{"id":51,"date":"2012-09-28T20:38:06","date_gmt":"2012-09-28T20:38:06","guid":{"rendered":"http:\/\/learn.bowdoin.edu\/courses\/visual-arts-marvin-bileck-printmaking-project\/?p=51"},"modified":"2014-09-24T18:35:43","modified_gmt":"2014-09-24T18:35:43","slug":"day-four","status":"publish","type":"post","link":"https:\/\/courses.bowdoin.edu\/visual-arts-marvin-bileck-printmaking-project\/print-making\/day-four\/","title":{"rendered":"Day Four"},"content":{"rendered":"
\"Rachel<\/a>
Rachel Canas works on a plate<\/figcaption><\/figure>\n

Day four: the final day of printing!<\/p>\n

Students worked busily all day to finish the second half of the edition.\u00a0All that is left for tomorrow is cutting and signing the prints. Parents are invited to stop by the studio in the morning to see the prints and partake in a breakfast snack.<\/p>\n

Printmaking I visited Hawthorne and Longfellow Library to view some of the artist\u2019s books from the special collections. These books were made using various printmaking techniques, and represented a range of styles\u2013from Michael Mazur\u2019s large-scale prints depicting scenes from Dante\u2019s\u00a0Inferno\u00a0<\/em>to Karen Bleitz\u2019s machine-like book,\u00a0The Mechanical Word.<\/em><\/p>\n