Studio of Bronzino, Virgin and Child with the Infant Baptist, n.d., 30 3/8 x 23 3/4 in., oil on wood (poplar), Bowdoin College Museum of Art.
This work, created by the 16th century Italian painter, depicts a reserved scene, empty of agitation or passion. Bronzino was heavily influenced by mannerism, the creation of exaggerated elegance which leaves every body part elongated, smoothed, and milky. The Virgin’s neck, upper arm, and fingers are all stretched past the point of natural composition. Upon close consideration, the pale cheeks with perfectly placed splashes of pink, dignified postures, and prudent embraces all turn supernatural. The aloof facial expression and lack of emotion further perpetuates a distance from the viewer. This supernatural and distant scene supports the ever-present history of the Virgin and Christ child. In a time when sexual relations and the physical toll of pregnancy are both seen as taboo, the virgin is idealized for her ability to create life without losing chastity. The painting promotes cultural norms of purity and ideal physical integrity.