Spacesuits

This week started with me researching alien encounter/UFO sightings from astronauts, then I began delving into the Artemis Generation of the NASA space-program.  These suits will hopefully provide the means to have prolonged living on the moon and then Mars.  Science Fiction has often embellished space suits, as the dream of behaving in foreign planets and space as we would naturally on Earth.  The Artemis suits are much more mobile, which is an crucial first step.  This video was a very fun watch and breaks down the challenges astronaut suits must overcome:

I am also loving the patriotic color scheme, which seems to also take from various Science Fiction inspirations.

NASA loves to stress the fact that pressurized space suits are less clothing than they are fully capable personal spacesuits.  These spacesuits are essential to humanity searching the remaining frontier, and the rest of this post will show some pictures of some of my favorite suits from across science fiction.

Master Chief’s “Mjolnir” Armor in Halo 2 Anniversary Edition (USA, 2014)

Season two of Lost in Space on Netflix (USA, 2019).

Oblivion (USA, 2013)

Commander Cody’s Phase II Armor from Star Wars Episode III (USA, 2005).

“Starry Night” by Tanya (school teacher)

This pieces makes me imagine of the crystal clear nights of the pre-urban and pre-industrial world. Humanity has always had an infatuation towards the stars.  Whether it be images of gods, fate, or simply outer-space, the night sky has captured our collective imagination.

The Government and Aliens

To any mild alien researcher, the US government’s Project Bluebook is no secret.  Most investigations drew the conclusion that sane people mis-saw certain items and only one percent were genuine hoaxes.  701 cases were still undetermined, and several of them genuinely raise eyebrows.  However, the program was closed in the late sixities, and many saw this as confirmation there was nothing to worry about.

Lesser known is that a similar program was sneakily reopened in 2007 in the defense budget.  Democrat Senate Majority Leader Reid advocated for the $22 million budget for the Advanced Aerospace Threat Identification Program.  Officially said to have been de-funded in 2012, the Pentagon admits it is still in operation by the program’s members on top of other assigned work, and much of this work remains heavily classified.

Much of the funding went to Reid’s close friend billionaire Robert Bigelow, who is an open UFO fanatic.  An interesting character, his Bigelow Aerospace company works with NASA to improve designs. He also runs a very successful chain of hotels.  Bigelow bought the infamous Skinwalker Ranch (Sherman Ranch) in Utah, which is a hotspot of UFO and paranormal activity which was researched by his National Institute for Discovery Science.  He claims federal officials came to join his research team there wand took special interest in certain areas of the property.

Working for the government, Bigelow used his Las Vegas facilities to store unidentified metals and objects and served as a mediator for some servicemen who felt uncomfortable using the chain of command to reveal UFO cases.  Video, testimonials, and hard evidence lead to a 2009 Pentagon briefing summary saying “what was considered science fiction is now science fact,” and that the US is completely unprepared to defend against the found technologies.  A New York Times article fills in more of the details

A large number Robert Bigelow’s ex-employees of some of his scrapped projects (lack of hard evidence) and various ex-Pentagon members have joined the To The Stars Academy of Arts and Science, which focuses on reverse engineering alien/foreign technology.  Bigelow continues to be an active part in the hunt for the extraterrestrial.  His time on Skinwalker Ranch was full of crazy sightings, but the phenomina always seemed to evade hard capture, whether it be UFOs, wolves three times their usual size, lights, portals, cows with their gentials cleanly shaven off, human-like beasts, etc.

However, disappointing for UFO enthusiasts is that NSA whistle blower Edward Snowden denies the existence of US knowledge of E.T. life or intelligence. Currently living in exile for his actions, he says he looked extremely hard for proof, but could find none.  This proves nothing to those that believe in the US involvement, simply that it is either hidden extremely well (maybe through alien technology) or that Snowden himself is still working for the government to debunk these ideas or was too afraid to post what he found.

Regardless, researching specific cases can be extremely fun and interesting, but I desired to only post this general outline because I was unaware of the 2007 refunding of UFO research the the connection to Robert Bigelow.

Scratchboard Artwork by Douglas Smith

When focusing on scratchboards for my highschool art class, I was inspired by the sense of mystery and awe created by Douglas Smith.  And though not always and obviously science fiction, I often embellished the story behind his work and included SF aspects.  A lot of SF is exploring the unknown, and Douglas Smith evokes the unknown through his work.

What is in the box.  I imagine this as a CIA agent recovering a special secret artifact or piece of technology.  Could a human creation as powerful and frightening as  Kawalec’s Zeta Bomb be inside?

This may have some fantasy interpretations.  It could also be a mad scientist (trope) running away from a botched monster or visiting aliens.  The ominous feeling of the unknown is conveyed through this work, and it can be fun to speculate.

