019s view of enslaved African women and men during the nineteenth and into the twentieth century. Imagery such as this existed in present-day commercial products such as Aunt Jemima\u2019s pancakes, which in 2021 was recently rebranded. One recognizes the quiet, social critique that Weems has intended; but for whom are these stereotyping tchotchkes \u201cicons\u201d? We may like to imagine that the American culture that created, marketed, and purchased these racist items is a thing of the past, but, as the picture shows, it has not disappeared. Weems\u2019s photograph captures and speaks directly to pervasiveness of this culture and the subtlety of its evolution, which echoes larger ones within our society.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carrie Mae Weems (American, born 1953) silver gelatin print 19 15\/16 x 15 7\/8 in. (50.64 x 40.32 cm) Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton \u201cKippy\u201d Stroud Foundation, 2018.10.329. \u00a9 Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[19,31],"tags":[],"class_list":{"0":"post-346","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artistic-exploration","7":"category-carrie-mae-weems","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>American Icons: Untitled (Salt and Pepper Shakers), 1988-89 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/artistic-exploration\/american-icons-untitled-salt-and-pepper-shakers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"American Icons: Untitled (Salt and Pepper Shakers), 1988-89 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"Carrie Mae Weems (American, born 1953) silver gelatin print 19 15\/16 x 15 7\/8 in. 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