A continuation of principles encountered in Visual Arts 1401, with an added emphasis on the expressive potential of color. Cameras of various formats, from the 35mm to the 4×5, are used to complete assignments. Approaches to color film exposure and digital capture, manipulation, and printing are practiced and the affect of color is examined. Through reading assignments, slide presentations, and discussions, students explore historical and cultural implications of color photography. Weekly assignments and group critiques structure class discussion.<\/p>\n
Professor Erin Johnson<\/strong> WordPress Support <\/strong> BLOG THEMES<\/strong><\/p>\n BT 1: color as subject I (due 26 Jan)<\/strong> BT 2: color as subject II (due 31 Jan)<\/strong> BT 3: too true (due 14 Feb)<\/strong> BT 4: about time (due 23 Feb)<\/strong> BT 5: Spring Break Daily (28 Mar)<\/strong> BT 6: image collage (due 11 Apr)<\/strong>
\nejohnso2@bowdoin.edu<\/a>
\n207-798-4184
\nEdwards Center for Art & Dance – 232<\/p>\n
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\nHave questions about how to use WordPress?
\nEmail, call or drop in on David Israel (Academic Technology) at disrael@bowdoin.edu<\/a> – 725-3139 – 307 H&L Library<\/p>\n
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\n\u2022 post 10 images depicting complementary (5) and adjacent (5) colors you encounter as you move
\nthrough your daily routine.
\n\u2022 Read: https:\/\/www.canopycanopycanopy.com\/contents\/color-goes-electric\/#title-page<\/a>
\n\u2022 http:\/\/writing.upenn.edu\/library\/Sontag-Susan-Photography.pdf<\/a><\/p>\n
\n\u2022 post 10 images that frame encounters with monochromatic color (5) and a mixture of 2-3 color
\ncasts caused by different light sources existing in the same scene (5), all achieved or inspired by
\nlooking around during your daily routine.
\n\u2022 Read Copy, Archive, Signature:
\nhttps:\/\/photopoliticsplace.files.wordpress.com\/2015\/02\/jacques-derrida-copy-archive-signature-a-conversation-on-photography-1.pdf<\/a><\/p>\n
\n\u2022 post 10 images made by 10 other photographers that test plausibility, inviting you to believe them to\u00a0be true, while causing you to suspect a stretching or playing with the truth. Include with each image\u00a0the photographer\u2019s name, date taken, and a short explanation of why you suspect it to be an\u00a0\u201cuntruth.\u201d
\n\u2022 Read: http:\/\/aperture.org\/blog\/vision-justice-around-kitchen-table\/<\/a>
\n\u2022 Read: http:\/\/shifter-magazine.com\/wp-content\/uploads\/2015\/10\/Sontag-Against-Interpretation.pdf<\/a><\/p>\n
\n\u2022 post 10 exceptional images made by 10 other photographers that take as their primary subject the\u00a0perception of time\u2019s passage. Include with each image the photographer\u2019s name, date taken, and a\u00a0short explanation of why it stood out for you.
\n\u2022 Read: http:\/\/www.imageandnarrative.be\/inarchive\/Images_de_l_invisible\/Wittmann.htm<\/a><\/p>\n
\n\u2022 photographs taken every day over break – post total of 16 and title by date.
\n\u2022 READ: http:\/\/bombmagazine.org\/article\/4974113\/anthony-hernandez<\/a><\/p>\n
\n\u2022 create at least six images, each of which is a composite of at least six other images.
\n\u2022 READ: http:\/\/bombmagazine.org\/article\/7323329\/portfolio<\/a><\/p>\n