This image, found in Professor Tsui’s foot binding presentation, embodies the social-cultural aspects that resulted in the start and continuation of the foot binding process in china. Foot binding originated in the Song dynasty (960-1279) with the dancer Yao Niang who would preform for the prince a top a “golden lotus pedestal”. She would bind her feet in silk. The prince enjoyed her performances so much he ordered others to start mimicking her. This was the start of the term “Golden Lotus” in reverence to the tightly bound feet. Foot binding originated in order to please Chinese men who saw tiny feet as the ultimate sexual attractor a women could have. This begs the question, why would women endure such pain and continue the tradition on to their daughters just to please a male sexual foot fetish? To put it simply, having bound feet would result in higher social status by being able to marry wealthy men who desired bound feet. In this picture we see a young girl dressed in ornate silk clothing. She is also relaxing next to some tea being served in fine china. The photo shows a lot, beginning with the young girl, we see the early commitment needed to begin the foot binding process and the progression of the tradition from mother to daughter. Next, we should focus on her attire and surroundings. She is wearing a beautiful ornate silk dress, has her hair done and is holding a fan, all these contribute to her high-class appeal. Furthermore, she is just sitting enjoying tea, not having to work like lower class citizens. This photograph displays the tradition and increased social standing that went along with having bound feet. On another note, we can also talk about how this picture is a picture inning of itself. When westerners started arriving in china they were unpleased with the boot binding tradition, thinking of the Chinese as barbaric for allowing this act upon women. For this reason, Chinese women would often keep their feet and their continuation of the practice to their daughters hidden. From the start, not many photographs were taken or shared by westerners to other westerners of this foot binding practice. This image is important because it signifies the start of the spread of knowledge about foot binding to the western world. Again, when westerners found out about this practice they were shocked, asking the question I raised before, why would women misshape their bodies in lure of men? Now let me ask, why would western women crack their rib cages with corsets to achieve the hourglass shape their men desired? These two processes are one in the same. In both cases women morph their bodies in order to please men and to fit into socially constructed views on female beauty. I choose this photograph because I believe it not only gives us insight on the traditions of the Chinese foot binding process but also makes us reflect on ourselves, how we subject women to painful beauty standards.