{"id":360,"date":"2021-01-28T11:18:48","date_gmt":"2021-01-28T16:18:48","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=360"},"modified":"2021-05-13T12:36:23","modified_gmt":"2021-05-13T16:36:23","slug":"cutting-out-conyt-26","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/influential-literature\/cutting-out-conyt-26\/","title":{"rendered":"Cutting Out CONYT 26, 1977\/2017"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-602 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1-214x300.jpg\" alt=\"\" width=\"214\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1-214x300.jpg 214w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1-732x1024.jpg 732w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1-768x1074.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_OGrady_BCMA-1000x1399-1.jpg 1000w\" sizes=\"auto, (max-width: 214px) 100vw, 214px\" \/><\/a><\/p>\n<p>Lorraine O\u2019Grady (American, born 1934)<\/p>\n<p>letterpress printing on Japanese paper, cut-out, collage on laid paper<\/p>\n<p>41 3\/4 x 30 in. (106.05 x 76.2 cm)<\/p>\n<p>Museum Purchase, Barbara Cooney Porter Fund, 2020.24. \u00a9 Lorraine O\u2019Grady\/Artists Rights Society (ARS), New York<\/p>\n<p>\u201cThis could be the permanent rebellion that lasts a lifetime\/ Calling a halt to the universe because life doesn\u2019t wait\/The savage is loose where we are.\u201d<\/p>\n<p>From June 5 to November 20, 1977, O&#8217;Grady scanned the <em>Sunday Times<\/em> for material for her shaped poems featuring headlines from the newspaper. The poems she would assemble became reflections of the culture present in New York, crafted in such a way to speak to social and racial issues of the time. O&#8217;Grady revisited the series in 2017 to create <em>Cutting Out CONYT, <\/em>twenty-six new works composed of haiku diptychs. This example is representative of the larger series, which explores themes of identity, rebellion, and philosophy. The works underscore O&#8217;Grady&#8217;s attention to create \u201ccounter-confessional\u201d poetry that would express personal thoughts and ideas through the public language found in the <em>New York Times<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lorraine O\u2019Grady (American, born 1934) letterpress printing on Japanese paper, cut-out, collage on laid paper 41 3\/4 x 30 in. (106.05 x 76.2 cm) Museum Purchase, Barbara Cooney Porter Fund, 2020.24. \u00a9 Lorraine O\u2019Grady\/Artists Rights Society (ARS), New York \u201cThis could be the permanent rebellion that lasts a lifetime\/ Calling a halt to the universe [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[20,40],"tags":[],"class_list":{"0":"post-360","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-influential-literature","7":"category-lorraine-ogrady","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cutting Out CONYT 26, 1977\/2017 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/influential-literature\/cutting-out-conyt-26\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cutting Out CONYT 26, 1977\/2017 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"Lorraine O\u2019Grady (American, born 1934) letterpress printing on Japanese paper, cut-out, collage on laid paper 41 3\/4 x 30 in. 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