Notes on “Burnt in the Sun”

I had several questions and notably moments while watching the film. Firstly it is important to note that Mitya’s introduction into the movie is a very unique but also very revealing of his role. The character is ushered into the movie with a costume while traveling with the propagandist group “the pioneers.” The band is carrying images of Stalin: signifying Mitya’s connection to the Soviet Ruler through his work as the secret police. The fact that he is costumed is ironic as throughout the movie he is “in a costume” in a sense, hiding his true identity. Another scene I found interesting is the one with Mitya and the wife playing piano with the gas masks. Mitya doesn’t remove his mask still developing the disguised motif. However it’s a shocking scene with the happy music and the scary/off-putting masks. I think this speaks to the reality of the times and this is seen consistently though-out the film. although this movie is set in a time of great fear due to the Stalin purges there are constant funny and lighthearted moments throughout the film. Specifically Mitya’s entrance scene. the large lady on the stretcher, and how Kotov thought he walked in to his wife having sex with Mitya but it was instead some wacky music being played. Overall I think the contrast of the lighthearted film with the eminent doom awaiting is a unique contrast in the film. I was wondering if the pioneers were a real group. I was also wondering if the gas attack drills actually happened. There seems to be a sense of satire similar to what is seen in “Jojo Rabbit,” and I constantly thought of that film while watching this one.

2 thoughts on “Notes on “Burnt in the Sun”

  1. Brennan Clark

    Hello Colby. Your point about the masks was superb, and I think a really important character note about Mitya. To your question about the pioneers, yes! They were a real group, that was sort of a nationalistic boy and girl scouts. They had a slogan (similar to the scouts here in the states) весегда готов! meaning “always ready.” They are a real presence in the film (as you pointed out) and I think we have to consider the importance of youth in the film compared to the purged older generation who Stalin is targeting. By framing the death of the father with the patriotism of the younger generation, the film is amplifying what is happening with the purges. Stalin is not only wiping out an older generation but assuring those ideas don’t continue within the next.

  2. Professor Alyssa Gillespie

    Yay, Brennan! Thank you to responding to Colby’s good question! I will just chime in quickly here to say that yes, ridiculous as they appear, the gas mask drills were also definitely a real thing!

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