Final Project Proposal- Angus

For my final project I want to create a blurb book compiled of photographs that highlight the beauty in the little, and conventionally ordinary, things in life. I plan to mainly use nature photos of seemingly insignificant things like a rock, or a tree trunk to show how such objects that we inherently cast as mundane can actually be pretty spectacular. I anticipate I will mainly use photos I have taken during this semester on my iPhone and photos I will take in the upcoming days. But I will look through my digital photo library as well to see if I have any additional photos that may work well under this theme.

This project is important to me because I have found that for me personally, life becomes a lot more pleasant and meaningful when I consciously take the time to appreciate my surroundings. My senior year of high school, my English teacher would start our 8am classes by asking us to share something beautiful we saw that morning. Although this may seem like a pretty basic warmup for the class, when I was forced to reflect on my morning, I found that there were a lot of beautiful things I came across that simply passed over me. I didn’t take the time to acknowledge the sunlight reflecting off the morning dew, or the fresh breath of the crisp morning air, or the smile on my friend’s face as we passed each other in the hallway. This daily exercise helped me see that the simple act of being more aware of my surroundings can help illuminate the beauty in life. I hope to illustrate this belief in my final project through photos that capture the beauty in seemingly ordinary things.

For this project I will not be manipulating my subjects in any significant way in order to replicate the idea of stumbling across the natural beauty in life. I will also mainly use more formal composition methods to present each subject’s beauty in a clear manner. I am not totally sure how I will arrange my photos as a series yet. But I like the idea of placing the photos in a more random fashion throughout my blurb book to reflect how we often stumble across beautiful things randomly. It’s easy to forget to take in our surroundings, but I think that the process of compiling this book will help remind me to consciously acknowledge the beauty of the little things in life.

 

Timeline:

4/28: Take photos

4/30-5/1: Take more photos

5/2: Decide which 20 photos to include in blurb book

5/3: Design blurb book with images and possibly text

5/4: Revise book, make changes if necessary, then place order

Research Proposal – Destiny Kearney

The Black Interior by Destiny Kearney

Proposal: 

Originally for this project, I wanted to focus on representing Blackness in relation to the physical. I wanted to highlight Black Skin, Black Hair, and the Black body in my project. As the semester comes to a close, I altered my motive slightly and decided to create a response piece to my class Black Heat, Black Cool: Theorizing Blackness, but specifically I wanted to respond to a book we read in a class titled The Sovereignty of Quiet, by Kevin Quashie. Quashie pushes readers to look past theorizing Blackness through the lens of resistance that is public, loud, and dramatic. He encourages readers to analyze the Black experience through the interior, or what he calls quiet. Quiet highlights “one’s inner life—one’s desires, ambitions, hungers, vulnerabilities, fears.” (6). This speaks about the “full range of one’s inner life” that is absent from race/racism but focuses on the essence of their being. So I titled my piece the Black Interior. 

In this project, I aim to highlight interiority through photographs. I want to capture the essence of my Blackness by examining my interior. Mentioned In the quote above, I’d like to highlight desire, ambition, fragility, vulnerability, and spirituality as my guiding themes to support “the interior.” I plan to achieve this by using a combination of people and objects as subject matter. I would like to play around with “black objects”, meaning things I would associate with my culture and/or society would and contrast them with a composed image that I put together. I can’t see the final product at the moment, but I look forward to seeing my ideas play out into bringing the interior into the light. 

This project is important to me because as I think about that course alongside this one along with our current situation, I think about how my art can speak volumes through this time. Being stuck at home reminds me of a lot of the concept of interiority because we are forced to deal with our inner lives at home, but also in our heads. I’d like to use this theme as a way to reflect on the pandemic not directly but focus on my growth as an academic and as an artist by combining the two as I shed light on the current circumstance. 

Timeline: 

4/29:  Buy Props needed for photos

4/30: Start shooting object shots 

5/1: Shots Featuring Myself

5/2: Family Shots 

5/3: Go through photos and select top images +Photoshop / Edit anything that needs work 

5/4: Design Photo book

5/5: Revise label for final and finalize photobook and place order! 

5/6 : DONE!

 

 

 

Final Project Proposal – LMG

I. Proposal —

For my photo project I’m going to compile photographs of my life before the pandemic, while also including photographs of more recent days in its impact on our lives. I am going to create a photo book through the Blurb Photo Book service. Most of the photographs I will be including in my photo book will be digital as most were taken with an iPhone. I did shoot a roll of film before COVID-19 resulted in city lockdowns and remote learning, so I hope to send my film to a processing lab then consider it for my book. Additionally, weather and public safety permitting, I would love to go into the city and shoot in both digital and black and white film to capture the stillness of the city during this pandemic.

I’m motivated to work through a photo book because I believe it will allow for me to tell a personal experience of how I lived and interacted with the world. Specifically, about how I noticed spaces around me, went about my day to day and tried to make the most of my last few weeks as a Bowdoin senior. With the speed of an overnight train, the pandemic turned the way in which we thought about our sense of normalcy. Additionally, this is a processing that allows me to reflect on how I have been learning and experimenting with photography. I was so used to pulling out my phone for everything but taking photos of shadows, but now I can see that there is a gift to capturing other moments, even when we are not thinking in the long run. I hope to bring my photos from the past year into the book, because it is almost a bittersweet experience of reliving those feelings and memories.

