Sergei Eisentein does it again! His depiction of the triumph of the crew of the Potemkin works to exalt the efforts of the revolutionaries and diminish the moral code of the tsarist regime. Each shot seems to have been meticulously chosen to add to the overall narrative. I’m going to discuss a few cinematic techniques I noticed throughout the film.

Eisenstein’s uses of asynchronous sound, reaction shots, and fast motion elevate this historical account into the realm of heroic drama. Throughout the film, the characters seem to be speaking, but none of their words are heard. Instead, the viewer is told the story through written word, visuals, and orchestral music. This asynchronous sound synthesizes a more story-like tone and adds a melodramatic atmosphere to the narrative. Even though this is a historical drama, this cinematic tool makes the viewer feel as if they are watching a hero’s tale. Though no spoken word is heard, a skillfully crafted operatic soundtrack rises and falls with the story.  Additionally, Eisenstein makes use of reaction shots throughout the film to demonstrate a narrative that really builds upon itself and give the impression that each action of the players in the story has an important role to play in the creation of the narrative. No movement is made without reason. Fast motion refers to manipulation of frames to make action seem more rapid than normal pace. This manipulation creates a hectic atmosphere and adds a level of action to the already lively film.