Voyant word clouds

I generated my word clouds using articles mostly focused around the books I’ve been posting about on my blog, and science fiction written by women in general. So I had a lot of book reviews, interviews with authors, and articles about the impact of female authors and characters in science fiction. Some words that stood out to me were: characters, different, world, human, love, and new. In my experience researching this topic, what women are bringing to sci fi is largely encompassed by these words. They are creating characters with far more depth than we are used to in the genre, and placing them in unique and complex worlds. These characters, whether they are robots or aliens, show us what it means to be human. This is why I love all of the books I have posted about so far, and look forward to seeing what female authors continue to contribute to science fiction.

And now, in a break from our regular programming I bring you…. pictures from the apocalypse!

I live in a rural area in California, in a town called Norden with a population of 26. I thought I’d share some pictures of signs people have put up around here.

This series of signs is up alongside the road, probably because a lot of people are still coming up here to go skiing despite the quarantines. I was surprised to see these because like really no one lives here!! I have no idea who put them up, but I thought it was pretty spooky and crazy.

And now, on a lighter note

In case you can’t read it, it says:

Old 40 Bar and Grill

Open for takeout and delivery

Cocktails, beer and wine to go

(sorry about the picture quality, my wifi is not great and was struggling to upload it.)

So many questions about this one. Mostly is it legal to get a cocktail to go? Like you’re not allowed to drive with open containers of alcohol in California. I keep trying to convince my mom to get some takeout cocktails for the family, but no luck so far 🙁

Also! My creative piece is set in Truckee, which is the “big” town fifteen minutes down the hill. I briefly mentioned the first set of signs, but I used my artistic license to move them five miles away from where they are in real life 🙂

Hope the apocalypse is treating you well!

Creative Work

Elizabeth Scott
Professor Sabier
World Science Fiction
Mar 30, 2020
Perchance to Dream
Day one
Maya was sitting in the back corner booth of the Squeeze In Diner, rubbing her fingers over a crack in the red lacquered cushions, listening to the wind rattling the window panes and the kids rattling the arcade machine when her eyes caught on a news report playing on the television. The text scrolling across the bottom of the screen read “MONSTER IN NEW YORK” in capital letters.
She rolled her eyes. What a fucking cliche. She didn’t bother to look up from her milkshake as the other patrons slowly noticed the TV and began to gather around it, their voices rising in panic at the flashing images, the scenes of destruction, and the text rolling by again and again: MONSTER IN NEW YORK, MONSTER IN NEW YORK. She took another sip of her milkshake. What did these people care? They were in California.
A young waiter slid into the booth across from her. “Aren’t you going to jump up and scream with everyone else?” he asked. She shrugged.
“Doesn’t seem worth the effort. You?”
“I don’t know.” he said, cracking a smile. “It’s not every day the world ends.”
“I’m Maya.” she stuck out a hand.
“Hector.” he shook it. It was cold from the milkshake glass.
She already knew his name was Hector. It said so on his nametag.
“A pleasure.” she said, and slid the milkshake across the table to him. He took a sip, slid it back. They sat together for a long time, two strangers watching the inexplicable, the long expected, the monster in New York. What a fucking cliche.

Day Six
“Did you see the news this morning?” Hector asked, sliding into the booth across from her. “Six more reported patients. That’s what they’re calling them now. Patients.”
“Like it’s some kind of disease?” she asked, dipping a french fry in ketchup.
“I suppose it is like that. It’s just a disease that calls your worst fear into existence.” he leaned over to steal a french fry.
“It might be contagious.” Maya said, whacking his hand away.
He rolled his eyes. “You just don’t want to share your fries. You’re not a ‘patient’.”
“You can’t trust anybody.” she said with a sharp sort of smile.
He frowned. “Are you afraid?” he asked, suddenly serious.
Maya hesitated for a moment. In all honesty, she didn’t know. “It feels so far away. Like, that’s terrible, but it won’t happen to me.” She looked up at him, meeting his eyes for once. They were brown, but in a surprising sort of way. Like they might turn gold if she looked at them long enough.
Hector nodded. “I hate it.” he said. “I hate all this normalcy.”
She smiled. “So let’s live like the world is ending.”
“I can’t. My break’s over in two minutes. And my shift doesn’t end until eleven.”
“You might wake up tomorrow with a monster in your bed. You going to spend your last night working?”
He laughed. “You’re a real downer, you know.”
She shrugged. “You hardly know me.”
“I’d like to.” he countered, throwing her a crooked grin as he stood up from the table. “I’ll see you tomorrow?” she asked hopefully. He nodded.