As we have mentioned in our class discussions, most generation-zers (post millennials) do not develop or have photographs printed. A photo book will be a great way to self-curate a personal experience that friends and family might ask about in years to come when they come across it. Much like I have been able to explore family photo albums, this will be something that will survive these days when the pandemic is still in our minds, but will feel even more comforting when we are back to our regular normalcy and able to see the people, places, activities and things we miss doing. For me, I feel my friendships and ties getting stronger during these difficult times as we all have a sense of having had lost something together, this photo book is going to allow me to share the pages of memories that, hopefully will give others some comfort when I share it.

II. Timeline —

04/28 — Select 20 photographs from my digital archives and think of their placement in Blurb Photo Book. Try and get into the city to shoot with 35 mm camera. Share with class and get feedback on work-in-progress.

  • Photographs will be both color (digital) and black and white (film).
  • Digital will be photographs pre-pandemic. Film will be the leading-to and current realities of the pandemic.

04/30 — Sending any needed film to Chicago photo lab for processing – delivery.

05/03 — Finalize decisions for photo book, length, photo organization, text or no text.

05/06 — Share Blurb Photo Book pdf file.

05/08 — Join in on the class critique/conversation!

Photo Project Research

Research —

I. Photo books

I enjoyed the approach the French photographer Bernard Plossu had in this photo book. He was drawn to capturing people, landscapes through black and white photography.

https://aperture.org/shop/vamonos-bernard-plossu-in-mexico-books-signed

 

This photo book allowed for me to think about my relationship to the people, landscape and political history in Chile. I spent seven months living and traveling through the country and its interesting to see photographs of places you’re familiar with, through someone else’s perspective.

https://aperture.org/shop/paz-errazuriz-survey

 

The Places We Live is an authentic capturing of the realities of those families that live in over populated cities, shanty towns… but there’s more than that. This had me thinking about old facts and realities in our healthcare and general welfare systems and a need for reform to better cover all individuals.

https://aperture.org/shop/the-places-we-live

 

II. Newspaper

The Great Empty by the New York Times is a collection of photographs of landmark places in the world – empty because of COVID-19. I’d like to capture something similar of the areas of the City of Chicago.

The empty streets of Las Ramblas in Barcelona, Spain. I also lived here for seven months last year.

View of Rome from the Spanish Steps, another site I have been to. These stairs were packed when I think of the mental photograph I remember.

https://www.nytimes.com/interactive/2020/03/23/world/coronavirus-great-empty.html

 

III. Photographs

 

https://www.tate.org.uk/whats-on/tate-modern/exhibition/conflict-time-photography

This photograph is from an Exhibition at London’s Tate Modern called, “Conflict, Time, Photography.” It almost made me think of its description of the current times we’re living in. Although we aren’t in a war, the streets are as still and silent.

 

Mark Ruwedel, ‘Columbia and Western #8’ 1999

https://www.tate.org.uk/art/talking-point/making-art-isolation

I appreciate how artists like Mark Ruwedel have been able to find inspiration for their photography through the stillness of isolation and remoteness. The scapes which he is able to capture are able to become the subject, because of their permitting  us to consider the space and its details.

 

https://www.tate.org.uk/art/artworks/vandenberg-battersea-from-the-series-on-a-good-day-p13477

This photograph comes from a series called, On a Good Day by Al Vandenburg. The photograph is labeled taken in 1975, and the collection features people who might’ve been prompted to pose, but naturally also are able to share their smile. In this photo, I got the sense that these women, given their body language, are friends and have a self-confidence. What might’ve been a “good day” might’ve just been this, moments where people are just enjoying their company.

 

1995_84.jpg

https://www.artic.edu/artworks/100089/chicago

https://www.mocp.org/detail.php?t=objects&type=group&f=&s=&record=14&gid=2401&group=Changing+Chicago&highlight=yes

Closer to home, both the Art Institute and Photography Museum at Columbia College have photos of our city – quiet. The Art Institute’s is a winter stillness. Columbia College’s is a photo three days after the Financial Crash of 1988. The streets now, are definitely something similar to both of these photographs.

Dani – Final Proposal

Proposal:

For my final project, I would like to use my 35mm film camera to shoot images that represent my experience since quarantine. I am choosing to take film photographs rather than digital because I feel as though film better captures specific naturally occurring moments. I am drawn to the surprise effect of shooting over a period of time and having to wait for a specific outcome, not really knowing how things will turn out. This effect is representative of the time we are in as it is uncertain and suspenseful. I would like to use 400 ISO for half of my photos capturing the feelings of togetherness and the beautiful small moments that have occurred over the past month. I plan to use a mix of 400 ISO and 100 ISO to capture feelings of darkness, discomfort, and uncertainty that I have experienced through this pandemic. This project is important to me because this is a time that I’m sure generations to come will be asking about and I want to make a lasting memento of my experience.

