Tag Archives: Biblical

Rocky Seas, Aivazovsky and our false security

Ivan Aivazovsky seascapes are striking for their dual display of natural beauty and ferocity. Aivazosky shows the sea’s turbulence as equally threatening and awe-inspiring forcing the viewer to consider the sea’s and ultimately nature’s superior power. The human figures in the selected paintings are small and seemingly insignificant compared to the grand natural scenery. Specifically, in The Ninth Wave and The Rainbow the human figure is seen being controlled by the natural environment and in dire circumstance: the sea is in control.

Specifically, in The Rainbow the beauty of the seascape is used as a veil to hide the eventual doom of the lifeboat. In the distance a ship is seen moments before capsizing and crashing into the shore, and in the foreground a group of thirteen men man a crammed and crowded lifeboat. The painting is particularly lightly colored, fogged in light blues and purples showing signs of the calm after the storm, indicating a sense of safety rather than distress. The large swells of the ocean, however, indicate different. With the gunwales of the life boat close to the water and large waves close behind, the small boat is most likely doomed to the same fate as the larger boat in the distance. The specific choice of warmer colors and the inclusion of the rainbow disguise the danger of the natural landscape and instead falsely indicate a certain safety and control of the men in the lifeboat over the natural landscape.

The thirteen men within the ship allude to Jesus and the twelve disciples on the Sea of Galilee. In this biblical story, although the disciples are distressed because of the storm, Jesus remains asleep, his faith un-shook by natures forces. The men on the boat in the painting seem unfazed by the storm. A Jesus like figure appears confident standing near the bow of the boat. The close viewer recognizes that this confidence is misplaced for the boat will eventually crash.

 

Perhaps Aivazovsky is using the natural symbolism of the rainbow in the light colors and the allusion to Jesus on the Sea of Galilee to remind the viewer of our false sense of control over the natural environment, specifically the sea. Regardless of faith, the boat will crash, nature will win.

The Parable of the White Woman a Parable of Colonization

The cultural tensions are incredibly high in A Dream of Polar Fog, for as our protagonist John becomes more and more accepting and immersed in the local culture around him, we are reminded that other Westerns with the damaging biases John first had remain. In the parable of the White Woman, Toko presents a story about killing your brother that can be read as an allegory towards the white men’s mistreatment of native populations and the white men’s inability to see the native populations as their fellow brothers.

The text asks for a parabolic reading. Right before telling the story John is surprised but catches himself, “Stunned, John was about to inform Toko it was nonsense, but then the absurdities of the Bible came to mind…” (104) This is a great moment of John stepping into the shoes of the native people and realizing their possible viewpoint of the white man’s culture. Through inhabiting another cultural viewpoint, John is able to see the similarities between the two culture and, instead of dismissing the other culture for being different, appreciate and learn from people unlike him. Because John is viewing the culture through his Christian lens, the text is asking us to also view the story of the White Woman through that similar lens which renders the story near a biblical parable.

The parable of the White Woman shows a man, out of greed, killing his whale brother who is different than him. This parable teaches the lesson of not killing your fellow kind even if they do not look like you or do not know them. It preaches a common connection between species regardless of greed or possible gain.

Keeping in mind the context of the Canadians and the native Arctic people, this story begins to show the terribleness of the mistreatment of fellow human beings. Just as the whales are the brothers of the Arctic people and should not be harmed or exploited, so are the seemingly different humans who have different languages and customs. The parable of the White Woman reminds to treat fellow humans kindly regardless of difference.

If I had more space, I would do further close readings on the great and dense parable.

 

Edit: Okay I finished more of the reading and have to add on, sorry for the length.

Of course Johns writing corroborates what is listed above, in that eh also feels that this parable like story is one that applies to humanity wider, and more specifically to race relations between the people.  Something that I am confused about is John’s specific species within this parable? A striking line within this section is when John’s sin is described to be equal of that of native people: “Within a few days, all of John’s exposed flesh became so tanned that in color it was hardly different from Toko’s skin” (92). It seems that John can oscillate between his two identities, in some instances he acts as the whale, and in others the human. I wonder how this mixed identity will play out, and what the further come of this in relations to both the natives and the white men. More so, I’m curious what other people think of the stakes and problems of Johns exploitations but also adoptions of this culture? Thoughts?