This work looks the most obviously SF, whether they are building or excavating a humanoid.

 

Lock In: Gender for the Bodiless

Doing a little research into John Scalzi’s writing process for his novel Lock In and its sequels, I found out that the main character, Chris Shane, was written with conscientiously no gender in mind.  I read Chris as short for Christopher, completely forgetting it could also be short for Christine or other name variants.

Just for a recap from a previous post on the same novel: Hadens Syndrome leaves its survivors in a state of “Lock In,” a coma like state where mental function remains except for body control.  Heavy funds by the US government lead to integration of software and a Haden’s brain, forming an artificial and natural wetware that can connect Hadens to a robot, nicknamed a “Threep.”

The Threep namesake comes from classic beloved C-3PO from Star Wars.  Threeps have a human~ish face but remains obviously robotic.  These robots also lack an easily visible gender in accordance to traditional gender norms.  This is where Scalzi began to delve into a world interacting with a purely non sex body.  All flesh and blood bodies are born to a certain sex, and debate/acceptance of a whole spectrum of chosen gender identities has occurred in recent years; although, warping gender normalities has been a staple of speculative science fiction for decades.

In an blog post linked below this post, you can read of lot of Scalzi’s own words on the matter of gender in this future where so many identities are not even based on a body.  Starting as a writing challenge for himself, Scalzi soon realized it could be an essential point for his novel.  In the mix of social justice for Hadens weaved into the story, Scalzi uses Threeps as the symbol for a people who do not fit within the tradition views that have developed of centuries.

However, it should be noted that historically neuroscience has pointed to essential differences in male and female sex brains, so could wetware itself still fall into biological sex classification.  Some scientists counter this long held belief saying that the brain is altered and formed by the perception of ones’s own gender, and it is this belief in gender that causes the perceived differences.  So depending on the age of Haden, there could potentially be no differences between a male and female brain/consciousness in the wetware.  And since their human bodies are not how they live their lives, gender itself may have no claim over how they identify.

A fun way Scalzi also attempts to avoid gender association is to have two separate narrators for the audio book version: Will Wheaton and Amber Benson.

Part of the wonderful aspects of a novel, rather than a movie or TV show, is the use of imagination to visualize.  Vizualizing novels is different for every person, because every reader brings in their own experiences and biases.  Me, being male, imagined FBI agent Chris Shane as male.  And I also imagined his Threep to have the body proportions of a traditional man shape rather than a stereotyped female shape.  Furthermore, I imagined the Threep heads as looking different depending on the scenario.  When simply talking, I imagined a basic C-3PO minimalist style robot head.  However, I was acively trying not to imagine C-3PO because this is not Star Wars.  So I would imagine a boxy, stereotypical robot head or perhaps a more logical, even not humanistic robot head.  And lastly, during fight scenes I could not help myself but think of the Exo from the Destiny video games, especially the more aggressive looking ones.

John Scalzi not only plays with how we visualize a character’s gender through his essentially bodiless protagonist, but he also then plays with how we visualize any aspect of a novel.  He shows how much of a novel in our imagination is as much what we bring to the novel ourselves, through our memories, experiences, and biases, as the language of the book influencing our perception of events.

Hadens, Chris Shane, Gender and Me

 

I have been a “sorta-fan” of the Chili Peps for some time, and recently got a CD as gift of one of their newer albums.  This song  “Go Robot” seemed to have sexual energy between the lead singer (Anthony Keidis) and robots.  But then after watching this music video it seems that Keidis is a robot, or is a man pretending to be a robot (cheap budget)?  People seem disgusted by his romantic advances, and he ends up with either a female robot or a female pretending t be a robot, thus undoing the inter-species(?) romance hinted at without the music video.  I am probably over thinking this song they wrote while probably (definitely) on drugs.

Lock In: Wetware, Human Rights, and Bioethics

John Scalzi’s crime novel imagines a future where man and machine can be mentally connected.  A pandemic struck the world called Hadens Syndrome, and the U.S. government heavily funded money to find cures.  Most Hadens (term for people with the syndrome) would have their brain chemistry/composition altered, putting them in a perpetual coma.  However, with the research funded by the U.S. government, scientists found a way to implant computer hardware and software that connects to the cellular neurons of Hadens’ brains.  This integration of computer software and human wetware allows their consciousness  to be transferred to a robotic body called a “threep.”  A small percentage of Hadens came out of the coma state, and with their altered brains could still download the software to their brains.  They are called Intergraters because Hadens can use their bodies as a live threep, and the market for Intergraters skyrocketed.  Also, a whole virtual reality called the Agora was developed by the government for Hadens to contact and live with each other without having to use physical bodies.  Seemingly solving this tragic disease, there arise a lot of human rights questions throughout the novel.