I will be sending my film in to be processed (developed, printed, and scanned). Using either the prints from this film or the digitized copies, I will be making a photo album or photo book. I would like to do side by side pages tying my photos of discomfort to those of comfort as this is the back and forth that I have been experiencing. My source of inspiration for my “discomfort” photos is Edward Weston. I would like to pull out the emotion, uncertainty, and uneasiness in mundane objects in my house and yard to represent being stuck inside and not knowing when everything will be resolved. On the other hand, I want to be sure to contrast these with the photos I had started to take at the beginning of spring break when I thought we would be returning to campus as well as pictures of joy and family and natural beauty that have been revealed through this experience.

 

Timeline:

4/28: Shoot 2 rolls of film

5/4: Shoot 2 rolls of film

5/5: Send film in to be processed

Create book (not sure if I will be including text or not)—to be done whenever the photos come

Slow Seeing Revisited – Collin

The thought of “Slow Seeing” is a very interesting concept that Rebecca Solnit brings up. When I first read the article I had the questions, “Is that seeing something slowly? Or just taking your time to see what exactly you are looking at?” I have the understanding now that “Slow Seeing” is soaking up one’s surroundings, noticing all the details one might miss at a glimpse, and letting the images you see sink in. This way of looking at images is completely different than what the average person does, which is spend little time looking at an image (more time if they think it is beautiful) and then carry on with their day.

I chose to set up my camera looking out of the window in my room. I am very fortunate to be able to wake up to this view of the marsh every morning and I wanted to capture this vista at different times of the day, starting at sunrise and ending at midnight. Through this project “Slow Seeing,” I did realize how the sun moves around the porch and the house, meaning that at certain times of the day there will be sunlight coming through on the porch and as it gets later the sunlight is blocked by the roof.

Research/Inspiration

Individual Photographs

Lee Friedlander, New York City, 1963

Lee Friedlanders photographs of New York and his self-portrait series are incredible. These three are my favorite photographs from his work and these were some of the first film photographs I remember.

Vivian Maier, Self-Portrait, 1954

A fascinating fact about Vivian Maier is that she was unheard of until her photographs were found after her death in 2009 because she kept her artistic life a secret and had no family. More than 100,000 negatives were found in her storage locker at an auction and are no some of the most famous film photographs.

Ansel Adams, The Tetons and the Snake River, 1942

I love Ansel Adams’ landscape photographs, especially this one of the Tetons and the Snake River. I visited this spot and took a similar photo (although not as good). Ansel Adams is also a founder of the f/64 Group.

Photo Books

“Light Science & Magic: An Introduction to Photographic Lighting” (2015)

My photography teacher in high school bought me this book and it has taught me a lot about lighting my photographs both with artificial light and natural light.

Websites and Articles

https://www.roberttardio.com (A majority of personal inspiration comes from my uncle who is a professional photographer in NYC).

https://www.nationalgeographic.com/contributors/n/photographer-paul-nicklen/

https://www.widewalls.ch/self-portrait-photography-photographers/

https://www.youtube.com/channel/UC7O8KgJdsE_e9op3vG-p2dg

https://www.denissmith.com.au

Slow Seeing pt. 2

 

For my slow seeing revisited, I wanted to capture light as it changes in the rooms in our house, gives life to and animates our plants and creates shadows in our neighborhood.

Through this assignment I noticed two things about myself – I tend to seek sunlight and I have preferred to go on walks with Clinton and my siblings either during the afternoon and evening hours.

At home, I spend more of my day on the top floor of our house. Multiple windows allow for natural light and I enjoy looking at the city skyline throughout the day. As the evening light aims directly into my room, I love spending them in my room as the sunlight sets.

The afternoons are spirited, I hear the birds singing their spring songs, the squirrels running around and Clinton tugging at his leash to sniff new patches of grass. The evening hours have a comforting low light, pink skies and puffy clouds, it almost feels like a dream.

I used to think that I had to be somewhere busy like a city in order to capture “better” moments, but have realized that slow seeing is about appreciating what we overlook, the objects, places and areas closely around us. I appreciate and will continue to observe the resilient nature I have been noticing; from sunny days to snow storms and the occasional hail mix, the spring trees continue to bloom and the grass grows its hair. All this considered, I’ll be super excited when the city reopens and I can head back to my favorite spots and shoot some more!

 

Recreations…

Inspiration- Film Photography

Throughout the year, I found inspiration in many film photographers, especially photographs of street scenes and abstract objects. I enjoy film photography as it gives the photographer a wide range of artistic expression when taking the picture and manipulating it in the dark room. Many film photographs are ambiguous and hold hidden meaning which I think are qualities a great photograph typically possesses.

Fan Ho

 

Deborah Turbeville

“To say that your mind and your eye rests looking at Tubeville’s photography is not to mean that it goes blank, but that it simply goes into that contemplative mood. Your senses slow down but you need them as sharp as ever to get the nuances of Turbeville’s ethereal images.

Walker Evans

Although many of Evans’ photographs are quite simple, dark, and somewhat plain, they show snapshots of real life. He does not manipulate his photos to please the audience and instead captures how he sees the world, often in abstract and dark forms. His photographs are raw and inspiring.