{"id":1224,"date":"2020-04-22T04:11:41","date_gmt":"2020-04-22T08:11:41","guid":{"rendered":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/?p=1224"},"modified":"2020-04-22T04:11:41","modified_gmt":"2020-04-22T08:11:41","slug":"1224","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/mbehshid\/1224\/","title":{"rendered":""},"content":{"rendered":"

Photos:<\/p>\n

Izima Kaoru<\/span><\/p>\n

http:\/\/www.vonlintel.com\/Izima-Kaoru.html<\/span><\/a><\/p>\n

I love that I can look at Kaoru\u2019s photograph for a long time and each time I look at it I find a new detail that I missed before. His photograph forces the audience to look around the entire image. It is very unique and I think I want to experiment with editing.<\/span><\/p>\n

\"\"<\/p>\n

Melanie Willhide\u00a0<\/span><\/p>\n

http:\/\/www.vonlintel.com\/Melanie-Willhide.html<\/span><\/a><\/p>\n

http:\/\/www.vonlintel.com\/Melanie-Willhide.html<\/span><\/a><\/p>\n

I love Willhide\u2019s pigment work. The two images that interested me the most were the ones in the water. I am interested in playing with different bright colors. <\/span><\/p>\n

\"\"\"\"<\/p>\n

http:\/\/stephendaitergallery.com\/artists\/sabine-weiss\/<\/span><\/a><\/p>\n

Sabine Weiss\u00a0<\/span><\/p>\n

Pont Mirabeau, Paris 1953 Gelatin silver photograph<\/span><\/p>\n

I am also drawn to taking candid photos. Sabine Weiss photos are all in the spur of the moment, capturing the time and place without the subject knowing. I think that I also want to document this weird time.<\/span><\/p>\n

\"\"<\/p>\n

My photo<\/p>\n

\"\"<\/p>\n

I love this photo. I am interested in taking photos of my family in the moment. I think this photo really captures that.<\/p>\n

Photo Books:<\/p>\n

Dawoud Bey on Photographing People and Communities\u00a0<\/span><\/p>\n

https:\/\/aperture.org\/shop\/dawoud-bey-workshop-series<\/span><\/a><\/p>\n

I do like how this photo book is in black and white, but I think I will use color. I like how Bey captures wonderful portraits that \u201cspeak to something more universal\u201d. If I decide to create a photo book, I will definitely add the back story to each photo. I might journal afterI take the photo.\u00a0<\/span><\/p>\n

John Chiara: California\u00a0<\/span><\/p>\n

\u00a0<\/span>https:\/\/aperture.org\/shop\/john-chiara-california-3687<\/span><\/a><\/p>\n

I have always found beauty in California and it is my home. I like how Chiara captures \u201cthrilling landscape and architectural images\u201d. I might include some landscape, sunset images, or even things that remind me of home.\u00a0<\/span><\/p>\n

Articles:<\/p>\n

“Why We Do It: Photographers and Photo Editors on the Passion That Drives Their Work”<\/span><\/p>\n

Olivier Laurent<\/span><\/p>\n

https:\/\/time.com\/4839246\/photographers-passion\/<\/span><\/a><\/p>\n

I really enjoyed this article because it includes direct quotes from photographers describing why they do photography. I think one of my favorites that I read was by Kathy Ryan, Director of Photography for the New York Times said that photographers \u201care the witnesses and artists who can distill mayhem and beauty that surrounds us\u201d. I found their inspiration and reasons so captivating.\u00a0<\/span><\/p>\n

https:\/\/www.nytimes.com\/interactive\/2020\/03\/23\/world\/coronavirus-great-empty.html<\/span><\/a><\/p>\n

“The Great Empty”\u00a0<\/span><\/p>\n

Michael Kimmelman<\/span><\/p>\n

March 23, 2020<\/span><\/p>\n

I was in shock not only reading this article, but looking at all of the images. The photographers captured the emptiness of different countries. I found the beauty of the emptiness in each place interesting. <\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Photos: Izima Kaoru http:\/\/www.vonlintel.com\/Izima-Kaoru.html I love that I can look at Kaoru\u2019s photograph for a long time and each time I look at it I find a new detail that I missed before. His photograph forces the audience to look around the entire image. It is very unique and I think I want to experiment […]<\/p>\n","protected":false},"author":1066,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1224","post","type-post","status-publish","format-standard","hentry","category-michelle-behshid-research"],"_links":{"self":[{"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/posts\/1224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/users\/1066"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/comments?post=1224"}],"version-history":[{"count":0,"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/posts\/1224\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/media?parent=1224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/categories?post=1224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.bowdoin.edu\/visual-arts-1401-spring-2020\/wp-json\/wp\/v2\/tags?post=1224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}