Exploring Themes of Destruction and Life in “The Rite of Spring”

Upon initial musical and visual analysis of “The Rite of Spring” from the 1940 film Fantasia, the score, composed by Igor Stravinsky, is deeply suspenseful and enhances the intensity of the plot. The crescendos and suspenseful build up interspersed with more peaceful tunes that break up the intensity work to create a sense of tension and conflict. The audio also pairs well with the visuals to convey this intensity with images of bubbling lava, extreme weather (such as pouring rain and lightning), dinosaurs battling, and the crash of a comet. Although the dinosaurs and the landscape are animated cartoons, the landscape is greatly detailed and utilizes colors of dark red and bright orange to illustrate both the volcano at the beginning and the comet at the end, and colors of dark blue, purple, and grey during the storm while the dinosaurs are fighting in the middle of the scene. The change in color schemes manages to seamlessly convey the transition from the creation of life to the destruction as the comet destroys the dinosaurs. Finally I think it is interesting to examine the historical context of “The Rite of Spring” . Upon background research, Stravinsky originally composed “The Rite of Spring”  as a ballet and orchestral work and was regarded as radical and avante-garde when first introduced to the Parisian ballet scene. Given the sophistication and radical meaning of “The Rite of Spring” , which was conceived as a spring ritual in which a girl is sacrificed by dancing herself to death, it is surprising that this piece is used in a Disney animated film. Stravinsky himself claimed to have distaste for this adaptation of the music. Yet the intensity of “The Rite of Spring” and themes of life and destruction in Fantasia complement each other well, even in the light of the piece’s history

2 thoughts on “Exploring Themes of Destruction and Life in “The Rite of Spring”

  1. Eva Dowd

    I think the choice to superimpose “The Rite of Spring” over a depiction of the creation of the universe and of our planet earth is particularly interesting, especially with the historical context that you note here. The death of a girl, in Stravinsky’s mind, and the birth of a universe, in Disney’s conception, both call upon the large themes of cycles, beginnings, and endings. These themes, though applied differently, both pair well with the sweeping sounds of Stravinsky’s piece of music.

    1. Shandiin Largo

      I agree with Eva’s analysis that “The Rite of Spring” exemplifies the cycles of life that begin and end in different ways. I would also like to add that this piece may portray nature as a ruthless, beautiful process. In accompaniment with Stravinsky’s music, it emphasizes the processes of life and death. In addition to intense, chaotic moments, there are also profound silences throughout that further show the skill of visuals and sound.

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