I chose to try to recreate Harry Callahan’s “Sunlight on Water” because the way he played with light was something I wanted to try to replicate. It was difficult to recreate the way the light moves in his photo but I tried to trace the light as it looks in his photograph. This was something we looked at when we worked with long exposure which is something I had a harder time with. I wanted to go back to it from a digital point of view and how the two differed. I think the way that lights look during a long exposure shot gives the photograph movement and gives an abstract effect since the image looks as if it was under water.