{"id":362,"date":"2021-01-28T11:19:09","date_gmt":"2021-01-28T16:19:09","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=362"},"modified":"2021-07-09T11:41:23","modified_gmt":"2021-07-09T15:41:23","slug":"like-it-is-those-extraordinary-twins","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/influential-literature\/like-it-is-those-extraordinary-twins\/","title":{"rendered":"Like It Is: Those Extraordinary Twins, 2016"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-600 size-medium\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-230x300.jpg\" alt=\"NYEEMA MORGAN (American, born 1977), Like It Is: Those Extraordinary Twins, 2016, graphite pencil on Coventry paper, 38 x 50 in. (97 x 127 cm), Museum Purchase, Barbara Cooney Porter Fund, 2016.27. \u00a9 Nyeema Morgan\" width=\"230\" height=\"300\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-230x300.jpg 230w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-784x1024.jpg 784w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1-768x1003.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/03\/Woman_Morgan_BCMA-1000x1306-1.jpg 1000w\" sizes=\"auto, (max-width: 230px) 100vw, 230px\" \/><\/a><\/p>\n<p>Nyeema Morgan (American, born 1977)<\/p>\n<p>graphite pencil on Coventry paper<\/p>\n<p>38 x 50 in. (97 x 127 cm)<\/p>\n<p>Museum Purchase, Barbara Cooney Porter Fund, 2016.27. \u00a9 Nyeema Morgan<\/p>\n<p><em>Pudd\u2019nhead Wilson <\/em>and<em> Those Extraordinary Twins<\/em> were both published by Mark Twain in 1894. The conjoined twins in <em>Those Extraordinary Twins <\/em>ultimately inspired the dual protagonists in <em>Pudd\u2019nhead Wilson<\/em>: a mixed-race African American child and a white child who are switched at birth and go on to play opposing social roles due to their perceived racial identities in the antebellum South. Though none of Twain\u2019s characters are represented in this drawing, the text that shows faintly through the title page suggests a substructure that remains unseen, perhaps alluding to frameworks of thinking that govern perceptions of difference. Rendering a partial scan of the title page of a 2005 edition, Morgan omits the name of the author and the title of the better-known novel. Morgan\u2019s suppression of a direct visual reference to the theme of racism central to <em>Pudd\u2019nhead Wilson <\/em>is doubled by the withholding of her own racial identity from the work. Indeed, only her shadow remains. \u2013 Kinaya Hassane &#8217;19<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nyeema Morgan (American, born 1977) graphite pencil on Coventry paper 38 x 50 in. (97 x 127 cm) Museum Purchase, Barbara Cooney Porter Fund, 2016.27. \u00a9 Nyeema Morgan Pudd\u2019nhead Wilson and Those Extraordinary Twins were both published by Mark Twain in 1894. The conjoined twins in Those Extraordinary Twins ultimately inspired the dual protagonists in [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[20,41],"tags":[],"class_list":{"0":"post-362","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-influential-literature","7":"category-nyeema-morgan","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Like It Is: Those Extraordinary Twins, 2016 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/influential-literature\/like-it-is-those-extraordinary-twins\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Like It Is: Those Extraordinary Twins, 2016 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"Nyeema Morgan (American, born 1977) graphite pencil on Coventry paper 38 x 50 in. (97 x 127 cm) Museum Purchase, Barbara Cooney Porter Fund, 2016.27. \u00a9 Nyeema Morgan Pudd\u2019nhead Wilson and Those Extraordinary Twins were both published by Mark Twain in 1894. 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