Day Seven
“They’re saying the monsters are being sucked in from a parallel universe.” Hector explained in between bites of hashbrowns. “The disease alters a patient’s attachment to this world, so they drift more fully into the next one.” He paused to slather his plate with more ketchup before continuing. “Then they bring back the thing they’re most attached to.”
“Their worst nightmare?” Maya interjected.
“I guess.” Hector shrugged. “Apparently we’ve been bouncing between worlds since forever. That’s where all our dreams happen.”
“Crazy.” Maya said, even though she’d read all the same news sites.
“It might be absolutely terrifying,” he said, digging into his omelet, “But we’re learning fascinating stuff.”
Maya shrugged. “Honestly, I’d rather talk about anything else.”
So they talked about his family and his job for a few minutes, both revelling in the sense of normalcy.
“You live in Truckee?” he asked her.
She reached up to run a hand through her hair. “No,” she said after a pause. “Just passing through.”
It wasn’t a place you just passed through really, especially in the fall when the ski resorts were all shut and the lakes were too cold to swim in, but he took her non-answer with no further questioning. It was nice. He seemed happy enough to just talk, and she was happy enough to just listen.

Day Twelve
“What can I get for you, m’lady?” Hector asked her in an awful attempt at a British accent as she sat down in her usual booth.
“Just a coffee and toast, thanks Hec.” Maya said with a smile.
He frowned back. “Can do the toast, but we’re out of coffee. There’s been a run on it.”
“How come?” she asked, though she could guess the answer.
“Well, the monsters only come out to play after bedtime.” Hector said, with a solid attempt at humor. “So everyone’s stockpiling it. And tea, Redbulls, you name it. If it’s got caffeine, it’s gone. The shelves are bare and so are we.”
Maya’s brow furrowed. “It doesn’t really make a difference, does it?” she asked. “You have to sleep eventually.”
“One would think. I’ll get you an orange juice then?”

Day Seventeen
The first thing Maya noticed was the bruise on Hector’s cheek and the way his smile seemed more pasted on than usual. She raised her eyebrows at him as he approached.
“You okay?” she asked, flicking her gaze at his cheek. He raised his hand instinctively to touch it.
“Just a bruise.” he mumbled. “Can I get you anything?”
“Who hit you?” she asked, not backing down. His shoulders slumped.
“My mom. She’s upset that I’m still out working. Afraid I’m going to get her sick.”
Maya frowned. It didn’t seem like a particularly good reason to hit someone. But it brought up an interesting point.
“Why aren’t you quarantining? Most people are at this point.”
Hector scowled, and Maya realised she’d forgotten to express her concern or condolences. Some friend she was.
“I could ask the same of you.” he said testily.
Maya didn’t answer, just waited for him to respond. She knew Hector would squirm under the silence, given time.
“I’m saving up for college.” he said after a pause. “If I don’t keep working, I won’t be able to afford it.”
Maya nodded. “Fair enough.”
“If there’s still a college to go to, anyway.” he added. Schools had started shutting down a few days ago. It was all over the news.
Maya reached out and grabbed his hand. Touch was a dangerous thing now, but he didn’t pull away. She met his gaze.
“There will be.” she said firmly, and let go of his hand.

Day Twenty-one
They sat on the swingset at Truckee Elementary School, looking out at the deserted playground. It was 1pm on a Wednesday, and the yard should have been littered with kids on lunch recess. Instead, it was empty but for a few crows picking at the remains of a forgotten lunchbox. The autumn wind bit at Maya’s hands, and she pulled her sweater over her palms so that she could grip the swing chains.
“Hector?” she asked, turning to face him.
“Yeah?”
“I’ve been thinking about something you said the other day.” He grunted affirmation, and Maya continued. “You said the patients ‘bring back what they’re most attached to’. That being their worst nightmare.”
“What about it?” he asked, finally looking up at her.
“Don’t you think it’s weird? That we’re more attached to our nightmares than to our dreams?”
Hector shrugged. “I always feel like holding on to a good dream is like trying to keep water cupped in your hands. But a nightmare? I can never seem to shake them.”
Maya kicked at the wood chips with her faded pink sneakers, wondering if Hector was attached to her.

