In his short story “A Child’s Drawing”, Varlaam Shalamov shows how far a society can fall and how dark human life can be. Set in the horrendous conditions of the Soviet gulag, Shalamov uses a character finding a child’s notebook full of drawings to contrast the isolating dread of conditions in the far North.

The conditions of the world around the characters in the story can only be described as hell-like. Every moment living in the harsh, unforgiving environment of biting cold and long depressingly dark nights is a punishment. This is hell, a land of punishment that can never be escaped. Shalamov describes the weather as a way of purposefully breaking spirits: “Nature in the North is not impersonal or indifferent; it is in conspiracy with those who sent us here.”

This feeling is furthered by a myth told by the narrator towards the end of the story. He describes God literally abandoning the people of Northern Russia, of God condemning them to an existence not truly meant for those He had made in His image. The end of the legend goes: “Later when God grew up and became an adult, he learned to cut out complicated patterns from his pages and created many bright birds. God grew bored with his former child’s word and he threw snow on his forest creation and went south forever.” God has left the people and the land He Had created, never to return. And there is nothing more lonely, more crushing, then feeling that everyday you move further and further away from God’s light.