{"id":909,"date":"2021-05-13T12:25:22","date_gmt":"2021-05-13T16:25:22","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/?p=909"},"modified":"2021-06-08T09:43:37","modified_gmt":"2021-06-08T13:43:37","slug":"pool-lady-1980","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/artistic-exploration\/pool-lady-1980\/","title":{"rendered":"Pool Lady, 1980"},"content":{"rendered":"<p><a href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-997\" src=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-300x293.jpg\" alt=\"EMMA AMOS (American, 1937-2020), Pool Lady, 1980, etching, aquatint, and styrene stencil, 23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm), Museum Purchase, Barbara Cooney Porter Fund, 2021.13. \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York. Digital reproduction by Sean Burrus\" width=\"300\" height=\"293\" srcset=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-300x293.jpg 300w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-150x146.jpg 150w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-768x749.jpg 768w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-500x488.jpg 500w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web-800x780.jpg 800w, https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/wp-content\/uploads\/sites\/502\/2021\/06\/new-amos-margins-web.jpg 1025w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Emma Amos (American, 1937-2020)<\/p>\n<p>etching, aquatint, and styrene stencil<\/p>\n<p>23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm)<\/p>\n<p>Museum Purchase, Barbara Cooney Porter Fund, 2021.13 \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York.<\/p>\n<p>\u201cIt\u2019s always been my contention that, for me, a Black woman artist, to walk into the studio is a political act.\u201d \u2013 Emma Amos<\/p>\n<p>Artist, educator, and activist Emma Amos devoted her artistic career to exploring the issues of representation, racism, and sexism. Her work often provides a new lens from which to explore certain artistic conventions. As noted by curator Shelley Langdale \u201885, <em>Pool Lady <\/em>references the \u201cbather\u201d subject found throughout the history of art. Largely absent from this history, however, are women of African descent. Here Amos presents her take on the trope of the bather: a Black woman, confidently posed with a hand on her hip and an alert, direct gaze. Unlike most depictions of bathers, Amos intentionally chose to portray her subject clothed. She often avoided depicting Black women nude due to associations with sexual exploitation during American slavery. Amos took great care to render the woman\u2019s skin, choosing rich brown tones to highlight the variety of hues found in the African diaspora.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emma Amos (American, 1937-2020) etching, aquatint, and styrene stencil 23 \u00bc x 21 \u00bc in. (59.06 x 53.98 cm) Museum Purchase, Barbara Cooney Porter Fund, 2021.13 \u00a9 Emma Amos; Courtesy RYAN LEE Gallery, New York. \u201cIt\u2019s always been my contention that, for me, a Black woman artist, to walk into the studio is a political [&hellip;]<\/p>\n","protected":false},"author":1279,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[19,46],"tags":[],"class_list":{"0":"post-909","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artistic-exploration","7":"category-emma-amos","8":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pool Lady, 1980 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/courses.bowdoin.edu\/there-is-a-woman-in-every-color-2021\/artistic-exploration\/pool-lady-1980\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pool Lady, 1980 - Bowdoin College Museum of Art - There Is a Woman in Every Color: Black Women in Art\" \/>\n<meta property=\"og:description\" content=\"Emma Amos (American, 1937-2020) etching, aquatint, and styrene stencil 23 \u00bc x 21 \u00bc in. 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