Day Twenty-seven
The Squeeze In Diner had finally shut down the day before, so Hector met Maya at one of the public piers at Donner Lake. The lake would have been beautiful if it wasn’t so eerie. It was one of the last nice days before winter began in earnest, and the cool blue waters were so dappled with sunlight that it looked like someone had stuffed the sun into a ketchup bottle and covered the lake as generously as Hector covered his potatoes. But the usual boats and swimmers and water skiers were absent, leaving only the two teenagers sitting in the dappled sunlight and trying to remember a time before all of this. A time when the trees by the road a few yards away weren’t adorned with spray painted signs warning people to go home and stay there, a time when children and dogs still played along the rocky shoreline. It was a long while before either of them spoke.
“Hector?” Maya asked finally, “What are you most afraid of?”
He sighed, letting the silence stretch out longer than he ever used to.
“I’m not sure.” he said eventually, but Maya knew he was lying. It was what they were all thinking about in the in-between moments.
There was another long pause before he asked, “Do you know?”
“Failure.” she said after a minute. “I’m afraid I won’t be able to do… whatever it is I’m here for.” She wasn’t sure if that was really it, but it was as good a guess as any and Hector seemed to accept it.
“My mom’s not letting me back in the house, you know.” Hector said suddenly. “She’s too afraid.”
“You can stay with me.” she offered. “I’m in a motel down the road.”
“The one whose sign still advertises?” he asked incredulously.
“That’s the one.” Maya replied cheerfully, and they shared a rare laugh.
They stayed there until the last rays of light from the setting sun lit up the hair around Hector’s head like a halo and the air turned cold enough to make the skin showing through the ripped spot on Maya’s jeans grow goosebumps. Then they walked back to the hotel with the COLOR TV sign, all caps, and laid down side by side in Maya’s rented bed, not touching. They stayed that way for a while, both unsure what to say.
“I was lying earlier.” Hector said finally, not meeting Maya’s eye. “About not knowing what I’m most afraid of.”
Maya waited, heart pounding.
“I’m afraid that… the people I trust most…” he trailed off, fiddling with the sleeve of his sweatshirt. Finally, he met her gaze. “That they’ll betray me.”
Maya kept her eyes locked on his, choosing her next words carefully. “So what about me? Do you trust me?”
He nodded.
“Oh, Hector.” she said softly, and laid her hand over his heart.
As he watched in horror, her eyes turned red. Horns sprouted from her head, and her fingernails grew into talons, piercing his skin. As the first rays of moonlight illuminated her figure, he saw her as she truly was for the first time. Horrible.
Hector’s last thought was that, somehow, she looked even more beautiful in this monstrous form, her eyes blazing like some avenging warrior, her skin aglow. Then she yanked his still beating heart from his chest.
Day Twenty-eight
When the cleaner found their bodies the next day, the young boy’s heart still clutched in the now cold hand of the demon-girl, like some kind of perversion of Romeo and Juliet, she couldn’t be sure if the scene was real, or if it was some long forgotten nightmare, brought with her into the world of the living.

The Weight of the Stars

A quick, cozy read for a quarantine day. This is soft sci fi in every sense of the word. I read this entire book in one sitting in a car ride through the Nevada desert during spring break last year, so I thought it was a good one to post about for the current spring break (such as it is). So, without further ado:

This story follows the classic science fiction trope of a generation ship, but instead of focusing on those journeying across the cosmos, our characters are those left behind. It is a beautiful story of loss and hardship that shows a widely diverse crew of teens in tough situations coming out on top. It is centered around a relationship between two young women who both dream of space travel and is just the kind of hopeful and heartwarming story we need in this day and age. One of those books that has such lovely characters that you can read it for hours and not even notice that not a whole lot has happened. Hope it can bring you some happiness in these tough times!!

Vicious by VE Schwab

Two pre-med students find a way to give each other “extraordinary” powers. All you have to do is die. There may be superpowers here, but there aren’t any heroes. It’s pretty dark, very excellent aesthetically, and full of wonderfully complex characters. VE Schwab is one of my favorite authors ever (see also her A Darker Shade of Magic series, fantasy not sci fi, but epic), and I 100% recommend anything written by her.

