Voyant Visualization

 

A lot of the words that came up large on my cloud were fairly predictable, but there were some that surprised me. For instance, “love.” I can attribute it to my brief obsession with the short story “If you were a dinosaur, my love,” but my trends chart indicates that while that was when the appearance of the word “love” spiked, it’s also appeared fairly consistently throughout the documents I looked at. This brings me to another one of my special interests while doing this search – science fiction with LGBT+ themes. A lot of the spikes in “love” coincide with the word “queer.” The prominence of words like “story,” “stories,” and “book” indicates that I prefer print media and is also indicative of the way that I searched for these sites: mainly by googling my favorite sf authors and reading articles about them.

A few more trends of interest:
– A few specific phrases from my favorite stories made it onto the infographic: like Breq and Radchaai from Ann Leckie’s Imperial Radch series, and Yuan, one of the characters in Ken Liu’s short story “Seventh Day of the Seventh Moon.”
– If someone asked me what my primary interests in sf were, I would probably say women, cities, theater, and LGBT+ themes, and I was little disappointed at how small some of those terms were.

Time Travel: The Future of Another Timeline

I love it when books put a fresh face on sf tropes, like time travel in this case.  The Future of Another Timeline is a novel by Annalee Newitz about a woman who works with a group called The Daughters of Harriet to edit the timeline and promote the rights of women and non-binary people.

There were a few things that I thought were super interesting in this book’s take on time travel.  First of all, time travel is an ancient part of earth that has been there since the beginning.  This means that all the characters, no matter how mundane, know that time travel is possible, happening around them, and they don’t think too much of it.  The longevity of time travel also makes it possible for different cultures to have different theories, uses for, and beliefs about time travel.

This brings me to my favorite part of this book.  Throughout the story, the Daughters of Harriet their attempts to change the timeline by traveling back in time to their period of expertise, and creating small “edits” through collective action and organizing with other women.  Many people in this world believe in the “Great Man” theory, which posits that it’s useless to go back in time and kill Hitler, as has been done many times, because another man will inevitably take his place in the historical narrative.  Because of this theory, the consensus is that because these so-called great men are easily replaceable, it’s impossible to make major edits to the timeline.

This book makes the powerful argument that editing the timeline is possible, but only through collective action.  The “Great Man” theory assumes that only powerful, usually white, men can drive important changes in history, but the Daughters of Harriet prove that organizing collective action makes changing the timeline possible.

The themes of this story reminded my a lot of Octavia Butler’s Earthseed books, especially Parable of the Sower, another book that I love.  The “great man” in the Earthseed books (the president who is uncannily similar to Donald Trump) may have been easily replaced by another demagogue, but Lauren Oya Olamina’s community eventually change’s the timeline more powerfully than he ever did.

In both of these books, women and non-binary authors imagine futures (and pasts) where collective action and community can thrive while undermining powerful men.  I’m still ruminating on this – maybe a topic for my manifesto?

“Not that Good, But Kinda Great”

This is a phrase that (I believe) was coined by theater critic Elisabeth Vincentelli to describe shows with lots of fun sing and dance numbers where everyone in the audience has a great time and you aren’t really prompted to think analytically or learn something new from the plot.  I think that this phrase also describes a lot of sf that I enjoy.  Sometimes you don’t need good characterization, ornate writing, or science that makes any sense at all to enjoy a story, and my most recent experience with this was reading Dark Matter by Blake Crouch.

I read the book during a happier time: in one sitting at my library shift the last Friday before spring break.  As I was reading, I was unamused by characters with very few personallity traits, poorly explained technology, and the shortest sentences you could possibly imagine.  But I couldn’t help myself.  The scenario of a man travelling through parallel universes at breakneck speed in order to return to his real life was compelling and so much fun to read about.  I guess this proves that for me, a book doesn’t need to do everything right, it just needs to do one thing well, and I’ll stick with it until the end.  If anyone is looking for a book to get completely absorbed in for an afternoon, Dark Matter is definitely the way to go.  And thank you to Cole for recommending I read this!