The backdrop for much of the novel is D.C. during a civil rights march week.  Hadens were storming D.C. because Congress was about to pass a bill to roll back much of the funding towards helpings Hadens.  The reader’s perspective is from FBI Agent Chris Shane, a famous Haden because his father was the billionaire politician that used Chris to normalize threeps in everyday life, so the reader gets a very pro-Haden perspective.  Hadens were worried about the shrinking market and advancements in threeps, as well as the potential privatization of their Agora network. However, some of the complaints of the general populous do make some logical sense.

Hadens in threeps are objectively better than regular human bodies.  Although made to mimic the strength of average humans, threeps can turn off pain sensors and keep operating semi-normally even through heavy damage (such as from bullets).  Hadens would also have private access to the internet, ability to make phone calls without others listening, can speak different languages, have person identification, etc.  These benefits greatly helped Agent Shane in his work, and it is elaborated these advantages help Hadens in a wide variety of fields such as sales, law, business, medicine, etc.  The general public then wondered why a huge portion of their taxpayer dollars were being dumped into helping an exclusive group have greater advantages then them.  They were happy when their funds drove the jump to Wetware and software interaction, but now that Hadens were no longer disadvantages they did not believe the government still needed to fund further research.  Hadens saw the budget cutbacks as threat against a disabled minority, while the general public saw the current budget as supporting an over-privileged minority.  The advantages of humans in threeps cannot be ignored; however, it does feel unsettling to retract funding to people crippled by disease.

Another issue arises with the Agora: should the government fund what is for all intents and purposes a segregated space?  Only Hadens and Intergraters can access it, and it is an exclusive space where they can converse and often form an “Us versus Them” mentality.  Such products of this is the character Cassandra Bell, who radically says research should stop into Hadens because they do not need to be “woken up” but that they should be able to live a body-less life in the Agora (more on this later).  Hadens, over the years, got used to the Agora being free, unlimited entertainment.  But does their cozy familiarity justify the continual expensive program from all Americans for a few?

There are also a lot of implications with the use of Intergraters; however, in an effort not the spoil the novel or cover all of the interesting  sci-fi aspects, I will not elaborate.  I think Scalzi would appreciate this (go read the book, it’s great).

Going back to Cassandra Bell, this scenario begs the question what it means to be human, and ti digs deep into Bioethics.  Consciousness seems to be the answer, even if it is unconsciousness.  The wetware of humans seems to be the only physical part needed to be human, although it should be noted this human portion would then be “useless” (?) without technical hardware/software working with it.  Bell’s message is also inspiring for body acceptance, especially those victim to disease and accidents.  Humans are not defined by their bodies, but then how do you define human consciousness?  Many say humans cannot properly reason until age seven or eight, some say babies and toddlers are not truly attentive or aware, which some say are needed for consciousness.  But human rights are often most applied to children, those with the least amount of evidence for consciousness.  People suffering from mental disability are still considered human, even if parts of their body and brain chemistry are lacking proper function and they need special assistance.   If we do not classify humans on their ability to live in their bodies out of external assistance, and levels of consciousness do not matter, then when does humanity begin?  If humanity does not change with the changes of human development, then when does humanity begin.  When the baby leaves the womb? Well how come, if the body does not matter to classify humanity nor level of consciousness, then why wouldn’t the baby be human inside the womb?  If the baby is human inside the womb, then at what stage in the womb does it begin to be human?  Could the essence of humanity trace back to basic DNA combination from the paternal and maternal sex cells?  After following this line of thought, I would believe so.

Does Our Perception of Aliens Justify our Exploitation of Space?

Our collective imagination of alien races tends to depict them as physically stronger and/or more highly advanced. This is done to embellish and excite. However, could this play into our acceptance of imperial exploitation of space for its resources.  Could facing such a stronger adversary enable us to have a sense of entitlement that allows us to mistreat conquered aliens and their environments.  It is easier to acknowledge the evils of imperialist tactics when it is blatantly obvious the subjugated peoples were vastly behind on technology.  Since the violence against indigenous peoples was clearly a one sided conflict, our human empathy can relate to their struggle and thus bring a sense of guilt.

Could facing a stronger group of indigenous peoples – ei) our common perspective of aliens – wrongly clear our collective conscience on our exploitation.  Does overcoming a seemingly impossible conflict makes us feel deserving of reaping the rewards?  And could this desire lead us to write stories of Earthly dominance in environments where we struggle to capture what we have.  Do the challenges we face in the ecosystems and alien encounters help to clear our guilt, so make for more enjoyable stories?