Enter:

Victor Vale, who makes blackout poetry out of self help books, swallows pills dry, and hangs up the phone without saying goodbye. Also, he can give and take away pain.

Eli Ever, an unkillable murderer, all pretty boy hair and nice smiles, who seems like the perfect med student until the cracks start to show through.

Sydney Clarke, who we find on the side of a rain soaked street with a bullet hole in her arm. She’s 12 years old, and all she wants is a bomber jacket and combat boots. Oh, and she can raise the dead.

Mitch Turner, who looks like he belongs on the “armed” side of an armed robbery, when really he’s the guy in the chair. When he breaks out of prison, the first thing he wants is chocolate milk.

And Dol, a no-longer-dead-dog.

Enjoy!!

P.S. Fun little story: my best friend and I went on a road trip and listen to the Vicious and Vengeful audiobooks while we were driving. Then, my friend went to a convention thing (she works for a bookstore and she was representing them) and met VE Schwab. And my friend told her that we loved her books and she was super nice and signed a bunch of books for me!!! Basically VE Schwab is a top tier human and you should read everything she writes.

Paper 1: Microreading

Elizabeth Scott

Professor Sabier

World Science Fiction

27 February, 2020

 

Doors to the Future: Themes and Warnings in Komatsu’s “Take Your Choice”

 

In Sakyo Komatsu’s “Take Your Choice”, a man is presented with three alternate futures, one with incredible technology, one rustically beautiful, and one where apocalypse is not only certain, but near. All he must do is pay an exorbitant amount of money, and step through a door. He picks the third one, and goes forth towards the end of the world with a light heart. After he is gone, the technicians who sent him into this future discuss the scam they have been pulling, as well as the implications of the fact that nearly everyone who pays for their services picks the one future where they will surely die in fire (Komatsu, 103). The man’s choice allows the story to explore the human need to feel important and the incredible fear of the unknown, while the technician’s discussion leaves the reader with a warning.

As the man returns to the same world he left moments before, which is unchanged in reality but entirely transformed to his eyes, he sees everything as if for the first time. He looks upon things that he once thought to be ugly, “the polluted sky”, “a snotty urchin, … and even flashing sign-boards” and their certain temporality renders them beautiful (Komatsu, 101). Suddenly, instead of being evidence of a futile and dreary existence, destined to be repeated and forgotten, everything is –to the narrator’s eyes– important. And no one is more important than the narrator himself. “I am the only one,” he says. “No one except me definitely knows the fate of this world” (Komatsu, 101). His knowledge lends him an elevated status in this doomed world, because as everyone else goes along with their lives, he is aware of the brutal fate to come from above. Even though, in reality, nothing about the world around him has changed, and he is no more or less important than he was before, his belief in his own importance allows him to feel, for the first time in ten years, fulfilled. 

In addition to feeling a new sense of purpose in a doomed world, the man was also relieved to know, with absolute certainty, what is coming. He says he can feel “at ease” in such a world, which seems a strange sounding sentiment (Komatsu 98). However, given the place and time in which this story was written, perhaps a certain death is more comforting than an uncertain life. Throughout his life, Komatsu was “haunted by memories” of the Hiroshima bombings, which occured when he was a teenager (Hevesi). Indeed, the description of the holocaust in his story mirrors those of Hiroshima. In “Take Your Choice”, the end of the world is signified by a “blinding flash” (95), while an eye witness of the a-bomb described it as a “lightning bolt” (Porter, 166). For Komatsu, the thought of such an event was likely one that plagued him often. Like the man in the story, the fear of the apocalypse was made that much greater by the fact that it could come at any time, without warning. When put in this reference, this fear of the unknown makes the man’s seemingly odd choice much more justifiable. 