Favorite Podcasts: The Strange Case of the Starship Iris

With everything that’s going on right now, I’ve decided to revisit some of my favorite sci-fi stories to feel a little better about the future.  My all-time favorite science fiction podcast is called The Strange Case of the Starship Iris.  It is 100% my jam.  It has everything: a found family on a spaceship with a cast of characters that are almost all LGBT+ who uncover a massive government conspiracy using a combination of dumb luck and the bizarre skills that the entire team brings to the table.  Most of all, this is a podcast that uses the audio medium to its advantage.  I don’t want to spoil the spectacular ending, but let’s just say that audio is the perfect way to tell this story, and I wouldn’t want it any other way.

I’ve also been doing research on hopepunk, and this podcast fits the genre perfectly.  Alexandra Rowland, who first coined the term, writes that “Hopepunk says that genuinely and sincerely caring about something, anything, requires bravery and strength. Hopepunk isn’t ever about submission or acceptance: It’s about standing up and fighting for what you believe in.”  The crew in The Strange Case of the Starship Iris embodies these ideals in so many ways.  From the very first episode where they rescue Violet Liu from her collapsing spaceship, to the simple ways that every character tries to boost morale aboard the ship, this podcast is about a group of people who try their hardest to make the world a better place, which is especially necessary after an interspecies war.  It’s hard to talk about the things I love about this podcast without giving away big plot points, but this is a story that you can trust right now.

More on hopepunk: https://www.vox.com/2018/12/27/18137571/what-is-hopepunk-noblebright-grimdark

Arcologies: Generation Ships

I’ve always been drawn to themes of self-sufficiency and self-contained systems that constantly recycle resources in SF.  I picked up Dune when I was too young to really appreciate it, but the one thing that stuck with me was the stillsuits – clothing that recycles sweat and urine and turns it into drinkable water, which enables the wearers to survive in harsh desert environments.

Combine this with an interest in cities and urban planning, and it’s easy to see why I was interested in learning more about arcologies after being introduced to them while studying for our quiz.  I found that generation ships are a kind of arcology, because they are self-contained, self-sufficient cities.  One of my favorite books about a generation ship is An Unkindness of Ghosts by Rivers Solomon.  The book transplants the structure of a southern plantation onto a generation ship, where black residents work in fields overseen by cruel overseers, and the white residents live in luxury on the floors above.  The main plot of the novel is centered around the protagonist decoding mysterious journals left by her mother that are connected to the leader of the ship’s death.  The book also has a fantastic cast of LGBT+ and neuroatypical characters.  Here’s a link to an npr review with more information, I would highly recommend this book: https://www.npr.org/2017/10/06/548665897/unkindness-of-ghosts-transposes-the-plantations-cruelty-to-the-stars

Six Wakes by Mur Lafferty is another generation ship book with a locked room mystery set-up.  In the story, a generation ship with hundreds of cryogenically frozen people is staffed by six crewmembers who are able to clone themselves after they die and keep the ship operational for the 300+ year journey.  The story also includes flashbacks that go into the ethics of cloning back on earth, and how our six protagonists got placed on this assignment in the first place.  As always, sending lots of people to a supposedly-habitable planet isn’t as innocent as it seems.

Finally, I thought I should read a short story about generation ships to round out this post, but accidentally chose one that we’ll be reading as a class – “Mono no aware” by Ken Liu.  I thought it was a surprisingly hopeful take on generation ships, and I’m excited to discuss it in class later this semester.

The Nether

I’m very interested in science fiction theater because it’s an opportunity to implicate audience members in futuristic worlds in a way that I don’t think comes across in short stories or novels. However, it also comes with some very real technical limitations, like the difficulty of building a spaceship or alien city onstage.

This is why the premise of Jennifer Hadley’s play, The Nether, is perfect for the stage.  Set up as a crime procedural where a man is interrogated about his activities in a virtual reality world called the Nether, the sci-fi element of the virtual reality world is easy to see onstage, so the audience is able to focus on the ethical questions that the play presents without getting distracted by unrealistic special effects.

The main conflict of the play is centered around The Hideaway, which is a space in the Nether where people using virtual avatars can come to have sex with and murder children.  Obviously, this sounds awful to all of us.  But what if all the participants are consenting adults, who take on the avatars of children?  This is the premise of the initial interrogation scene, but it quickly escalates from there, becoming a fast-paced drama with lots of reveals, twists and turns.

Although I haven’t had the opportunity to see this play performed, the script is creepy and excellent, and the production photos I’ve found show how theatrical lighting and sets can set up the contrast between the dark, industrial interrogation room and the lush, beautiful Hideaway.

Photo: Ian Douglas from the New York Times