Category Archives: Religion

Green Hand Book Review: Venus Plus X

Sturgeon, Theodore. Venus plus X. New York: Dell, 1979.

 

I chose Venus Plus X by Theodore Sturgeon because the cover first caught my attention. The book covers that I looked at before finding the book dealt with space but I thought this one looked cooler. The pages were also colored, which most of the other books did not have. After reading the little blurb on the cover, I quickly found out that it dealt with the theme of gender and its erasure of it. Within this course, I found that the topic of power relations, including race, gender, and sexuality intrigued me the most–and this book seemed to fit my interests. In class, we also mentioned Sturgeon a few times but did not read any works from him so I thought this book would be perfect!

 

Venus Plus X follows the trope of a confused time traveler everyman coming into consciousness in a futuristic isolated community. In this community called Ledom, all of the members are gender-neutral and hidden from the rest of society; there is some ambiguity as to whether or not this society is utopic or just a means for human preservation. The protagonist Charlie Johns explores culture and technology, with interesting discourse about patriarchy, religion, reproductive practices and rights, and outlook on life. This story runs concurrently with an (underdeveloped) story of a “progressive” contemporary American family of the 60s who came off as only a foil. When it is revealed that the members of society are intersex and the process of how the members become intersex, the protagonist is disgusted and homophobic. While attempting to travel back to his time, it is brought to light that Charlie did not arrive through time travel. He’s a “control” person maintained by the Ledom for research purposes. He lives on the outside of civilization since he can’t be assimilated into Ledom society. The story ends with a nuclear bomb being set off but Ledom survives because of their technology.

 

This book was published amid Golden-Age SF with themes of sex, gender, sexuality, religion, technology, and human preservation. I think this book is interesting when looking at the context of the time period: It precedes both the Sexual Revolution and Second-Wave Feminism in the latter part of the 1960s. In this way, Venus Plus X is in some way a proto-feminist reading of society, where the core of the novel is an argument that the presumption that women and men are very different is wrong and socially destructive. Some ideas and dialogue are definitely antiquated but the messages are still applicable to our society today. It is also a story about human survival because the story also coincides with the middle of the Cold War, with the idea of forward-thinking technology and preservation.

 

I would recommend this book to people who like slow exposition stories. The book was quite slow at times and I found myself skimming through some parts. The latter half of the story is definitely where it picks up!

 

Extra notes: Venus Plus X was a finalist for the 1961 Hugo Award for Best Novel.

Star Trek and non-biological beings and souls oh my!

Hi guys, resident Trekkie here! I kept thinking about Star Trek in class yesterday (like I usually do) because the intersection of robots/androids/non-biological beings, religion and who has a soul is often explored so I thought I’d share some examples I thought of!

In TOS episode “The Ultimate Computer” the M5 super computer believes in God and ultimately cuts its own power after determining for itself it has committed grave sins and does not deserve to live.

Throughout TNG series they repeatedly explore and question the nature of the android Data’s existence. The episode “The Measure of a Man” is focused on whether or not Data is a sentient being, does he have autonomy with rights and does he have a soul? The crew of the enterprise and the audience would definitely say yes due to our emotional connection to him.

In Voyager, the ship doctor is a hologram and as the series progresses he seems to become a sentient being. Similar with Data in TNG, the nature of The Doctor’s sentience is continually called into question and explored. Is he owned by Starfleet or is he an autonomous lifeform? By the end of the series it appears very clear, at least to the crew of Voyager (and me), that The Doctor is a sentient being. The series eventually creates the category of “photonic lifeforms” which includes sentient holograms such as The Doctor. The distinction between sentient holograms and non-sentient holograms is also explored. In connection with today’s class, the relationship between religion and holograms is specifically explored in the episode “Flesh and Blood” where other sentient holograms are religious radicals in a way and rise up against their biological creators. Their leader considers himself a prophet and even creates a new religion for his fellow “Children of Light”. Their religious zealousness and crusade for freedom is so human that it serves to reinforce the sentience of these photonic lifeforms.

The question of what is a soul and who has one is often explored in Science Fiction. These explorations of the nature of sentient existence shake us out of binary thinking and leave us to ponder what other forms life can take on. Who are we to dictate who has a soul?

Star Trek characters The Doctor (blue: a sentient hologram) and Data (yellow: a sentient android).

The Influence of Science-Fiction on Radiohead’s Ok Computer

To preface this blog, Radiohead has been a huge influence on one genre of music I listened to growing up. They led me to discover Pink Floyd, The Beatles, Queen, and David Bowie among other great musicians. Their 1997 album Ok Computer is widely considered one of the best albums of all time, 5x platinum in the UK and double platinum in the US. Foremost, the title “Ok computer” was inspired by the BBC TV version of The Hitchhiker’s Guide to the Galaxy in which the character of Zaphod Beeblebrox says the line “Ok Computer”. There are no explicit mentions of computers on the album. In a similar way that “science” is emphasized in “science-fiction”, “OK Computer” is ultimately less about technology than submission- The pursuit of happiness has become less of a goal and more of a process.  

Thematically, the album depicts a world in which consumerism, social alienation, emotional isolation, and political malaise are all on the rise. On a larger scale, the band was world-building the idea that technology and society were moving too fast for their own good. Radiohead used unconventional production techniques at the time including “natural reverberation through recording on a staircase and no audio separation.” Much like some of the literary works in science fiction, the album’s vision of the future didn’t feel like some far-off imagined apocalyptic dystopia, but ‌rather a natural extension of the present from which it arises.  Here are the first three songs that have science-fiction elements!

 

  1. Airbag

“In an interstellar burst, I am back to save the universe”

This song deals with topics of world war, fear-mongering, reincarnation, and space explosions. However, in a more literal sense, the song is about awareness of the precociousness of life following a moment of avoiding an accident. An airbag is a technology that saves lives, and the song is about a feeling of rebirth and being happy to just be alive. The first song in the album sets a precedence for the science-fiction delivery of serious topics in the rest of the album!

 

2. Paranoid Android

“From all the unborn chicken, Voices in my head, What’s that?, (I may be paranoid, but not an android)”

Much like the title of the album, this song is a direct reference to The Hitchhiker’s Guide to the Galaxy. The song references Marvin the Paranoid Android, a robot who is always depressed because the infinite possibilities within his mind are wasted on repetitive, trivial activities. The line, in particular, illustrates that one true escape is in one’s own mind, while at the same time the song deals with the distancing of humans from technology.

3. Subterranean Homesick Alien

“Up above aliens hover, Making home movies for the folks back home”

In this song, the singer has seen the future, and that future was aliens creating drone porn for their civilization back home. Personally, I’ve always thought this song was more or less a metaphor for feeling a bit alienated with one’s own life, own society, and place in the world. This person wishes they could view the world from a different, fresh perspective (alien). This song made me think of the alien scene in H.G Well’s “The Star”

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