At the end of the story, the technicians who pretended to send the man into this future discuss how, in this scam they’ve been pulling, customer after customer has selected the third door. Thousands of people have made this choice, and so, they have sent thousands of people out into the world with the idea in their head that it will end (Komatsu, 103). The technicians wonder what effect this will have, especially given that many of these people hold high offices in society. In this way, Komatsu is calling attention to the fact that while, the world might not end in fire like these people think, they’re thinking so could make it end all the same. Throughout history, there have always been those who believe that the end of the world is nearing, now more than ever. What will happen if those who believe such things are the ones deciding the future of our world? Will the prophecy, eventually, become self-fulfilling? Thus, Komatsu ends his story by warning the reader of two things. Firstly, of the dangers of a capitalistic society, where one man’s profit is put above the safety of the whole race. This is made evident by how the technicians in his story, even as they speculate about the damage they might be causing, rejoice in the cash they are reeling in (Komatsu 103). Secondly, he warns us not to be too willing for the apocalypse to come. If we are, we may just get our wish.

Thus, through playing with time travel, Komatsu is able to explore the importance of feeling important, the fear of the unknown in the wake of a near apocalypse, and the dangers of both a capitalist society and a society where destruction seems inevitable. By having his main character see new beauty in a doomed world, Komatsu shows us how humans crave anything that will give their life meaning. The man’s calm in the face of certain death demonstrates how the scariest thing conceivable is not definite destruction, but rather the looming threat of apocalypse, as was felt by those close to the tragedies at Hiroshima. Lastly, he leaves us with a warning, not only of capitalism, but also of our own outlooks upon the world. Because just like in the story, our future does not simply happen. It’s a choice.

Works Cited

Hevesi, Dennis. “Sakyo Komatsu, 80, Science Fiction Writer, Dies at 80.” The New York 

Times, The New York Times, 10 Aug. 2011, www.nytimes.com/2011/08/11/arts/sakyo-komatsu-science-fiction-writer-dies-at-80.html?_r=0.

Komatsu, Sakyo. “Take Your Choice.” The Best Japanese Science Fiction Stories, edited 

by Martin Harry Greenberg and John Apostolou, Barricade, 2000, pp. 85–103.

“The Lightning Bolt.” Japanese Reflections on World War II and the American

 Occupation, by Edgar A. Porter and Ran Ying Porter, Amsterdam University Press, 2018, pp. 161–167.

 

The Illuminae Files

Remembered this series when we were talking about the stories we’d read with unique styles in class today. It’s (once again!) written by a woman and a man, Amie Kaufman and Jay Kristoff, but (once again!) they just list the woman on Goodreads, so we’re doing it. It’s definitely young adult, so bear that in mind, but it’s also definitely sci fi (spaceships! AI! wormholes! clones! mutant viruses! giant freaky parasites!) and completely one of a kind. A lot of the pages look like this: 

… and none of them look normal. The series is written as a compilation of files, and it includes the following:

  • Video log transcripts (done by a weak stomached and easily distracted employee)
  • Emails, texts, DMs, etc
  • Diary entries
  • Fight scenes written in crazy patterns so you have to twist the book around and look dumb in public
  • The unfiltered thought processes of a malfunctioning AI (definitely the coolest parts)
  • Drawings
  • Mugshots and names of dead people (I signed up to have my name put in but I didn’t get selected 🙁 )
  • Wiki entries
  • And many other funky, cool, and creepy experimental story telling methods!

Definitely worth a flip through just to see all the beautiful imagery. Here’s the amazon link to the first book!

 

The Loneliest Girl in the Universe

Okay so this one’s cool. Science fiction meets psychological thriller. Super glad I’m posting about it because I learned that not only are there other books by this author (Lauren James) that I haven’t read, but also there’s a movie adaptation (dir. Ridley Scott) coming out next year! So if that isn’t enough of a reason to read it I don’t know what is! But here’s a summary anyway.

The Loneliest Girl in the Universe by Lauren James

Through some strange circumstances (no spoilers) 16 year old Romy Silvers winds up being the only conscious passenger on a generation ship, completely and entirely alone. And things start getting weird. She’s hearing scratching on the walls, she’s getting reports of war breaking out on Earth, and her anxiety is slowly driving her insane. But she has one thing look forward to – a faster ship is on its way, and it seems like her solitude may finally end. It’s beautifully horrifying and has a great twist at the end. It’s hard to say much else without giving things away, so really just read it. The audiobook is also great (according to my best friend) if you want the full spooky experience.

Enjoy the spooks!

This is How You Lose the Time War

Okay, so I know it’s only my second one of these but I’m already going to cheat a little bit. This book is coauthored by a woman and a man (Amal El-Mohtar and Max Gladstone) but I just read it over Christmas break and I really liked it so shhhh. Forgive me. (And on good reads they say it’s by El-Mohtar so ha! Take that patriarchy!) Anyway here we go!

Spoiler alert! This book is about a time war! Two opposing generals begin to write each other letters. For this one I really just want to put quotes in because the writing is so beautiful! So I give you: ten quotes to make you go read this right now!!

 

  1. “Adventure works in any strand—it calls to those who care more for living than for their lives.” 
  2. Words can wound—but they’re bridges, too … Though maybe a bridge can also be a wound? To paraphrase a prophet: Letters are structures, not events. Yours give me a place to live inside.
  3. “Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.” 
  4. Have you ever had a hunger that whetted itself on what you fed it, sharpened it so keen and bright that it might split you open, break a new thing out? Sometimes I think that’s what I have instead of friends.
  5. “Red’s letters she keeps in her own body, curled beneath her tongue like coins, printed in her fingers’ tips, between the lines of her palms.” 
  6. Alone. I want to tell you about when I learned that word, really, with all of me. The reason I’m a tumbleweed, a dandelion seed, a stone rolling until she’s planted in place, then kicked up again.
  7. “I am more sensitive to your footsteps, I think, than anyone alive. (And everyone is alive, somewhere in time…)”
  8. You say my letter found you in a moment of hunger. How to say what it means to me, that I might have taught you this- shared it, somehow, infected you with it. I hope it isn’t a burden at the same time that I want you seared by it. I want to sharpen your hungers fully as much as I long to satisfy them, one letter-seed at a time.
  9. “I love you. I love you. I love you. I’ll write it in waves. In skies. In my heart. You’ll never see, but you will know. I’ll be all the poets, I’ll kill them all and take each one’s place in turn, and every time love’s written in all the strands it will be to you.” 
  10. “PS. I write to you in stings, Red, but this is me, the truth of me, as I do so: broken open by the act, in the palm of your hand, dying.” 

Anyway, it’s lovely, I read it out loud to myself on a beach because it’s not the kind of book that likes to stay on the page. Enjoy! 🙂

P.S.

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Look at these dorks! We love to see it.

To Be Taught If Fortunate

Hello world!

I’m going to make my first few posts about Science Fiction books by women that I’ve read lately and think are incredible! The genre can seem dominated by men at times, so hopefully I can recommend some exciting books!

First up: To be Taught if Fortunate by Becky Chambers

Ten reasons why you should drop everything you’re doing and read this book right now

  1. It’s only 188 pages so it’s not that much of a commitment. You can literally do it right now. I read it one day (instead of writing an essay during finals but shhh that’s not important)
  2. It has a beautiful cast of characters who all have depth and dimension despite the book being (did I mention?) only 188 pages! Also they’re all queer we love to see it.
  3. The world building is incredible! The astronauts explore four wildly different worlds that are all so unique and beautiful and the way Chambers describes them is so vivid I can’t even begin to do it justice. Just yeah. She’s so good at world building!!
  4. The science is so smart. Instead of trying to terraform the worlds they visit, they alter their bodies to fit the environments. Like they can basically photosynthesize space radiation into energy and all kinds of cool stuff.
  5. Has excellent messages about ethical ways to do space travel! (I was learning about indigenous science fiction with Professor Lempert while I was reading this so I was very impressed.)
  6. It is one of maybe three books ever that have made me cry. Not really because its sad its just so beautiful and it made me want to go to space so freaking bad!!
  7. I read the afterward and she said she gets a lot of her science help from her mom who is an astrobiology teacher and like what a powerful family oh my god. (can they adopt me? please?)
  8. I love Becky Chambers so so much she is an absolute genius and like probably one of my favorite authors ever of all time. She’s also written a beautiful series of sci fi beginning with The Long Way to a Small Angry Planet which you should also read!! (and maybe I will review at some point.
  9. The ending is beautiful and makes you think. No spoilers, so enough said.
  10. Basically, it’s just an all around beautiful, thought provoking, and unique book that’s a completely different take on sci fi than I’d ever read before. 12/10 would recommend!!

here’s a link to amazon so you can buy it now

🙂 xoxo have funnn